Kokkíni Cháni (Kokkíni Háni - GR: Κοκκίνη Χάνι) is a beach resort located 14km east of the city of Heraklion, on the old national road from Heraklion to Agios Nikolaos.
The beach from Vatheianos Kambos, to the west, to Gournes, to the east, is protected by small piers that in some places form small lagoons. It has fine sand and it is clean and well cared, with umbrellas and sun chairs, lifeguards and sea sports.
The central street is lined with taverns, restaurants, bars, shops etc while the seaside street is less busy and ideal for walking.

Excavations at Phourni have brought to light 26 buildings, most of which had funerary use. The cemetery was used from 2400 B.C. until 1200 B.C. and each complex had more than one architectural phase. Most of the funerary buildings were used for many decades and contain successive burials. Excavations were begun in 1964 by Efi and John Sakellarakis and have been continued until today (1995) with short interruptions. Most of the buildings are preserved in good condition.

Káto Goúves (GR: Κάτω Γούβες or simply Gouves) is a modern tourist resort with a complete tourist infrastructure to meet all demands. Organised beaches, large modern hotels, family apartments, restaurants, small tavernas, recreation centres, sports centre, shops, car and motorbikes for rent, small ports (marinas) for small boats, in a word Kato Gouves provides everything the visitors require to spend an agreeable and carefree holiday, enjoying the sunshine by day and the thrilling night-life in the numerous bars in the area.
Just a few kilometers inland there are picturesque traditional villages, historic monasteries, caves and other natural beauties.

A Luxurious, two-storey house, built of large ashlar. The walls were strengthened by timber-frames and covered with a thick layer of plaster and marble slabs. The building has a paved courtyard, a shrine, storerooms for agricultural products, a staircase, and rooms with benches. It has been interpreted as a High Priest's house, due to the numerous ceremonial vessels it contained.
The house was probably built in the 16th century. C. (MM III period) and, after its destruction by fire in the 15th century BC (LM IB period), was finally abandoned.
The "Minoan Megaron" at Nirou was excavated in 1918 by St. Xanthoudides. In 1960, under the supervision of the Ephor of Antiquities N. Platon, the site was fenced and the building restored. The monument is consolidated and cleared at intervals by the 23rd Ephorate.

Visiting Hours:
Daily: 8:30-15:00, Monday: closed
Entrance Fee:Free Admission

The Minoan villa at Vathypetro was most likely the residence of a local ruler. Its architecture is comparable to that of a "Little Palace": it has a central and west court, a small tripartite shrine, a three-columned portico, storerooms and workshops. It seems that the construction of the building was never completed. Interesting elements of its architecture are the installations of a wine-press in the south wing and an oil-press in the courtyard.

The most popular tourist resort in Crete. Nice beaches, sights and facilities for all tastes and ages. Together with Malia, are the party places for young visitors. Close to Hersonissos there are three small traditional village, those of Piskopiano, Koutouloufari and Old Hersonissos.

The Cretan Open-air Museum 'Lychnostatis' aims to promote the understanding and awareness of the Cretan folk cultural heritage. Its scope lies on the Cretan Folk Tradition and Ethnology, the Cretan Nature and Environment and the Cretan Folk Culture. Located in Hersonissos, one of the principal tourist areas in Crete, the museum is, apart from a valuable tourist asset, an exemplary self - motivated conduct on tradition, culture and environment of the island.

It is the most significant group of windmills preserved on Crete. It occupies the northern entrance to the Lasithi plateau and is the landmark of the whole area. Today 24 windmills are preserved (out of the original 26), 7 of which extend to the south of the road that enters the plateau while the rest are built to the north of it. All the mills belong to the one-sided type of windmill, that grinds in a standard position, always on the same direction of the wind. Windmills of this type are preserved on Crete and on Carpathos but the Cretan ones are generally more carefully built and more elegant. The group of windmills has been declared a work of art since 1986. The mills belong to individuals and some of them have been restored while others still remain half-ruined.
Source: The Hellenic Ministry of Culture

Anemóspilia (GR: Aνεμόσπηλια). Anemospilia is an archeological site at the northern foot of Mount Yuchtas, in the prefecture of Heraklion in Crete. A rectangular building has been found which dates from the Minoan era and was destroyed by an earthquake in the 17th century BC.
The building with three narrow chambers, each opening into a long corridor to the north, which extends along the whole width of the building. The area is enclosed with a stone wall and the whole structure has been interpreted as a shrine; in the central room was found a "xoanon" (statue) of the deity worshiped here. In the west room, where the altar stood, was uncovered, according to the excavator, the first human sacrifice to have ever taken place in Minoan times. (although this view has been challenged).
The building at Anemospelia was used for only half a century, as it was suddenly destroyed by an earthquake in the middle of the 17th century B.C. The site was excavated in the summer of 1979 by John Sakellarakis.



Links:
Minoan Religion (Foundation of the Hellenic World)

The cave of Psychro is one of the most important cult places of Minoan Crete. The excavators and several scholars identify the cave as the famous "Diktaian Cave", where Zeus was born and brought up with the aid of Amaltheia and the Kouretes, and which is connected with myths as this of the seer Epimenides who "slept" here, or the coupling of Zeus with Europa.

The south part and south facade of the palace is very eroded. Today one can only see foundations on tiered levels. At the bottom, a tower-like projection is all that remains of the south entrance to the Palace. An asceding corridor led to the Central Court.
The section of the corridor closest to the Central Court was reconstructed by Evans who put here a copy of a relief wall painting, of which only few fragments were found. On these fragments, it was possible to make out a figure wearing jewellery in the shape of lilies. The reconstruction we see here is uncertain. In Evans's opinion, it represented the "Priest-King". Other scholars think that it is a prince, whilst others believe it depicts a female figure. Anyway the original fresco which is known as the "Prince of Lilies" is one of the masterpieces in the collection of the Heraklion Museum.

The Central Court (dimensions ca. 50m x 25 m.) is an architectural element common to all Minoan palaces. The Court connects the different wings with one another. There was also direct access from outside the Palace. Part of the paving, which once covered the whole court, is preserved in the northwest and southwest corners, whilst near the "Throne Room", parts of the drainage system can be made out which ensured the evacuation of rain water.
It is thought that the area must have been for meetings and rituals of both a sacred and profane character
The orientation of the Central Court was north-south with a clear view of the sacred Mount Giouhtas, where an important sanctuary was located.

A large part of the east wing cannot be seen from the Central Court as it is built into the side of the hill on top of which lies the rest of the Palace. It is one of the most interesting parts of the palace because two storeys are preserved below the level of the Central Court. Today, a large part of it has been reconstructed in concrete.
The storeys are connected with one another by means of a system of stairs known as the "Grand Staircase". The staircase was found during the excavation in its original position. There is a total of four flights of stairs, two for each storey. The two lower flights are preserved as they were found. The steps are broad and deep, with a gentle incline that makes for an easy ascent. The staircase is lit by a large light-well and was surrounded by a colonnade of wooden columns.
The Grand Staircase
The Grand Staircase
The Grand Staircase & Hall of Colonades - First floor
The Grand Staircase & Hall of Colonades - Ground floor
A series of corridors, spacious halls and small rooms is connected to the Grand Staircase. Evans, who believed that the Palace was the seat of the king of Knossos, hypnothesized that the residential quarters of the Royal family lay in this part of the site.

This room lies at the southern part of east wing in an area with many small rooms (possibly storerooms and magazines), lustral basins and light-wells. It was made into a shrine at the end of the Postpalatial period (1375-1200 B.C.). It is known as the "Shrine of the Double Axes". On a bench at the back, different ritual objects were found amongst which were a stone double axe and votive clay idols - among them the terracotta figurine of a goddess with upraised arms. Similar small shrines have been found in houses of the same period.

This house belongs to the New Palace Period (1700-1450 B.C.) and was functionally related to the Palace. In its restored part with two columns, there was a bench on which some object of worship had probably been set up. There was a paved hall in front with a double pier - and - door partition.

The south-east house belongs to the New Palace period (1700-1450 B.C.). It was well built and decorated with wall-paintings of lillies. It had a pier-and-door partition, a pillar room and storage rooms.
A little behind it are other houses of the Old Palace period (1900-1700 B.C.) such as the house of the "Sacrificed Oxen", named after the remains of a sacrifice found there (horns of a bull and a tripod table of offerings) and the "House of the Fallen Blocks", after the blocks that had fallen from the facade of the palace due to an earthquake.
Next to "South-East House" there are houses of the Old Palace period (1900-1700 B.C.), such as that of the "Monolithic Pillars" in front of the steps. Under the small roof is a Minoan, possibly smelting kiln.

The "Hall of the Double Axes" was so named by Evans due to the double axe signs engraved on the walls of the light-well at its rear. He also thought that it was the place of residence of the King of Knossos.
The central area has openings on three sides and is therefore called a "polythyron" (system with multiple doorways). It has a slab floor and its walls were embellished with gypsum slabs and frescoes. The area between the "polythyron" and the light-well was used as a reception hall. Traces of a wooden construction were found here. Evans reconstructed a wooden throne at this spot.
Pictures: 1, 2
According to the archaeological finds, the arrangement of the apartments on the upper floor was similar to those on the ground floor.

The Queen's Megaron lies in the Royal Apartments next to the "Hall of the Double Axes". It is a smaller room with a similar layout and rich decoration. Evans thought that it must have belonged to the Queen. Fragments of frescoes with dolphins and dancing ladies were found here. The room is largely restored and copies of the wall paintings have been put up on the walls. At the end of the room, a low partition wall with one column created a small space. It was thought that it was the "Queen's Bathroom" since pieces of a clay "bath" were found there.
Pictures:
The Queen's Hall 1, 2,3
A corridor joins the "Queens Megaron" with rooms that have been interpreted as places of preparation and washing.

The magazine to the north of the Grand staircase took its name from the pithoi (large storage jars) that were found here. The jars have relief disk and rope decoration, a characteristic of the beginning of the New palace period (1700-1450 B.C.). A variety of finds show that the place had also been used as a magazine in the Old Palace period (1900-1700 B.C.).
Next door is the "Corridor of the Bays", where three small openings were used for storage. Many vases and religious artefacts were found here. The magazines were buried at the end of the New Palace period(1700-1459 B.C.).

Here is the so-called "School Room", an area where, according to Evans, scribes were taught to write on clay tablets. He supposed that they kneaded the clay in the built mortar next to the bench. It is more likely, however that it was a workshop for ceramics or wall-painting.
Behind the "School Room" is the "Lapidary's Workshop", where blocks of crude or semi-worked lapis lacedaemoniae (spartan basalt) and stone tools were brought to light.
According to Evans, the main workshop lay on the upper floor from which vases and large stone amphora had fallen to the ground floor.