Koufonisi is a small island in the Libyan Sea just off the South East coast of Crete and the Cape of Goudouras.
It is also named LEFKI and gave its name to the municipality.
There is a cluster of small islets in the area like Makroulo, Strogylo, Trahila and Marmara. The island is deserted and in many spots it is covered with sand reminding an African landscape.
Until 1976 the shepherds used to feed their sheep there but it was not inhabited.
Later the Archaeological Offices of Eastern Crete under the authority of N. Papadakis began the excavations and the island proved to be full of ancient sites.
A beautiful theater, made of stones, at the North West end of the island opposite the Marmaras islet was discovered. At the South East of the theater where a settlement was found, a villa with 8 rooms and a guest room was brought to light.
The excavations also showed a workshop where the famous purple robes of the Romans was made. They also dig out an astonishing building, the Public Baths, dated back to 1st and 4th A.D. and ruins of an old temple.
Boats depart daily from Makrygialos to Koufonissi (during the tourist season and only if the weather permits) offering day-trips.

A short description of Lefki, by the archaeologist Nikos Papadakis:
Koufonisi island covered today with sand and bushes, lies close to the southeast shore of Crete. From the Middle - Ages until today is nowhere referred that the island has ever been inhabited permanently. However scattered ancient remnants, drew the attention of the English admiral and traveller T B. Spratt in the mid - 19th century. His itinerary and visit was repeated by the English archaeologists Bosanquet and Curely in 1903 and by the American A. Leonard jr in 1970. The definite conclusion all the above travellers reached was that Koufonisi could be identified with the island Lefki of antiquity for which the people of Itanos and Hierapytna were contending as it is referred in the famous "Inscription of Magnetes" of 112 - 111 B.C.
Excavations and archaeological research have since 1976 taken the responsibility to answer to the questions almost innate and consequent to the above conclusion and the result is undoubtedly impressive: An entire theater that could have housed a thousand spectators: a temple still containing fragments from the colossal cult statue: two private houses with 17 rooms decorated with mosaics and colourful walls: a system supplying water to the city through a series of vaulted cisterns and built pipes: a Minoan acropolis: cemeteries and last but not least the city of Lefki itself. Thus, slowly but steadily is unveiled the short but impressive presence of this small island nearby east Crete. Judging from the so far finds we can say that Lefki being one of the major centers of processing and trading purple, a symbol of authority and economic power soon became the object of rivalry among its neighbours. A series of diplomatic intrigue and fighting had occurred over the dominance of this prolific island. Later when its sources of prosperity were depleted the people of Lefki were exterminated through arms and fire: an invasion in the 4th century A.D. turned the historic island into ashes. On the basis of the existing ruins the importance it had for its neighbours and the fact that it was never again inhabited after its destruction we may describe Koufonisi by quoting a western journalist as Delos of the Libyan Sea.

At the side of the gorge of Selinari, at the 42 km. of the national road Iraklion - Agios Nikolaos is the small old chapel and the newly founded monastery of Agios Georgios Selinaris. In the monastery there is also a home for the aged founded in 1963. The small chapel was probably founded early in the 16th century AD, and ever since it is a place of worshiping. The people passing through the chapel stop to light a candle to the saint. The chapel is considered miraculous, there are various legends concerning miracles related either with healing of sick people or with divine punishment of people that did not pay the respect due to the saint.

The Lassithi Plateau (GR: Οροπέδιο Λασιθίου, Oropedio Lasithiou), is a high endorheic plateau, located in eastern Crete, Greece on the mountain range of Dikti at an average altitude of 840 m, and in a distance of around 55km from Heraklion and 50km from Agios Nikolaos. The plateau is elliptical in shape with an E-W axis of 11km and the N-S of 7km.
The plateau of Lassithi is renowned for its exceptional agricultural produce, the thousands (almost 15000) windmills that used to be there in the past, its significant historical role and for the unique cave of Psychro also known as "Diktaion Andron".

The Palace of Malia, which covered an area of 7,500 sq.m. , was the third- largest of the Minoan Palaces and is considered the most "provincial" from the architectural point of view. The first Palace was built in 1900 BC and destroyed in 1700 BC when a new Palace was built. Following the fate of the other palaces in Crete it was also destroyed in 1450 BC. and the present ruins are mainly those of the new palace.

It is the most significant group of windmills preserved on Crete. It occupies the northern entrance to the Lasithi plateau and is the landmark of the whole area. Today 24 windmills are preserved (out of the original 26), 7 of which extend to the south of the road that enters the plateau while the rest are built to the north of it. All the mills belong to the one-sided type of windmill, that grinds in a standard position, always on the same direction of the wind. Windmills of this type are preserved on Crete and on Carpathos but the Cretan ones are generally more carefully built and more elegant. The group of windmills has been declared a work of art since 1986. The mills belong to individuals and some of them have been restored while others still remain half-ruined.
Source: The Hellenic Ministry of Culture

The cave of Psychro is one of the most important cult places of Minoan Crete. The excavators and several scholars identify the cave as the famous "Diktaian Cave", where Zeus was born and brought up with the aid of Amaltheia and the Kouretes, and which is connected with myths as this of the seer Epimenides who "slept" here, or the coupling of Zeus with Europa.

The Cretan Open-air Museum 'Lychnostatis' aims to promote the understanding and awareness of the Cretan folk cultural heritage. Its scope lies on the Cretan Folk Tradition and Ethnology, the Cretan Nature and Environment and the Cretan Folk Culture. Located in Hersonissos, one of the principal tourist areas in Crete, the museum is, apart from a valuable tourist asset, an exemplary self - motivated conduct on tradition, culture and environment of the island.

Author and journalist(1862-1920). He was born in the village Ano Viannos in 1862. In his childhood he moved with his family in Piraeus. Quite soon though, only 3 years later, they got back at their special homeland and there, he finished the elementary school. Though he'd started attending high school in Iraklion, he finished it in Varvakeio School, in Athens.
His first novel was published in the newspaper 'Estia', in 1884. He was enrolled in the Philosophy School, but he never graduated.
In 1885 he got back in Crete, where he took a job as a teacher in Modi, Kydonias. His revolutionary character motivated him into writing patriotic articles in the local paper, an act that infuriated the Turkish occupants to such an extent that he had to flee in Athens, only this time he stayed permanently.
In Athens he worked for several newspapers like 'Estia', 'Asty' and 'Embros'. For more than 20 years he kept writing chronicles, which helped him win respect among the intellectuals. He used to use the pseudonym 'Diavatis' (Passer-by).
During his long literary career he wrote: 'Gramvoussa, i epanastasis en Kriti' (Gramvoussa, the revolution in Crete), 'I olokaftossis tou Arkadiou' (The Holocaust of Arkadi), 'Otan imoun daskalos' (When I was a teacher), 'Proti Agapi' (First Love), 'Eno diavaina' (When I was passing by), 'O Patouchas', 'Zampeliou Kai Kritovoulidou, Istoria Kritikon Epanastaseon' (Zampeliou and Kritovoulidou, Cretan Revolutions History), 'Imere kindynon kai fovou' (Days in danger and terror). Kondylakis’ entire work is collected in his 'Apanta' (Collected works).Ioannis Kondylakis died in Irakleion, in 1920.

The ancient city of Lyktos or Lyttos (GR: Λύκτος / Λύττος) was one of the most ancient and powerful towns in Crete.
Although the excavations in the area reveal traces of habitation from the Hellenistic years onwards (630 B.C.), the archeologists Georgios Rethemiotakis and Angeliki Lempesi have excavated traces of habitation from the time of the destruction of Lyttos by the Knossians (219 B.C.) in excavated residences of the Hellenistic period.
From the Roman period, the city was subject to new workings as testified by the architectural remnants and the many inscriptions and statues discovered.
Numerous vestiges of ancient structures, objects, and broken marbles are seen, as well as an immense arch of a Roman aqueduct, by which the water was carried across a deep valley by means of a wide marble channel. Traces of the aqueduct which brought its water supply from Kournia, near Krasi village, are still visible today in the rural road to Kastamonitsa village. Lyktos had also a theatre, built in the slope of the hill the design of which we know only from the drawings of Belli (1586).
Finally, the most important discovery is that of a room of nearly 14 metres by 11.40 metres, with marble flooring and a series of four stone platforms along its two longer sides. The room was erected, according to the inscription that was found at the site, at the beginning of the second century B.C. This room was identified as the chamber of the Roman deputies of the city and was very probably destroyed by an earthquake at 365 AD.
Lyktos appears to have still been inhabited in the 7th Century AD as indicated by the excavation of late-roman shops in the area. (Late Roman Empire, 284-610 AD)