It is situated approximately in the middle of the seaside wall. It was built from the first years of the venetian domination and belonged to the monastic order of Dominicans (Domenicani Predicatori). It was one of the most important and biggest Catholic monasteries of the city. The earthquake of 1508 caused a lot of damages to the temple. It consists of a long aisle which is roofed by a two slope roof and ends at a sanctuary roofed by two vaults. To the north and south wall of the temple there are windows of different types that were opened either during the Turkish period, or even earlier.

With the recovery of Crete from Nikiforos Fokas (961AD), the seat of the bishopric is transferred from Gortyna to Chandakas, which became the capital of the island. The new cathedral, which is the most established and largest in the city, is dedicated to the Apostle Titos. Here, amongst other relics, there are gathered the Holy Skull of the Apostle and the miracle working icon of Messopapaditissas.

It is next to the external Gate of St. George, underneath the statue of Eleutherios Venizelos. Within an arched construction, which its top is decorated with floral elements, there is a plaque and the spout is within a relief decorated frame. The water was collected in a marble basin of a similar decoration.

The Gate of Agios Geórgios (GR: Πύλη Αγίου Γεωργίου - Saint George also called the Gate of Maroula or Lazaretto) was one of the central gates of Chandax during the Venetian period. Today it connects Eleftherias Square with Ikarou Avenue and at the same time is used as an exhibition venue.
The gate used to lead towards the eastern provinces of the city, the Maroula suburb and the Lazaretto. Designed by Giulio Savorgnan and dedicated to St. George, the monumental city side facade featured a relief medallion of the warrior saint on horseback, set directly above the finely carved stones that formed the main portal. This monumental facade was demolished in 1917 for the opening of today’s Democratias Avenue. Of the gate today, its entrance towards Ikarou Avenue is preserved, the internal domed hall and part of its climbing arcade which have been restored by the Municipality of Heraklion.

The most magnificent collection of Minoan art and culture in the world, unique in beauty and completeness is housed in this museum. The exhibiton of the museum is organized in chronological order, ranging from the Neolithic period to the Roman era (4th century A.D.) and geographically, according to the provenance of the finds.

The Heraklion Catholic church is located at 2, Patros Antoniou street close to the old port of the city. It is dedicated to Saint John the Baptist and was first built in 1888. In the 1959 earthquake the church suffered serious damages and had to be demolished and rebuilt. The pastor at that time, Father George Roussos, built the present church in 1961-1962. Father Petros Roussos, who was Pastor from 1980 to 2008 refurbished also the Capuchin Monastery that stands next to the church.

It is in the Ikarou Avenue, next to the Epigraphic Collection of Heraklion Museum. Within an arched construction which, is surrounded by two big square columns, decorated with rosettes, there is a relief spout of fine workmanship. The water is gathered in a marble basin adorned by a richly decorated relief.

Villa Ariadne was built at Knossos, Crete, by Sir Arthur Evans soon after he discovered the Minoan palace, when the site was his own private property. The villa became home, in turn, to John Pendlebury, who used it as a base for his excavations at Knossos and his explorations of the island. After Pendlebury's death at the hands of invading German paratroopers, the Villa Ariadne was taken over by General Karl Kreipe, who was living there when he was kidnapped by Patrick Leigh Fermor and his team.
Ariadne villa is surrounded by the only existing Greek Edwardian garden, a large oasis of Cretan and other flora and shrubs in specific formations. The garden has been fully studied by the British School of Archaeology with the participation of special architects and agronomists from Heraklion.

The Museum of the Battle of Crete and National Resistance (1941-1945) was founded by the Municipality of Heraklion in May 1994.The museum's aim is to collect, preserve and exhibit relics from 1941-1945 in an appropriate manner, as well as to document and disseminate information on the people's struggle during the Battle of Crete and the German-Italian occupation.
In addition to presenting a range of material witnesses to the past, the museum aims to cultivate interest and respect for the history of Crete.
Contact details:
Doukos Beaufort and Merambellou Str.
Tel. (+30)2810 246 554

The court is crossed by the so-called "Processional Causeways", which stand out from the rest of the paving and intersect each other. One idea is that processions paraded along them during ceremonies.
The West Facade of the Palace rises up along one side. The facade is constructed of massive gypsum blocks (orthostats) set on a plinth. The facade is indented or protrudes corresponding to the interior arrangement of space.
In front of the West Façade, two bases can be seen, thought to belong to stone-built altars. Settlement remains of the Neolithic (6700 - 3200 B.C.) and pre-palatial (3200 - 1900 B.C.) periods have been found beneath the level of the "West Court".

Three large pits, known as "kouloures" (rings), with stone-lined walls were built in the West Court during the Old Palace period (1900-1700B.C.). The excavation workmen gave them their name and A. Evans kept it.
The function of the circular pits is not clear. They have been interpreted as rubbish dumps either for all the refuse from the Palace or just the left-overs from sacred offerings. Support has also been given to the idea that they were storing grain.
In two of them, it is possible to see the remains of houses of the Pre Palatial period (3200-1900 B.C.). In the New Palace period (1700-1450 B.C.),the "kouloures" were covered over and out of use.

The "West Porch" was a roofed area opening onto the Court, supported by one column of which part of the gypsum base remains. The east wall was decorated with a bull-leaping fresco. There was a small "guard-room" at the back.
The porch was closed off by a double door and from here began the long "Corridor of the Procession".

The Corridor of the Procession is named from the wall painting decorating its east wall and depicting a procession of musicians and other people holding gifts.
The floor was very fine. The "Corridor of the Procession", according to Evans, initially led to the "South Propylaeum" and continued on to the Central Court.
Today a causeway made of wood, with handrail, stands in its place, so the visitors can follow the same route.

The "South Propylaeum", as we see it today, is a result of the restoration of Evans who put up a copy of the "Cup-Bearer" fresco here. The wall painting depicted a man holding a libation vase (rhyton). Its theme is connected with the "Procession Fresco" which, according to Evans, reached here, the "South Propylaeum". The pithoi (large storage jars) on the east side of the Propylaeum belong to the Postpalatial Period (1450-1100 B.C.), and indicate that the area was later used for storage.

British archaeologist whose name is inextricably bound up with excavations and restoration work at the palace of Knossos. Born as the son of numismatist John Evans, he studied at Oxford and briefly in Göttingen. From 1875 to 1882 he travelled through the Balkans as a correspondent of the Manchester Guardian. In 1884 he was appointed curator at the Ashmolean Museum in Oxford, which post he held until 1908. One year later he became a university don. In 1894 Schliemman's excavations at Troy, Mycenae and Tiryns prompted Evans to visit Crete for the first time, in search of Bronze Age script. The following year he published his first book on Cretan pictographics and pre-Phoenician writing. He set about systematic excavation work after the island was liberated from the Turks (in 1898), having already located the wider area in which to dig. At the same time he toured the length and breadth of Crete.
Evans worked at Knossos for no less than 35 years, bringing the palace and countless finds to light. The building's large surface area and shape led him to the conclusion that it had been the palace of King Minos. He thus gave the name 'Minoan' to the civilization he had uncovered, subdividing it into three major periods. In 1911 he was knighted for his excavation activity and extensive work. Alongside the excavations, Evans showed great zeal in restoring the palace and reconstructing the wall paintings that had come to light. For all the intense criticism this part of his work has often attracted, it still stands as a first approach to what is now known as the Minoan palace. The ensuing publications of material added many pieces to the puzzle of Minoan civilization and remain useful research tools to this day. In the course of his last visit to Crete, Evans was given the Freedom of the City of Heraklion.

Born in 1843 as the youngest son of Andreas Kalokairinos. Having completed secondary education on the island of Syros, he matriculated at the University of Athens School of Laws and attended for one year, but was forced to abandon his studies after his father fell seriously ill and died. Thereafter his interest turned to his father's estates, which he initially managed together with his brother Lysimachos. Kalokairinos later went into soap manufacture, winning awards at world exhibitions.
Unfortunately, however, his business enterprises were not destined to be successful to the end; in 1895, having taken out numerous loans at exorbitant interest rates and mortgaged all his estates, he was forced to declare bankruptcy and was thus deprived of the right to engage in commerce. In 1903 he decided to resume his legal studies at university, and was later awarded a a degree.
In 1878 his passion for archaeology and classical studies led him to attempt the first systematic excavations at Knossos, which brought the first finds from the Minoan palace to light. These comprised the Kalokairinos private collection, held at the site where the Kalokairinos Mansion (the present-day Historical Museum of Crete) was later built. The finds were destroyed when the first mansion was burnt to the ground during the 1898 riots. In 1869 Minos Kalokairinos married Skevo Kyriazi, with whom he had five children.

The famous Palace of king Minos and the centre of the Minoan civilisation 5km south of Iraklion. The Great Palace covered an area of 20.000 sq. meters and had 1.400 rooms. Every section of the Palace had a specific use. In the west side of the Palace were the chambers of the ceremonies, of the administration and of the public storehouse...

The Club was founded in 1928 by Stelios and Stefanos Perdikojiannis, Meletis Kokkinakis, and Nikos Pandelakis. Until 1940 it was operating as an independent part of the Union of Athletic Associations of Iraklion, having Mr George Voiolas as president.
In 1946 it became an independent club under the name "Tennis Organization of Iraklion" , commonly "TENNIS", with department of tennis and table tennis. Later in 1968 two more departments were added, basketball and volleyball, and finally the department of chess in 1978.
In 1975 the club was renamed to "Iraklion Sports Club".
Today the most active departments are: Basketball, Tennis, Table tennis, Chess.
Links:
Official Site

The south part and south facade of the palace is very eroded. Today one can only see foundations on tiered levels. At the bottom, a tower-like projection is all that remains of the south entrance to the Palace. An asceding corridor led to the Central Court.
The section of the corridor closest to the Central Court was reconstructed by Evans who put here a copy of a relief wall painting, of which only few fragments were found. On these fragments, it was possible to make out a figure wearing jewellery in the shape of lilies. The reconstruction we see here is uncertain. In Evans's opinion, it represented the "Priest-King". Other scholars think that it is a prince, whilst others believe it depicts a female figure. Anyway the original fresco which is known as the "Prince of Lilies" is one of the masterpieces in the collection of the Heraklion Museum.

North of the South Propylaeum, at a lower level there is the start of the corridor that joins eighteen long and narrow storerooms, covering an area of 1300 sq.m.
In the floor of both the storerooms and corridor, there are ninety three rectangular cists, the so called "Kasellas". From the finds it appears they were used for keeping safe precious equipment and vases. There are also even larger cists in the corridor, internally lined, perhaps to hold liquids.
The pithoi (large storage jars) of the "West Magazines" bear witness to the wealth of the palace. The remains of some 150 pithoi were found, although there is room for about 400. Their contents are unknown, although they could have oil, wine, pulses, etc.
At different points of the magazine, clay tablets came to light in the Linear B script with records of an economic character. At the north end of the corridor, a large number of older clay seal impressions and clay tablets in the Cretan Hieroglyphic script were discovered.