The Archaeological Museum of Archanes opened in 1993. It occupies an area of 570 square meters and it is located at the Tzami quarter in the center of the settlement. There, for the first time in Crete, the archaeological finds from a single site are exhibited. While the exterior spaces of the building were adapted to a tasteful ensemble, in resemblance with the impressive modesty of the environment and the traditional ochre and rosy colour tonations of Archanes. The interior was thus arranged as to accommodate the most modern mode of exhibition, especially attractive for the visitor.

An excellent specimen of a specialized building, one of the first structures erected during the period of the Cretan State. It was designed by the architect Salivero, one of Prince George's officials. The plans were completed in 1901 and the construction was accomplished thanks to donations of rich Archanians living in the U.S.A. The building is Pi-shaped in plan, has two storeys and a basement, it is built of stone and its roof is partially wooden and covered with tiles.
It is a monumental but well balanced structure with many harmonic and elegant Neoclassical features. Since its construction, the building has been used as a school. During the German occupation it housed General Muller's division.
Source: The Hellenic Ministry of Culture

Excavations at Phourni have brought to light 26 buildings, most of which had funerary use. The cemetery was used from 2400 B.C. until 1200 B.C. and each complex had more than one architectural phase. Most of the funerary buildings were used for many decades and contain successive burials. Excavations were begun in 1964 by Efi and John Sakellarakis and have been continued until today (1995) with short interruptions. Most of the buildings are preserved in good condition.

The fortified enclosure of the Venetian Chandakas of the 15th century, which is still preserved today, is one of the most significant monuments of its kind in the whole Mediterranean basin.
Triangular in shape, with its base at the sea, the mighty enceinte has a perimeter of about 5.5 kilometres. The hallmark of the defensive layout are the bastions, linked by curtain walls decorated at many points by escutcheons and the lion of St. Mark, symbol of Venetian omnipotence. The gates in the enceinte, which served to link the town to the countryside, still stand as important architectural monuments.
To this day, the walls that withstood the Ottoman siege in the mid-17th century mark out the boundary of the old town.

The bastion heart shaped in plan with an acute angle, has two "piazza bassa" and one cavalier. It defines the southeast and the highest part of the fortification. Its name is due to Gabriele Tadini Martinego (1520) who started the construction of a circular tower at the place of the later bastion. It was one of the strongest bastions (the others were that of Pantocratora and that of Vittouri) which also suffered the main attack and most of the bombardment from the Turks.
On the top of the bastion itself there was made a cavalier (which looks like a smaller bastion), whose main purpose was the better defense and control of the area around the bastion.

The grave of Nikos Kazantzakis, the famous Cretan writer, is situated on the highest point of the Venetian fortification at the Martinego cavalier. The inscription by the wooden cross reads: " I hope for nothing. I fear nothing. I am free ", a phrase taken from "The Odyssey" which Kazantzakis considered as one of his most significant works.

The playgrounds of the Academy of the local football team "Ergotelis" are located today on the main bastion and in the ditch around the bastion are the botanical gardens of the city.

Behind the "N.Kazantzakis open theatre", in the low square of the Gate of Jesus, was made after the proposal of Manos Hatzidakis and the design of Dionysis Fotopoulos, the Small Open Theatre, that recently named after the famous composer. It is constructed in a way so that is not caused damage in the Venetian Walls, that have been characterized as preservable monuments. In the "Manos Hatzidakis open theatre" (400 - 450 seats), as in "N.Kazantzakis open theatre" a lot of important events took place during the Heraklion Summer Festival.

The Cathedral of St. Minas:The small church of St. Minas did not meet the religious needs of the constantly growing Christian community, so the demand arose for the erection of a new cathedral. The plot for the new church used to be a garden that belonged to a Turk from whom it was bought. The architect was Athanasios Moussis and in 1862 the foundation stone of one of the most magnificent and impressive Greek churches was laid. The outbreak of the Cretan revolution of 1866 demanded the stopping of the building work which will continue in 1883 in order to be completed in 1895, when the inauguration of the exquisite temple took place. The church is of the cruciform type with a dome based on a high spandrel, while internally there are also elements of a three aisle basilica. It has two bell towers, one in the northeastern corner and the other in the southeastern one. The right aisle is dedicated to Apostle Titos and the left one to St. Ten Martyrs of Crete. The inside of the church has gone through many changes with new additions. With plans of the architect Anastasios Orlandos the woodcut icon screen was replaced by another one made of marble, the same happened with the bishop's seat. The religious painting of the church was assigned to St. Kartakis who followed faithfully the principles and the models of the Byzantine icon painting. The hundredth anniversary from the inauguration of the Cathedral Church of St. Minas (1995) was celebrated with every solemnity that is suited in an equal occasion and more specifically to one of the most glorious and imposing Greek churches.

The «General Provisioner» Antonio Priuli made it in 1666 and it is situated today behind the "Bodosakeio" Primary School (in the area of the Venetian Dermata Gate). He decorated it with round and square columns with Corinthian type capitals, while a triangular pediment crowns the whole construction. From both sides of the columns there are niches with their metopes elaborately decorated. In the middle of the fountain there is a Turkish inscription where there is a reference to the name of the Turkish pasha who managed to bring water again in the fountain.

Oasis is the part of the ditch of the new Venetian fortification that corresponds to the Rampant of Jesus. East of the entry of Oasis is the Cyprus square, roughly 600m from the centre of the city. For the first time, Oasis functioned as a small theatre during the 2nd world war when enough pines were cut. Then, up to 1963, a lot of assemblies took place here, mainly political. In 1963, the first serious effort of exploitation of Oasis as summer theatre, which was maintained up to 1976. In 1976 the theatre was created with the form that it has today. It became a modern open theatrical space of 1200 seats with all the necessary comforts.