Crete : Arts & Literature
Found 8 - Showing : 1 - 8
Nikos Xylouris (1936 - 1980)
Cretan Singer and lyra player from Anogeia
at 0.5km (SE)
Nikos Xylouris (Greek: Νίκος Ξυλούρης, 7 July 1936 - 8 February 1980), nicknamed Psaronikos (Greek: Ψαρονίκος, "Grey Nick"), was a Greek composer lyra (Cretan lyre) player and singer from the town of Anogeia. He was part of the movement that brought down the Greek military Junta of 1967. His songs and music captured and described the Greek psyche and demeanor, gaining himself the title the archangel of Crete.
at 5km (S)
The artistic events, which take place every year in the first week of July at the same place called Fourni and in the Cretan village of Anogia. The poet, songwriter and singer from Anogia, who they call "Loudovikos from Anogia" wants to make the history of the young martyr, who supersedes his fear in love known to the public. And because 1.900 years have passed since the martyrdom of Yakinthos, he decided to honor the Saint of Love and sing together with him of the poetry of love.(www.yakinthia.com)
El Greco (Domenikos Theotokopoulos)
Painter born in Fodele, Iraklion
at 12.2km (NE)
Great painter famous as "EL GRECO"(Fodele Iraklion Crete 1541 - Toledo Spain 1614) El Greco's art is the product of both his time and his genius. The artistic currents and the places he visited, are reflected in his work. It is more difficult to outline precisely the influence of the Cretan School in his work. Birth name: Doménikos Theotokópoulos (GR: Δομήνικος Θεοτοκόπουλος)
Born :1541 Crete, then Republic of Venice
Died :April 7, 1614 Toledo, Spain
Field :Painting, sculpture and architecture
Movement :Mannerism, Antinaturalism
Famous works :El Espolio (1577–1579), The Assumption of the Virgin (1577–1579), The Burial of the Count of Orgaz (1586–1588), View of Toledo (1596–1600), Opening of the Fifth Seal (1608–1614).
at 16.3km (S)
This is one of Crete's most famous monasteries. It played an important role during the years of the Cretan Renaissance, both in the letters and the arts, and, during the last centuries of Venetian rule, it was known for its many scholars, artists and venerable monks.
Agia Ekaterini church and Exhibition
at 23.3km (E)
Agia Ekaterini church and Exhibition of Byzantine Art and Ecclesiastical objects. A small sinaitic church of St. Catherine with a Basilica design, houses an exhibition with works of art from the Cretan renaissance. Among the exhibits are some of the most important icons of the Cretan School, ecclesiastical books and manuscripts, vestments, ecclesiastical vessels and relics, wall-paintings, wood-carvings and sculpture.
Nikos Kazantzakis Open Theatre (Oasis)
at 23.4km (E)
Oasis is the part of the ditch of the new Venetian fortification that corresponds to the Rampant of Jesus. East of the entry of Oasis is the Cyprus square, roughly 600m from the centre of the city. For the first time, Oasis functioned as a small theatre during the 2nd world war when enough pines were cut. Then, up to 1963, a lot of assemblies took place here, mainly political. In 1963, the first serious effort of exploitation of Oasis as summer theatre, which was maintained up to 1976. In 1976 the theatre was created with the form that it has today. It became a modern open theatrical space of 1200 seats with all the necessary comforts.
Found at Phaistos Palace
at 27.3km (S)
The disc of Phaistos is the most important example of hieroglyphic inscription from Crete and was discovered around 1903-05 in a small room near the depositories of the "archive chamber", in the north - east apartments of the palace, together with a Linear A tablet and pottery dated to the beginning of the Neo-palatial period (1700- 1600 B.C.).
The disc of Phaistos can be seen at the Archaeological Museum of Heraklion.
Labyrinth Musical Workshop
at 29.2km (E)
The Musical Workshop "Labyrinth" organizes seminars, concerts and various creative activities around modal traditional musics of the world. Labyrinth Musical Workshop was founded in 1982 by Ross Daly, with the goal of initiating young people, primarily, into a creative approach to traditional musical idioms from various parts of the world.
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