Crete : Culture
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Lyttos ancient town
at 16.9km (SE)
The ancient city of Lyktos or Lyttos (GR: Λύκτος / Λύττος) was one of the most ancient and powerful towns in Crete.
Although the excavations in the area reveal traces of habitation from the Hellenistic years onwards (630 B.C.), the archeologists Georgios Rethemiotakis and Angeliki Lempesi have excavated traces of habitation from the time of the destruction of Lyttos by the Knossians (219 B.C.) in excavated residences of the Hellenistic period.
From the Roman period, the city was subject to new workings as testified by the architectural remnants and the many inscriptions and statues discovered.
Numerous vestiges of ancient structures, objects, and broken marbles are seen, as well as an immense arch of a Roman aqueduct, by which the water was carried across a deep valley by means of a wide marble channel. Traces of the aqueduct which brought its water supply from Kournia, near Krasi village, are still visible today in the rural road to Kastamonitsa village. Lyktos had also a theatre, built in the slope of the hill the design of which we know only from the drawings of Belli (1586).
Finally, the most important discovery is that of a room of nearly 14 metres by 11.40 metres, with marble flooring and a series of four stone platforms along its two longer sides. The room was erected, according to the inscription that was found at the site, at the beginning of the second century B.C. This room was identified as the chamber of the Roman deputies of the city and was very probably destroyed by an earthquake at 365 AD.
Lyktos appears to have still been inhabited in the 7th Century AD as indicated by the excavation of late-roman shops in the area. (Late Roman Empire, 284-610 AD)
Arkalohóri Exhibition Centre & Theatre
at 21.3km (S)
A modern exhibition and congressional centre offering 8000 square meters of total space, 1500 of them being indoors. Among many events that take place in this centre is the Pancretan Agricultural and Commercial Exhibition of Arkalochori held every two years at the end of August. The exhibition attracts a large number of enterprises, manufacturers and services participating and is being visited by over 30,000 visitors from all over Crete. It is considered to contribute essentially in the rapid commercial and cultural development of the wider area.
The Municipal Open Theatre
Located in the area of the exhibition centre the theatre is of semicircular shape with a capacity of approximately 1000 seats. The facility offers also a canteen, toilets, dressing-rooms for the actors, store room of scene and backstage.The cultural events that the Municipality organises every summer, attract visitors not only from the wider area but also from Iraklion city.
Tylissos Archaeological Site
at 21.6km (W)
The houses of Tylissos were built during the LM I period (16th-15th century B.C.). Additions were made on House A in the LM II (15th-14th century B.C.) and on House C during the LM III period (14th century B.C.). The site was destroyed by fire in the 14th century B.C. and re - inhabited in historic times as is attested by ruins of later houses over the Minoan ones. Tylissos was excavated by Joseph Chatzidakis in 1902-1913. In 1954, in the course of restorations, parts of a paved court were revealed to the west, and a small stoa with five columns to the north of the Square of the Altar.
The monuments were restored by the Archaeological Service (under the direction of Nicolaos Platon) in the period between 1954 and 1962. All three houses were again restored in 1990-1994.
Source: The Hellenic Ministry of Culture
Malia Minoan Palace
Archaeological site in Malia, Iraklion
at 21.9km (E)
The Palace of Malia, which covered an area of 7,500 sq.m. , was the third- largest of the Minoan Palaces and is considered the most "provincial" from the architectural point of view. The first Palace was built in 1900 BC and destroyed in 1700 BC when a new Palace was built. Following the fate of the other palaces in Crete it was also destroyed in 1450 BC. and the present ruins are mainly those of the new palace.
Windmills of Lasithi
Seli Ampelou, Lassithi Plateau
at 22.8km (SE)
It is the most significant group of windmills preserved on Crete. It occupies the northern entrance to the Lasithi plateau and is the landmark of the whole area. Today 24 windmills are preserved (out of the original 26), 7 of which extend to the south of the road that enters the plateau while the rest are built to the north of it. All the mills belong to the one-sided type of windmill, that grinds in a standard position, always on the same direction of the wind. Windmills of this type are preserved on Crete and on Carpathos but the Cretan ones are generally more carefully built and more elegant. The group of windmills has been declared a work of art since 1986. The mills belong to individuals and some of them have been restored while others still remain half-ruined.
Source: The Hellenic Ministry of Culture
Diktaian Cave (Dikteon Antron)
Psychro, Lassithi Plateau
at 25.3km (SE)
The cave of Psychro is one of the most important cult places of Minoan Crete. The excavators and several scholars identify the cave as the famous "Diktaian Cave", where Zeus was born and brought up with the aid of Amaltheia and the Kouretes, and which is connected with myths as this of the seer Epimenides who "slept" here, or the coupling of Zeus with Europa.
at 26.3km (E)
At the side of the gorge of Selinari, at the 42 km. of the national road Iraklion - Agios Nikolaos is the small old chapel and the newly founded monastery of Agios Georgios Selinaris. In the monastery there is also a home for the aged founded in 1963. The small chapel was probably founded early in the 16th century AD, and ever since it is a place of worshiping. The people passing through the chapel stop to light a candle to the saint. The chapel is considered miraculous, there are various legends concerning miracles related either with healing of sick people or with divine punishment of people that did not pay the respect due to the saint.
Lassithi, Dikti Mountains
at 27km (SE)
The Lassithi Plateau (GR: Οροπέδιο Λασιθίου, Oropedio Lasithiou), is a high endorheic plateau, located in eastern Crete, Greece on the mountain range of Dikti at an average altitude of 840 m, and in a distance of around 55km from Heraklion and 50km from Agios Nikolaos. The plateau is elliptical in shape with an E-W axis of 11km and the N-S of 7km.
The plateau of Lassithi is renowned for its exceptional agricultural produce, the thousands (almost 15000) windmills that used to be there in the past, its significant historical role and for the unique cave of Psychro also known as "Diktaion Andron".
at 27.8km (SW)
The monastery of Aghios Georgios the Gorgolainis (GR: Αγιος Γεώργιος Γοργολαΐνι) is located on an altitude of 400 m close to the Kato Asites village. It survived through several revolutions and wars during the Ottoman occupation.
El Greco (Domenikos Theotokopoulos)
Painter born in Fodele, Iraklion
at 28.3km (W)
Great painter famous as "EL GRECO"(Fodele Iraklion Crete 1541 - Toledo Spain 1614) El Greco's art is the product of both his time and his genius. The artistic currents and the places he visited, are reflected in his work. It is more difficult to outline precisely the influence of the Cretan School in his work. Birth name: Doménikos Theotokópoulos (GR: Δομήνικος Θεοτοκόπουλος)
Born :1541 Crete, then Republic of Venice
Died :April 7, 1614 Toledo, Spain
Field :Painting, sculpture and architecture
Movement :Mannerism, Antinaturalism
Famous works :El Espolio (1577–1579), The Assumption of the Virgin (1577–1579), The Burial of the Count of Orgaz (1586–1588), View of Toledo (1596–1600), Opening of the Fifth Seal (1608–1614).
El Greco Museum
Fodele, Iraklion, Crete
at 28.3km (W)
The museum is located at a place called "Archontiko", around 1000m west from Fodele village and is housed in the house where according to tradition the great painter Doménikos Theotokópoulos (El Greco), was born. The exhibits are mainly photo - reproductions of his paintings and other documents related to the painter's life and work.
The house was severely damaged by the passage of time. The restoration began in 1982 with a grant from the Ministry of Culture and the considerable help of the then Minister Melina Mercouri, in collaboration with the community of Fodele. It was reconstructed according to its original design.
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