This house belongs to the New Palace Period (1700-1450 B.C.) and was functionally related to the Palace. In its restored part with two columns, there was a bench on which some object of worship had probably been set up. There was a paved hall in front with a double pier - and - door partition.

The south-east house belongs to the New Palace period (1700-1450 B.C.). It was well built and decorated with wall-paintings of lillies. It had a pier-and-door partition, a pillar room and storage rooms.
A little behind it are other houses of the Old Palace period (1900-1700 B.C.) such as the house of the "Sacrificed Oxen", named after the remains of a sacrifice found there (horns of a bull and a tripod table of offerings) and the "House of the Fallen Blocks", after the blocks that had fallen from the facade of the palace due to an earthquake.
Next to "South-East House" there are houses of the Old Palace period (1900-1700 B.C.), such as that of the "Monolithic Pillars" in front of the steps. Under the small roof is a Minoan, possibly smelting kiln.

The "Hall of the Double Axes" was so named by Evans due to the double axe signs engraved on the walls of the light-well at its rear. He also thought that it was the place of residence of the King of Knossos.
The central area has openings on three sides and is therefore called a "polythyron" (system with multiple doorways). It has a slab floor and its walls were embellished with gypsum slabs and frescoes. The area between the "polythyron" and the light-well was used as a reception hall. Traces of a wooden construction were found here. Evans reconstructed a wooden throne at this spot.
Pictures: 1, 2
According to the archaeological finds, the arrangement of the apartments on the upper floor was similar to those on the ground floor.

The Queen's Megaron lies in the Royal Apartments next to the "Hall of the Double Axes". It is a smaller room with a similar layout and rich decoration. Evans thought that it must have belonged to the Queen. Fragments of frescoes with dolphins and dancing ladies were found here. The room is largely restored and copies of the wall paintings have been put up on the walls. At the end of the room, a low partition wall with one column created a small space. It was thought that it was the "Queen's Bathroom" since pieces of a clay "bath" were found there.
Pictures:
The Queen's Hall 1, 2,3
A corridor joins the "Queens Megaron" with rooms that have been interpreted as places of preparation and washing.

The magazine to the north of the Grand staircase took its name from the pithoi (large storage jars) that were found here. The jars have relief disk and rope decoration, a characteristic of the beginning of the New palace period (1700-1450 B.C.). A variety of finds show that the place had also been used as a magazine in the Old Palace period (1900-1700 B.C.).
Next door is the "Corridor of the Bays", where three small openings were used for storage. Many vases and religious artefacts were found here. The magazines were buried at the end of the New Palace period(1700-1459 B.C.).

Here is the so-called "School Room", an area where, according to Evans, scribes were taught to write on clay tablets. He supposed that they kneaded the clay in the built mortar next to the bench. It is more likely, however that it was a workshop for ceramics or wall-painting.
Behind the "School Room" is the "Lapidary's Workshop", where blocks of crude or semi-worked lapis lacedaemoniae (spartan basalt) and stone tools were brought to light.
According to Evans, the main workshop lay on the upper floor from which vases and large stone amphora had fallen to the ground floor.

Here the excavators found a number of very large storage jars (Pithoi) and Evans named the place the "Magazines of the Giant Pithoi". These magazines are one of the older parts of the palace. The pithoi stand out for their size, the number of handles and the richness of their relief decoration with ropes and discs.
To the right of the magazines a staircase which has been reconstructed by Evans descends to the east entrance of the Palace.
The entrance is a robust construction that gives the impression of a "bastion". From this point it would have been easy to reach an important building of the palatial period, the so-called "Royal Villa" which lies outside the main archaeological site.

The Royal Gaming Board was found here, a kind of board game made of ivory, rock crystal, Egyptian blue, silver and gold, now in Heraklion Museum.
To the right of the corridor are the "Royal Pottery Stores", where Kamares pottery of the Old Palace period (1900-1700 B.C.) was uncovered, and to thee left, storage and workshop areas.

An open air narrow passage linked the Central Court with the North Entrance. It was paved and had a strong inclination towards the north. Right and left were two raised colonnades known as "Bastions".
Arthur Evans reconstructed the "Bastion" on the west side. He also placed a copy of a restored relief fresco of a bull here. The wall painting may have formed part of hunting scene.
The passage ends in a large hall with ten square pillars and two columns. The pillars and columns probably supported a large hall on the upper floor. Evans suggested that, due to its position on the seaward side, it was here that the produce of seaborne trade would have been checked when it reached the Palace. It was therefore named the "Customs House".

This room, located beside the north entrance, resembles a cistern. Its floor is lower than the surrounding area and is reached by steps. The "Lustral Basin" was surrounded by columns and was lined with slabs of gypsum giving it a luxurious appearance. In its present form, the area has been completely reconstructed by Evans.
Areas with a similar arrangement have been found in other parts of the palace of Knossos, as well as other palaces and important Minoan buildings of the period (1700-1450 B.C.). It is not known how these places were used. However, from their construction it seems that theu would not have been filled with water, nor was there any drainage. Evans thought that they were used in purification ceremonies and therefore called these places "Lustral Basins". Evans also believed that the Palace was a sacred place. That is why, in his opinion, the "Lustral Basin"in question was used to purify visitors going into th Palace via neighbouring North Entrance.

This area, sited at the north-west edge of the palace, was called the "Theatre" by Evans because its shape reminded him of later theatres. It is a platform and rows of steps that form a right angle. At the base of the stairs is the end of a narrow elevated road that crosses a paved court. Evans believed that the court was used for ceremonies watched by the standing viewers.
The elevated paved road continues in the opposite direction. It passes underneath the modern road to Heraklion, connecting the Palace with the Minoan town, which extended to the West and North.
Evans named the road the "Royal Road". Along the length of the road are town houses with workshops on the ground floor and residential areas on the upper floor.

Georgioupolis lies at the northern coast of Crete, about 35km away from Hania and 20 km from Rethimno. It is a nice coastal village situated at the bay of Almiros, in a lovely green scenery. It has a sandy beach and attracts quite a few visitors in the summer time. It provides all the necessary facilities to the tourists.

The Heraklion Chamber of Commerce and Industry constitutes an advisory and consultatory body for both the State and its member-enterprises. Its objective is to represent, follow up and promote industry, manufacture, trade and services aiming at the growth of the local and national economy. It houses also The European Information Center.
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With the recovery of Crete from Nikiforos Fokas (961AD), the seat of the bishopric is transferred from Gortyna to Chandakas, which became the capital of the island. The new cathedral, which is the most established and largest in the city, is dedicated to the Apostle Titos. Here, amongst other relics, there are gathered the Holy Skull of the Apostle and the miracle working icon of Messopapaditissas.

It was made by Giovanni Sagredo between 1602-1604, part of it has been built in the Northwest corner of today's Loggia (Town Hall) and it is decorated with a carved female statue which according to Gerola's description probably with the left hand she was holding a shield, while with the right one a kind of a big hammer for display, representing the personification of Crete.

It is next to the external Gate of St. George, underneath the statue of Eleutherios Venizelos. Within an arched construction, which its top is decorated with floral elements, there is a plaque and the spout is within a relief decorated frame. The water was collected in a marble basin of a similar decoration.

The Gate of Agios Geórgios (GR: Πύλη Αγίου Γεωργίου - Saint George also called the Gate of Maroula or Lazaretto) was one of the central gates of Chandax during the Venetian period. Today it connects Eleftherias Square with Ikarou Avenue and at the same time is used as an exhibition venue.
The gate used to lead towards the eastern provinces of the city, the Maroula suburb and the Lazaretto. Designed by Giulio Savorgnan and dedicated to St. George, the monumental city side facade featured a relief medallion of the warrior saint on horseback, set directly above the finely carved stones that formed the main portal. This monumental facade was demolished in 1917 for the opening of today’s Democratias Avenue. Of the gate today, its entrance towards Ikarou Avenue is preserved, the internal domed hall and part of its climbing arcade which have been restored by the Municipality of Heraklion.

It is an essential public building in every Venetian city, which was not absent even from the colonies. For Candia, Loggia is considered to be one of the most elegant architectural monuments of the Venetian period, a representative sample of the palladian style. During the Venetian period, Loggia was the official meeting place of sovereigns and nobility where they discussed various topics that had to do with economic matters, commercial, and political ones.

The Heraklion Catholic church is located at 2, Patros Antoniou street close to the old port of the city. It is dedicated to Saint John the Baptist and was first built in 1888. In the 1959 earthquake the church suffered serious damages and had to be demolished and rebuilt. The pastor at that time, Father George Roussos, built the present church in 1961-1962. Father Petros Roussos, who was Pastor from 1980 to 2008 refurbished also the Capuchin Monastery that stands next to the church.

It is in the Ikarou Avenue, next to the Epigraphic Collection of Heraklion Museum. Within an arched construction which, is surrounded by two big square columns, decorated with rosettes, there is a relief spout of fine workmanship. The water is gathered in a marble basin adorned by a richly decorated relief.