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Vassiliki - Archaeological Site
Pahia Ammos, Ierapetra
The ancient settlement of Vasilike is one of the first Minoan settlements with town-planning. It occupies the top and slopes of a low hill near the village Vasilike, in the vicinity of the Minoan settlement of Gournia. The first settlement dates back to the Early Minoan II period (2600-2300 B.C.) and owed its development not only to the strategic position, controlling the Isthmus of Hierapetra, but also to the neighbouring fertile plains. The central building of the settlement was destroyed by fire in around 2300 B.C.

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Sitia Folklore Museum
Sitia town
The Folklore Museum of Sitia (Siteia, GR: Σητεία) displays items from the 19th and early 20th centuries. It includes some unique embroidery, examples of traditional weaving, wood carvings, local dress and household items, all displayed in an authentic Sitian house setting.
Address : 28, Kapetan Sifi Str., 72300 Sitia

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Makry Gialos Roman Villa
Sitia south
In Makry Gialos, at the place Katovigli, near the church of the Dormition of the Virgin, have been unearthed remains of a Roman Villa. Pendlebury (BSA XXXIII p. 100) had already noted the existence of a Roman settlement here. Excavations begun in 1977 (not yet completed), have shown that there were indeed large domestic establishments, dated from the 1st century BC to the 3rd century AD, but it is not possible at this stage of the excavations to draw definite conclusions. One room after another has been discovered and the whole excavation so far, covers an area of roughly 1500 sq.m.

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Makry Gialos Minoan Villa
Sitia south
In 1971 systematic excavations were begun by the Ephor of Antiquities Kostis Davaras north-west of the village at Plakakia. Here he located an important villa of the lateminoan period. The dig was completed in 1977 having shown that the villa had been destroyed by fire.It had strong outer walls, inner courts, many rooms with thresholds, flagged floors and areas perhaps connected with the worship of the Sacred Tree. It must have been roofed with bamboo canes covered by a layer of clay (as a number of the older traditional village houses still are). Among the most important movable finds were vessels of pottery and stone, figurines and an amygdaloid seal-stone of steatite engraved with a representation of a Sacred Ship. On the ship a sacred precinct or altar is shown with a tall palm-like tree standing like a mast. On the prow of the ship a worshiper or a priestess stands facing the altar, clenched fist raised to the brow in the recognized Minoan attitude of worship. This is the first clear evidence of the existence of Sacred Ships or Boats connected with the Minoan religion; it has its parallels in the ancient religions of Egypt and Mesopotamia.
Source: "Sitia" by Nikos Papadakis - archaeologist

Image Library
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Agios Nikolaos Folklore Museum
Agios Nikolaos, Lassithi
The Folk Art Museum of Aghios Nikolaos, in collaboration with the "Cultural Society of Eastern Crete", founded in 1978. All the original and important material was generously offered by the Touring Club of Aghios Nikolaos. Since then more objects have been added to the collection.
A visit to the Folk Art Museum will help you to become familiar with the sort of work and activities the people of this area had in the old days. The Museum houses a rich and beautiful collection of hundreds of genuine samples of Cretan popular art and mainly hand woven and embroidered pieces, some of which are unique.

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Sarakina gorge
Ierapetra, Lassithi
A monument of natural beauty that attract a lot of local and foreign visitors. The gorge of Sarakina (GR: Σαρακίνα) is one of the most beautiful in Crete. Its steep, vertical walls in some parts reach a height up to 250 m. Its widest opening is no more than 15 metres while in some places it’s so narrow that its sides seem to join each other. Its rich flora and fauna, the dittany, the wild birds that nest there, the running water make the route through the gorge a worthwhile experience.

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Lefki (Koufonissi) island
Sitia, East Crete
Koufonisi is a small island in the Libyan Sea just off the South East coast of Crete and the Cape of Goudouras.
It is also named LEFKI and gave its name to the municipality.
There is a cluster of small islets in the area like Makroulo, Strogylo, Trahila and Marmara. The island is deserted and in many spots it is covered with sand reminding an African landscape.
Until 1976 the shepherds used to feed their sheep there but it was not inhabited.
Later the Archaeological Offices of Eastern Crete under the authority of N. Papadakis began the excavations and the island proved to be full of ancient sites.
A beautiful theater, made of stones, at the North West end of the island opposite the Marmaras islet was discovered. At the South East of the theater where a settlement was found, a villa with 8 rooms and a guest room was brought to light.
The excavations also showed a workshop where the famous purple robes of the Romans was made. They also dig out an astonishing building, the Public Baths, dated back to 1st and 4th A.D. and ruins of an old temple.
Boats depart daily from Makrygialos to Koufonissi (during the tourist season and only if the weather permits) offering day-trips.

A short description of Lefki, by the archaeologist Nikos Papadakis:
Koufonisi island covered today with sand and bushes, lies close to the southeast shore of Crete. From the Middle - Ages until today is nowhere referred that the island has ever been inhabited permanently. However scattered ancient remnants, drew the attention of the English admiral and traveller T B. Spratt in the mid - 19th century. His itinerary and visit was repeated by the English archaeologists Bosanquet and Curely in 1903 and by the American A. Leonard jr in 1970. The definite conclusion all the above travellers reached was that Koufonisi could be identified with the island Lefki of antiquity for which the people of Itanos and Hierapytna were contending as it is referred in the famous "Inscription of Magnetes" of 112 - 111 B.C.
Excavations and archaeological research have since 1976 taken the responsibility to answer to the questions almost innate and consequent to the above conclusion and the result is undoubtedly impressive: An entire theater that could have housed a thousand spectators: a temple still containing fragments from the colossal cult statue: two private houses with 17 rooms decorated with mosaics and colourful walls: a system supplying water to the city through a series of vaulted cisterns and built pipes: a Minoan acropolis: cemeteries and last but not least the city of Lefki itself. Thus, slowly but steadily is unveiled the short but impressive presence of this small island nearby east Crete. Judging from the so far finds we can say that Lefki being one of the major centers of processing and trading purple, a symbol of authority and economic power soon became the object of rivalry among its neighbours. A series of diplomatic intrigue and fighting had occurred over the dominance of this prolific island. Later when its sources of prosperity were depleted the people of Lefki were exterminated through arms and fire: an invasion in the 4th century A.D. turned the historic island into ashes. On the basis of the existing ruins the importance it had for its neighbours and the fact that it was never again inhabited after its destruction we may describe Koufonisi by quoting a western journalist as Delos of the Libyan Sea.

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Windmills of Lasithi
Seli Ampelou, Lassithi Plateau
It is the most significant group of windmills preserved on Crete. It occupies the northern entrance to the Lasithi plateau and is the landmark of the whole area. Today 24 windmills are preserved (out of the original 26), 7 of which extend to the south of the road that enters the plateau while the rest are built to the north of it. All the mills belong to the one-sided type of windmill, that grinds in a standard position, always on the same direction of the wind. Windmills of this type are preserved on Crete and on Carpathos but the Cretan ones are generally more carefully built and more elegant. The group of windmills has been declared a work of art since 1986. The mills belong to individuals and some of them have been restored while others still remain half-ruined.
Source: The Hellenic Ministry of Culture

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