The Archaeological Museum of Aghios Nikolaos is one of the most important in Crete and has been in operation since 1969. It houses collections of very important archaeological finds from the whole of Eastern Crete, an area extending from Malia as far as Zakros. These are displayed in chronological order from the Neolithic period (5700 - 2800 B.C.) to the end of the Roman times (100 B.C. - 400 A.D.) Its showcases include more than 1350 vases from the 3rd millennium B.C. as well as gold and copper finds (the most ancient found in Crete).

The area is touristic developed with many shops, restaurants on the shore, bars and several excellent hotels famous for their comforts and the variety of amenities offered. The lagoon of Elounda is shaped between the coast and a small peninsula of 7-8 km length ... Spinalonga, since antiquity, has protected the harbor of ancient Olous.

Lake Voulismeni (Gr: Λίμνη Βουλισμένη) or just "the Lake" for the locals, is located at the centre of the town of Agios Nikolaos. It has a circular shape of a diameter of 137 m and depth 64 m. The lake connects to the harbour of the town by a channel dug in 1870.
A panoramic view of the lake can be seen from a small park situated above it. According to legend, the goddess Athena bathed in it. Every year at midnight turning to Orthodox Christian Easter day, the majority of the population of the town gathers around the lake to celebrate with fireworks, and firecrackers.
It was reported that the German army during their withdrawal from the area at WW2, disposed parts of their weaponry and/or vehicles into the deep lake.
A local urban legend has it that the lake is bottomless. That notion is potentially based on its impressively disproportional high depth compared to its width (64m depth on only 134m width) or/and on locals noticing disturbances at the surface or also the level of the water during the Santorini (Thera) earthquake of 1956. Because of the latter, many assume a possible geological relation of the two locations, but this claim has not been substantiated by known scientific surveys to date.

The village of the rising sun, as its name declares. The golden rays illuminate Anatoli, the hanging rocks, the Holy Cross church, Drygies, Karkasa, and give the impression that the sun keeps rising. It is an old, historical, traditional village, situated at 17 km in the north-west of Ierapetra, at an altitude of 600 m. Its housesare visible from the plain and seem like white doves, nested in the fortified mountain of Anatoli. A privileged place, it has been a cradle of men of letters, Notaries, University professors, with great history and civilization.In the 70s, most of Anatoli’s residents got down to the plain and worked in the glasshouse cultivations. They founded, along with residents from other villages the settlementsStomio, Nea Anatoli, Ammoudares. The small picturesque village Kalogeroi, which, according to tradition, was built by a Turkish Aga, is part of Anatoli. It is referenced sincethe era of the Venetian rule. In 1583, along with Kalogeroi, it had 666 residents. In 1951 it had 897 and in 2001, along with Nea Anatoli, it had 1235 residents. The Tower of theVenetian feudal lord still lies in ruins in the north of the village. It nurtured important men of letters, such as Antonios Damilas, scribe and printer, Neilos Damilas, scholarlypriest-monk in the Karkasia Monastery, Dimitrios Damilas, brother of Antonios, scribe and printer in Milan, who published the “Greek Grammar” in 1476, Anthimos Donos,and Ioannis Olokalos, whose notary documents have been recently published. The latter had his seat in Drygies, a wonderful location in the east of the village with runningwaters, a tavern with a view of Ierapetra and the little church of Saint Foteini. Anatoli was an important intellectual center, having a school during the Venetian rule and a secretschool during the Turkish rule.The area of Anatoli, a fortified position, produced great fighters during the Turkish rule, such as Emmanuel Lakerdas, general chief of Ierapetra, Iakovos Mahairas, AthanasiosBarberakis and Georgios Bekiaris.Its history and struggles were imortant in all the historical periods. It has many ecclesiastical monuments, Monasteries and Byzantine icons of great art.The old traditional settlement of Anatoli has remained untouched by time, with its stone-built houses, the alleys, the old Kato Vrysi. Five years ago, it entered a program ofrenovation, was characterized as a traditional settlement and today houses and tourist lodgings of exceptional esthetics are built in stone. In a few years, Anatoli of Ierapetra willbe one of the most beautiful villages of Crete, with its wonderful climate, its extraordinary view, its incomparable natural landscape on which the Museum of Natural Historyof Crete has worked and about which it published a relevant document.Anatoli as well as its residents have to this day been successful in the agricultural, tourist and intellectual sectors. Personalities coming from the village dominate the political,social and intellectual life of our country. Anatoli was a Municipality in the beginning of the 20th century, then a Community and today a Local Department ofthe Municipality of Ierapetra, building its future on solid foundations. Hosting important cultural events, with itshistorical, folkloric and musical contributions, it is a center of attraction of bothlocals and foreigners. With two taverns, two coffee houses, a renovatedold school and hospitable residents, it satisfies the most demandingvisitors. Anatoli is even rich in snails and wild mushrooms.

Agios Nikólaos (GR: Αγιος Νικόλαος), with 9.500 inhabitants, is the capital of the Lassithi province of Crete. It is built around a picturesque lake at the north-western side of the Mirabello bay, the biggest bay in Crete. Major administrative, cultural and communications center, Agios Nikolaos is one of the most developed tourist areas, not only in Crete but in Greece in general. Thanks to the beautiful coasts, the great sights and the cosmopolitan life, this lively city hosts every year thousands of visitors without losing one bit of its tranquility and traditional hospitality.

Agioi Déka (GR: Αγιοι Δέκα) is a town with 820 inhabitants in the plain of Messara, 170m above sea level, 43 km from Heraklion town and very close to the archaeological site of Gortyna. Its people are occupied mostly in agriculture - vines and olive trees. In the area there is is the oldest olive grove in Crete.
The town is built on the ruins of the ancient town of Gortyn where the Holy Ten Martyrs have been martyred.

The Folk Art Museum of Aghios Nikolaos, in collaboration with the "Cultural Society of Eastern Crete", founded in 1978. All the original and important material was generously offered by the Touring Club of Aghios Nikolaos. Since then more objects have been added to the collection.
A visit to the Folk Art Museum will help you to become familiar with the sort of work and activities the people of this area had in the old days. The Museum houses a rich and beautiful collection of hundreds of genuine samples of Cretan popular art and mainly hand woven and embroidered pieces, some of which are unique.

Well protected Marina by all weather condition, build to European standards and capable to accommodating up to 255 boats all year round. The Marina of Aghios Nikolaos is located in the heart of the town, provides all the necessary facilities for a pleasant short or long stay for yacht passengers and a safe environment for the boats.
Facilities:
Water/Electricity:Each berth has access to a service box where fresh water and 220 / 380 volt electricity available.

Nikos Xylouris (Greek: Νίκος Ξυλούρης, 7 July 1936 - 8 February 1980), nicknamed Psaronikos (Greek: Ψαρονίκος, "Grey Nick"), was a Greek composer lyra (Cretan lyre) player and singer from the town of Anogeia. He was part of the movement that brought down the Greek military Junta of 1967. His songs and music captured and described the Greek psyche and demeanor, gaining himself the title the archangel of Crete.

The Praetorium was the seat and residence of the proconsul of Crete. It is divided into two parts: the administrative section, in which the central building is the basilica, and the more "private" sector. The preserved ruins are dated to the 2nd century A.D. and seem to have been repaired in the 4th century A.D.
This totally excavated building is the largest in the whole City of Gortyn. The earliest constructions have suffered successive alterations in a long period of eight centuries. New structures were erected on the ruins of the earlier sometimes incorporating parts of them. In the 1st c AD the Praetorium consisted of a peristyle court 1000 sq.m. and large halls to the north and west. This first Praetorium was destroyed by an earthquake in the time of the Emperor Trajan (early 2nd c AD). It was reconstructed and a large Thermai complex was built at its east side. Some years later a large temple dedicated to the Augusts was built further at the east part. To the west of the Thermai the juridical basilica continued to function under a judge’s responsibility according to the inscriptions found there, and statues of the emperors and other officers were still standing there. All these famous buildings were destroyed by the large earthquake in 365 AD. In 383 the consul Oecumenius Asclepiodotus Dositheus, agreeing with the capital of the empire, took care of the construction of the new Praetorium.

The Great Nymphaeum (Nymphaion GR: Νυμφαίον), located to the north of Praetorium, was a marble construction with a covered cistern and fountains. Statues of Nymphs stood in the niches. The area of the remains is closed to the public but visitors can see it from a distance.

The Roman Odeum at Gortyn is considered one of the best and the most important of its type on Crete. Is has been founded at the North part of the Ancient Agora of the City. This semicircular building consists of three main parts:
a. The Cavea, connected with a domed corridor through three wide staircases;
b. the Orchestra, which has an internal diameter 8,5 m. and was paved with white and blue marble slabs;
c. The Scene, which had two entrances and the paraskenion, with mosaic pavement in geometric pattern. Statues of Muses stood in the niches. Initially the building was a circular Ekklesiasterion founded in the 5th c. BC. In the portico of this public building the Great Inscription with the Law Code of Gortyn dated to the early 5th c., stood. It was destroyed twice: in the 1st century BC, and again in 46 AD. After this last destruction it was reconstructed as an Odeum.
The great Inscription is considered to be the largest Greek inscription, the Queen of all Inscriptions. Its first fragments were found by the French travelers and were bought by the Louvre Museum. The most part of the Inscription was found accidentally by local farmers in 1884 and was further explored F. Halbherr.
It is a Law Code inscribed in the boustrophedon system of writing. It dates in the 1st half of the 5th c. BC and is the oldest Greek and European Law Code. It consists of twelve Deltoi and was built in the Ekklesiasterion of the 5th c BC. In this Code older laws, regarding the personal and family rights of the citizens of Gortyn, were codified.

According to the myth, Zeus, disguised as a bull, coupled with Europe, whom he had brought from Phoenicia, under a deep- shaded plane tree on the banks of the Lethaios River. The offspring of this union were three sons, Minos, Sarpidon and Radamanthis. Later, the oldest Agora of the city of Gortyn, the Ekklesisterion (Congress hall), and the Roman Odeum were founded on this site. The plane tree was blessed and has remained ever green since that time. As his place of birth, the city was founded by King Minos himelf.
According to the myth, it was on the fields of Gortyn that the bull given as a gift to Minos by Poseidon coupled with the Queen Pasiphae and out of this union Minotaur was born.

The main acropolis of Gortyna was located on Agios Ioannis hill, to the northwest of the Agora. Acropolis can be accessed from its west side driving through Ambelouzos village to the direction of Gergeri. At a spot around 1.6 kms from Gortyna parking there is a footpath (not clearly signposted and maintained) that leads to the top of the hill. Once at the top you'll be rewarded by the magnificent view to the whole area and the archaeological site itself.
The site was first inhabited in the Neolithic era and again at the end of Minoan times (1200 BC). Since then it was continuously inhabited until the Middle Byzantine period. From the first settlement only parts of walls, floors and hearths were preserved. In the 10th century BC a Geometric settlement was established fortified by a polygonal wall with towers at the corners. At the end of the 7th c. A.D., a small tripartite temple, dedicated to Athena Poliouchos was founded at the south side of the hill. From this temple some very important architectural sculptures were excavated. During the Early Byzantine period (5 - 6th century AD), a basilica was erected over the ruins of the geometric/archaic temple and, in the time of the emperor Heraclios (7th century A.D.) the last fortification with a castle in the center was built which still survives but in a very poor condition.

The Temple of Apollo Pythios (Pythian Apollo) located in the center of the ancient Agora, was excavated in 1887 and was the largest temple and the religious center of ancient Gortyn until the introduction of Christianity and the founding of the basilica of St. Titus around 500 AD.
The first building of the seventh century. BC was a four-sided enclosure with four wooden pillars in the center to support the roof. The exterior walls and stairs of the crepis were covered with archaic inscriptions. In the Hellenistic period a monumental anteroom was added while columns with inscriptions were placed between the pillars. Alterations and additions were made during the Roman period. Outside the temple was built a magnificent altar on a stepped base while in the west of the temple was built a small theatre.
In the middle Byzantine period in the vicinity of the temple, which had been abandoned, were built houses and aqueducts.
Many finds have been made in the temple among which the colossal statue of Apollo Pythios and many inscriptions with administrative and law content of the Archaic and Hellenistic period. Dates: 7th c BC; Hellenistic; 2nd c AD.

The sanctuary of the Egyptian deities (1st-2nd centuries A.D.) is the only one, in the whole island, which is dedicated to the Egyptian gods Isis, Serapis and Anubis - Hermes although it is known that those gods are worshiped in other cities.
The sanctuary consists of quadrilateral nave, arcade on the west, underground crypt in the south and a cistern outside east of nave. In the central alcove stood the statue of Serapis and the side statues of Isis and Hermes - Anubis. In the southern part of the temple was oblong space, underground crypt purification and a small cictern. The final construction phase of the temple dates to the 1st / 2nd century. AD, in accordance with dedicatory inscription.

It lies at the south eastern part of the city and it is considered to be largest of all theaters in Gortyna. Although it is not yet excavated, it is believed that it had a two storeyed stage and its cavea was supported by 56 arches. The statue of the seated philosopher that we see next to the exhibition hall of the archaeological site was found here.

Located in the valley of Messara, Gortys or Gortyn (GR: Γόρτυς or Γόρτυνα) is a must visit for all visitors to Crete. It was inhabited during Bronze Age times, but its rise to glory came almost a millennium after the downfall of the 'Minoans'. Gortyn was a prosperous city from around the middle of the 5th century BC through to the early 9th century AD, when it was finally destroyed by the Saracens (824AD), never to be rebuilt.

Saint Titus church at Gortyn bears the name of the Apostle Titus, attendant of Apostle Paul, who was appointed as the first Christian bishop of Crete. It is one of the most important Byzantine monuments in Crete. The name was given to the ruined church by the excavators in the beginning of the 20th c., as they considered it to be the site of the saint’s martyrdom. After the discovery of the new Great Early Byzantine Basilica, just outside the village Mitropolis, its excavators have proposed that as the original bishopric basilica, as it is a century earlier than this, which in the local tradition is named and celebrated after Virgin Mary, “Kera”.
The church has the plan of a three aisled inscribed cross with a low vault. It has been built of ashlar limestone. It has a narthex to the west and five entrances three of which form the trivelum with two columns. There were pillars instead of columns. Its architectural features date its foundation in the 2nd half of the 6th c. AD.

The oldest theater of Gortyna was on the south slope of the Profitis Ilias hill (Acropolis), opposite to the Odeum. Its cavea was partly cut into the rock and partly built. Its scene was built at the west side of the large court of the Agora, which covered the river Lethaios with a flat bridge. This scene, which H. Belli saw in the 16th c AD, was 120 m long and was already destroyed in 19th c. AD.
On the proscenium there was an inscription of Julia Augusta and it was decorated with statues and relies, among which there was the statue of Europe on the Bull, with broken legs and head.This statue, as described by Admiral Spratt, is now kept in the British Museum and is dated to the 2nd c BC.