Rich displays cover the periods 3500 B.C to 500 A.D. The oldest artifacts come from the wider region of Sitia. The museum is divided into five chronological parts and displays include a valuable collection of vases, clay tablets in Linear A script which were found in the archives at Zakros, figurines from peak sanctuaries, a wine press from the neo-palatial period and a Hellenistic wheat mill. Of special interest is the ivory and gold male figurine which was found in Roussolakkos near Palekastro.
A small picturesque village by the sea characterized as a landscape of exquisite, natural beauty. With joyful and peaceful inhabitants who constantly tease each other. It is located in Crete, north of Lasithi prefecture, between Agios Nikolaos and Sitia, at equal distance (30-35km) from the three major cities(Agios Nikolaos, Sitia, Ierapetra). Ideal place for holiday or special weekends. You will enjoy the most colourful sunset and the most beautiful daybreak from any other place. The serenity of the morning open view, with the sun rising from the sea, will be unforgettable. The small island, opposite the village, with the small church of Agios Nikolaos, offers a unique beauty to the landscape.
One of the most beautiful sandy beaches of Crete, extends from a clump of rocks riveted in the shallow waters in the south to the Kalamaki settlement in the North. In Minoan times there used to be the ancient port of Phaistos. The antiquities lie just a few meters away from the sea.
Excavations at Phourni have brought to light 26 buildings, most of which had funerary use. The cemetery was used from 2400 B.C. until 1200 B.C. and each complex had more than one architectural phase. Most of the funerary buildings were used for many decades and contain successive burials. Excavations were begun in 1964 by Efi and John Sakellarakis and have been continued until today (1995) with short interruptions. Most of the buildings are preserved in good condition.
Anemóspilia (GR: Aνεμόσπηλια). A rectangular building with three narrow chambers, each opening into a long corridor to the north, which extends along the whole width of the building. The area is enclosed with a stone wall and the whole structure has been interpreted as a shrine; in the central room was found a "xoanon" (statue) of the deity worshiped here. In the west room, where the altar stood, was uncovered, according to the excavator, the first human sacrifice to have ever taken place in Minoan times. The building at Anemospelia was used for only half a century, as it was suddenly destroyed by an earthquake in the middle of the 17th century B.C. The site was excavated in the summer of 1979 by John Sakellarakis. Aerial View Drawing
The ancient settlement of Vasilike is one of the first Minoan settlements with town-planning. It occupies the top and slopes of a low hill near the village Vasilike, in the vicinity of the Minoan settlement of Gournia. The first settlement dates back to the Early Minoan II period (2600-2300 B.C.) and owed its development not only to the strategic position, controlling the Isthmus of Hierapetra, but also to the neighbouring fertile plains. The central building of the settlement was destroyed by fire in around 2300 B.C.
Matala (GR: Μάταλα) was the ancient port of Phaistos and Gortys and a former fishing community which has developed into a modern holiday center. It is located 4 km south-west of the village of Pitsidia and 75 km from Iraklion. It is built on the coast line of the Messara bay inside a small and picturesque inlet. During the 60's the caves of Matala were hosting a hippie commune.
At the northernmost edge of the eastern coast of Crete lie the ruins of a settlement which flourished during the Late Minoan period (1550-1220 B.C.). At the same site, however, are preserved remains of the Early and Middle Minoan periods (3000-1550 B.C.), mostly cemeteries with well-built ossuaries, and ruins of spacious houses. The site ceased to be inhabited at the same time when Zakros was abandoned (1450 B.C.) but was reoccupied during the Late Minoan III period (1300-1200 B.C.). The city covered a total area of more than 50,000 sq.m., was densely inhabited but not fortified. To the NE of one of the city's sectors lies the sanctuary of Diktaian Zeus, which belonged administratively to the city of Itanos. Cult practice was continuous from the Geometric period (8th century B.C.) until the Roman conquest. It seems that the sanctuary was plundered and destroyed by fanatic Christians at the end of the 4th century A.D.
In 1971 systematic excavations were begun by the Ephor of Antiquities Kostis Davaras north-west of the village at Plakakia. Here he located an important villa of the lateminoan period. The dig was completed in 1977 having shown that the villa had been destroyed by fire.It had strong outer walls, inner courts, many rooms with thresholds, flagged floors and areas perhaps connected with the worship of the Sacred Tree. It must have been roofed with bamboo canes covered by a layer of clay (as a number of the older traditional village houses still are). Among the most important movable finds were vessels of pottery and stone, figurines and an amygdaloid seal-stone of steatite engraved with a representation of a Sacred Ship. On the ship a sacred precinct or altar is shown with a tall palm-like tree standing like a mast. On the prow of the ship a worshiper or a priestess stands facing the altar, clenched fist raised to the brow in the recognized Minoan attitude of worship. This is the first clear evidence of the existence of Sacred Ships or Boats connected with the Minoan religion; it has its parallels in the ancient religions of Egypt and Mesopotamia. Source: "Sitia" by Nikos Papadakis - archaeologist
The Archaeological Museum of Archanes opened in 1993. It occupies an area of 570 square meters and it is located at the Tzami quarter in the center of the settlement. There, for the first time in Crete, the archaeological finds from a single site are exhibited. While the exterior spaces of the building were adapted to a tasteful ensemble, in resemblance with the impressive modesty of the environment and the traditional ochre and rosy colour tonations of Archanes. The interior was thus arranged as to accommodate the most modern mode of exhibition, especially attractive for the visitor.