Erotokritos (GR: Ερωτόκριτος) has been characterized as a masterpiece of the Greek language which unites the magic of myth and a deep understanding of everyday life. It expresses the "threefold ideal which is bravery, beauty and wisdom." A work rooted deeply in authentic Greek traditions, humanity, true feeling and pure love for life and freedom.
The story takes place in Athens where King Herakles lives with his wife Artemis and their very beautiful daughter Aretousa, with whom the handsome and brave young man Erotokritos, son of the king's advisor, has fallen in love. After many difficulties and trials, the couple is married amidst celebrations and magnificent contests.
The world of this work is the ideal Greek world of friendship, pure feelings, authentic Greek traditions. It is the world of the beauty of Athens and Crete which is "the throne of virtue and the river of wisdom."
The language of this work is authentic Greek and Cretan, a synthesis and conscious effort of the poet to express lofty human feelings and values with simplicity, directness and truth.
The poem was written by Vitsentzos Kornaros (1553-1613/14) a noble Cretan from Sitia with a very strong presence in Greek letters.

Vitsentzos or Vikentios Kornáros (GR: Βιτσέντζος or Βικέντιος Κορνάρος) or Vincenzo Cornaro (March 29, 1553 – 1613/1614) was a Cretan poet of the Greek Renaissance who wrote the romantic epic poem Erotokritos. He was a leading figure of the Cretan Renaissance.
Not many biographical sources exist about Kornaros himself apart from the last verses of Erotokritos. It is believed that he was born to a wealthy family in Trapezonda near Sitia, in 1553, and lived there roughly up to 1590. He then moved to Candia (present Iraklion), where he married to Marietta Zeno. Together they had two daughters named Helen and Katerina.

Rich displays cover the periods 3500 B.C to 500 A.D. The oldest artifacts come from the wider region of Sitia. The museum is divided into five chronological parts and displays include a valuable collection of vases, clay tablets in Linear A script which were found in the archives at Zakros, figurines from peak sanctuaries, a wine press from the neo-palatial period and a Hellenistic wheat mill. Of special interest is the ivory and gold male figurine which was found in Roussolakkos near Palekastro.

The Folklore Museum of Sitia (Siteia, GR: Σητεία) displays items from the 19th and early 20th centuries. It includes some unique embroidery, examples of traditional weaving, wood carvings, local dress and household items, all displayed in an authentic Sitian house setting.
Address : 28, Kapetan Sifi Str., 72300 Sitia

Smari has a very long history and was inhabited, according to reliable sources, from the proto-Minoan period onwards. The archeological relics in the Akropolis of the hill called Profitis Elias, excavated under the direction of the Archeologist D. Hatzi Vallianou, indicate a continuous human presence from the Middle-Minoan period to about 630 B.C.

The Monastery of Kapsa is located 40 km from the town of Sitia at the exit of the Pervolakia Gorge built against the steep rocks overlooking the Libyan sea. The exact time of the foundation of the monastery is still unknown, while some believe that it was in the 15th century. Until 1841 there were only a small chapel dedicated to the Saint John the Baptist and a few cells.

Kyra Eleoússa (GR: Κυρά Ελεούσα) Monastery is located close to the village Voroú or Voritsi. Due to its historical value the monastery and the outside area which covers 1000m has acquired protected status. Kyra Eleoussa is built according to feudal architectural style, and despite some interventions over the years it maintains many original architectural features. It is first referred in a document dating from 1606. At first it belonged to the monastery of Agia Ekaterini of Sinai but later it became part of Agarathos monastery.

This is one of the three largest caves in the prefecture of Heraklion. It lies at half an hour distance to the north-west from the village of Skotino and is at a height of 225 m. above sea-level. The entrance to the cave is impressive: a large arch, 27 m wide and 10 m high. To the right one can see the ruins of an ancient chapel on which the modern chapel dedicated to Aghia Paraskevi was built. There is a feast held in front of the chapel on July 26th .

A modern exhibition and congressional centre offering 8000 square meters of total space, 1500 of them being indoors. Among many events that take place in this centre is the Pancretan Agricultural and Commercial Exhibition of Arkalochori held every two years at the end of August. The exhibition attracts a large number of enterprises, manufacturers and services participating and is being visited by over 30,000 visitors from all over Crete. It is considered to contribute essentially in the rapid commercial and cultural development of the wider area.
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The Municipal Open Theatre
Located in the area of the exhibition centre the theatre is of semicircular shape with a capacity of approximately 1000 seats. The facility offers also a canteen, toilets, dressing-rooms for the actors, store room of scene and backstage.The cultural events that the Municipality organises every summer, attract visitors not only from the wider area but also from Iraklion city.
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A modern competitive organisation, IMBBC (part of the Hellenic Centre for Marine Research - www.hcmr.gr) is widely recognized as one of the leading institutes in the Mediterranean. Its installations are located at Gournes, near Heraklion, Crete, where its laboratories, administration, library and conference facilities cover 1.500 m2. It has a wide range of state-of-the-art facilities needed to carry out its basic and applied research.

The monastery of Agaráthou (GR: Μονή Αγκαράθου), dedicated to the Virgin, stands at an altitude of 538m, on "Soros Panteli", a rocky hill between the villages of Sgourokefali and Sabas, 23 km from Heraklion.
During the period of Venetian rule it was a centre of learning, producing many famous churchmen including the Patriarchs Cyril Lucaris, Meletius Pegas and Sylvester the Cretan.
The church was rebuilt in 1894 and flourished once more after the end of the Turkish occupation. Young, educated monks with university degrees have recently settled in the monastery, restoring it to its former glory.

A Luxurious, two-storey house, built of large ashlar. The walls were strengthened by timber-frames and covered with a thick layer of plaster and marble slabs. The building has a paved courtyard, a shrine, storerooms for agricultural products, a staircase, and rooms with benches. It has been interpreted as a High Priest's house, due to the numerous ceremonial vessels it contained.
The house was probably built in the 16th century. C. (MM III period) and, after its destruction by fire in the 15th century BC (LM IB period), was finally abandoned.
The "Minoan Megaron" at Nirou was excavated in 1918 by St. Xanthoudides. In 1960, under the supervision of the Ephor of Antiquities N. Platon, the site was fenced and the building restored. The monument is consolidated and cleared at intervals by the 23rd Ephorate.

Visiting Hours:
Daily: 8:30-15:00, Monday: closed
Entrance Fee:Free Admission

It is an historical monastery of the 15th century, which collapsed in the earthquake of 1612 and was rebuilt with the financial aid of the Venetians. During the Ottoman conquest of Crete, the monastery was destroyed and devastated by the Turks. In 1704 the monastery was declared stauropegion. During the Ottoman occupation there was a school in the monastery, while, after 1870, it was founded there a school of mutual teaching. The Monastery is a stauropegion fortress. The main building of 800 m2 has three floors, which are divided into cells, guest - houses, kitchens, the abbot' s residence and warehouses. The katholicon is a two-aisled church; the northern aisle is dedicated to the Virgin, and the southern posterior aisle, to St John the Theologian. The monastery' s characteristic bell tower bears relief crowns and crosses with inscriptions and the date 1558. In the Monastery, there is also an interesting Museum.

The Nikos Kazantzakis Museum is dedicated to the great Greek writer, poet and philosopher Nikos Kazantzakis. It was founded in 1983 and it is located at the village Myrtia in Iraklion, next to his father's house.
The museum contains some of his personal belongings (pipes, glasses, pens, etc.) and a rich collection of his manuscripts and letters, first Greek editions of his books, documents from theatrical productions of his works, copies of TV series and movies based on his novels, portraits of Nikos Kazantzakis, copies of press releases and articles on his life and work.

Koufonisi is a small island in the Libyan Sea just off the South East coast of Crete and the Cape of Goudouras.
It is also named LEFKI and gave its name to the municipality.
There is a cluster of small islets in the area like Makroulo, Strogylo, Trahila and Marmara. The island is deserted and in many spots it is covered with sand reminding an African landscape.
Until 1976 the shepherds used to feed their sheep there but it was not inhabited.
Later the Archaeological Offices of Eastern Crete under the authority of N. Papadakis began the excavations and the island proved to be full of ancient sites.
A beautiful theater, made of stones, at the North West end of the island opposite the Marmaras islet was discovered. At the South East of the theater where a settlement was found, a villa with 8 rooms and a guest room was brought to light.
The excavations also showed a workshop where the famous purple robes of the Romans was made. They also dig out an astonishing building, the Public Baths, dated back to 1st and 4th A.D. and ruins of an old temple.
Boats depart daily from Makrygialos to Koufonissi (during the tourist season and only if the weather permits) offering day-trips.

A short description of Lefki, by the archaeologist Nikos Papadakis:
Koufonisi island covered today with sand and bushes, lies close to the southeast shore of Crete. From the Middle - Ages until today is nowhere referred that the island has ever been inhabited permanently. However scattered ancient remnants, drew the attention of the English admiral and traveller T B. Spratt in the mid - 19th century. His itinerary and visit was repeated by the English archaeologists Bosanquet and Curely in 1903 and by the American A. Leonard jr in 1970. The definite conclusion all the above travellers reached was that Koufonisi could be identified with the island Lefki of antiquity for which the people of Itanos and Hierapytna were contending as it is referred in the famous "Inscription of Magnetes" of 112 - 111 B.C.
Excavations and archaeological research have since 1976 taken the responsibility to answer to the questions almost innate and consequent to the above conclusion and the result is undoubtedly impressive: An entire theater that could have housed a thousand spectators: a temple still containing fragments from the colossal cult statue: two private houses with 17 rooms decorated with mosaics and colourful walls: a system supplying water to the city through a series of vaulted cisterns and built pipes: a Minoan acropolis: cemeteries and last but not least the city of Lefki itself. Thus, slowly but steadily is unveiled the short but impressive presence of this small island nearby east Crete. Judging from the so far finds we can say that Lefki being one of the major centers of processing and trading purple, a symbol of authority and economic power soon became the object of rivalry among its neighbours. A series of diplomatic intrigue and fighting had occurred over the dominance of this prolific island. Later when its sources of prosperity were depleted the people of Lefki were exterminated through arms and fire: an invasion in the 4th century A.D. turned the historic island into ashes. On the basis of the existing ruins the importance it had for its neighbours and the fact that it was never again inhabited after its destruction we may describe Koufonisi by quoting a western journalist as Delos of the Libyan Sea.

The Musical Workshop "Labyrinth" organizes seminars, concerts and various creative activities around modal traditional musics of the world. Labyrinth Musical Workshop was founded in 1982 by Ross Daly, with the goal of initiating young people, primarily, into a creative approach to traditional musical idioms from various parts of the world.