The Cathedral of St. Minas:The small church of St. Minas did not meet the religious needs of the constantly growing Christian community, so the demand arose for the erection of a new cathedral. The plot for the new church used to be a garden that belonged to a Turk from whom it was bought. The architect was Athanasios Moussis and in 1862 the foundation stone of one of the most magnificent and impressive Greek churches was laid. The outbreak of the Cretan revolution of 1866 demanded the stopping of the building work which will continue in 1883 in order to be completed in 1895, when the inauguration of the exquisite temple took place. The church is of the cruciform type with a dome based on a high spandrel, while internally there are also elements of a three aisle basilica. It has two bell towers, one in the northeastern corner and the other in the southeastern one. The right aisle is dedicated to Apostle Titos and the left one to St. Ten Martyrs of Crete. The inside of the church has gone through many changes with new additions. With plans of the architect Anastasios Orlandos the woodcut icon screen was replaced by another one made of marble, the same happened with the bishop's seat. The religious painting of the church was assigned to St. Kartakis who followed faithfully the principles and the models of the Byzantine icon painting. The hundredth anniversary from the inauguration of the Cathedral Church of St. Minas (1995) was celebrated with every solemnity that is suited in an equal occasion and more specifically to one of the most glorious and imposing Greek churches.

The Basilica of Saint Mark is one of the most important Venetian buildings-monuments in Heraklion. Today it houses the city’s Municipal Art Gallery. The Venetians, wishing to consolidate their dominance over their new colony (Heraklion) and to express their gratitude and love for their mother country, built a church in the city’s centre dedicated to Saint Mark, patron saint of Venice. The Basilica managed to survive various earthquakes which afflicted Heraklion over the centuries with only minor repairs. During the Turkish rule it was converted into a mosque, the Defterdar Mosque, named after Defterdar Ahmet Pasha, the head of the financial department. The Ottomans demolished the bell-tower of the basilica and raised a minaret in its place, which in its turn was taken down by the residents of Heraklion after the liberation of the island in their attempt to erase the unpleasant reminders and symbols of the Turkish occupation.

It is an essential public building in every Venetian city, which was not absent even from the colonies. For Candia, Loggia is considered to be one of the most elegant architectural monuments of the Venetian period, a representative sample of the palladian style. During the Venetian period, Loggia was the official meeting place of sovereigns and nobility where they discussed various topics that had to do with economic matters, commercial, and political ones.

With the recovery of Crete from Nikiforos Fokas (961AD), the seat of the bishopric is transferred from Gortyna to Chandakas, which became the capital of the island. The new cathedral, which is the most established and largest in the city, is dedicated to the Apostle Titos. Here, amongst other relics, there are gathered the Holy Skull of the Apostle and the miracle working icon of Messopapaditissas.

It was made by Giovanni Sagredo between 1602-1604, part of it has been built in the Northwest corner of today's Loggia (Town Hall) and it is decorated with a carved female statue which according to Gerola's description probably with the left hand she was holding a shield, while with the right one a kind of a big hammer for display, representing the personification of Crete.

The «General Provisioner» Antonio Priuli made it in 1666 and it is situated today behind the "Bodosakeio" Primary School (in the area of the Venetian Dermata Gate). He decorated it with round and square columns with Corinthian type capitals, while a triangular pediment crowns the whole construction. From both sides of the columns there are niches with their metopes elaborately decorated. In the middle of the fountain there is a Turkish inscription where there is a reference to the name of the Turkish pasha who managed to bring water again in the fountain.

The history and culture of Crete, from the first centuries of the Christian era to our present time. An exceptional museum featuring a collection of extremely precious objects, a must see for every visitor to Crete. The museum is housed in a two storey neoclassical building, which was constructed in 1903 on the site of an earlier mansion.

It is situated approximately in the middle of the seaside wall. It was built from the first years of the venetian domination and belonged to the monastic order of Dominicans (Domenicani Predicatori). It was one of the most important and biggest Catholic monasteries of the city. The earthquake of 1508 caused a lot of damages to the temple. It consists of a long aisle which is roofed by a two slope roof and ends at a sanctuary roofed by two vaults. To the north and south wall of the temple there are windows of different types that were opened either during the Turkish period, or even earlier.

The Palace of Malia, which covered an area of 7,500 sq.m. , was the third- largest of the Minoan Palaces and is considered the most "provincial" from the architectural point of view. The first Palace was built in 1900 BC and destroyed in 1700 BC when a new Palace was built. Following the fate of the other palaces in Crete it was also destroyed in 1450 BC. and the present ruins are mainly those of the new palace.

The houses of Tylissos were built during the LM I period (16th-15th century B.C.). Additions were made on House A in the LM II (15th-14th century B.C.) and on House C during the LM III period (14th century B.C.). The site was destroyed by fire in the 14th century B.C. and re - inhabited in historic times as is attested by ruins of later houses over the Minoan ones. Tylissos was excavated by Joseph Chatzidakis in 1902-1913. In 1954, in the course of restorations, parts of a paved court were revealed to the west, and a small stoa with five columns to the north of the Square of the Altar.
The monuments were restored by the Archaeological Service (under the direction of Nicolaos Platon) in the period between 1954 and 1962. All three houses were again restored in 1990-1994.
Source: The Hellenic Ministry of Culture

The Praetorium was the seat and residence of the proconsul of Crete. It is divided into two parts: the administrative section, in which the central building is the basilica, and the more "private" sector. The preserved ruins are dated to the 2nd century A.D. and seem to have been repaired in the 4th century A.D.
This totally excavated building is the largest in the whole City of Gortyn. The earliest constructions have suffered successive alterations in a long period of eight centuries. New structures were erected on the ruins of the earlier sometimes incorporating parts of them. In the 1st c AD the Praetorium consisted of a peristyle court 1000 sq.m. and large halls to the north and west. This first Praetorium was destroyed by an earthquake in the time of the Emperor Trajan (early 2nd c AD). It was reconstructed and a large Thermai complex was built at its east side. Some years later a large temple dedicated to the Augusts was built further at the east part. To the west of the Thermai the juridical basilica continued to function under a judge’s responsibility according to the inscriptions found there, and statues of the emperors and other officers were still standing there. All these famous buildings were destroyed by the large earthquake in 365 AD. In 383 the consul Oecumenius Asclepiodotus Dositheus, agreeing with the capital of the empire, took care of the construction of the new Praetorium.

The Great Nymphaeum (Nymphaion GR: Νυμφαίον), located to the north of Praetorium, was a marble construction with a covered cistern and fountains. Statues of Nymphs stood in the niches. The area of the remains is closed to the public but visitors can see it from a distance.

It lies at the south eastern part of the city and it is considered to be largest of all theaters in Gortyna. Although it is not yet excavated, it is believed that it had a two storeyed stage and its cavea was supported by 56 arches. The statue of the seated philosopher that we see next to the exhibition hall of the archaeological site was found here.

The sanctuary of the Egyptian deities (1st-2nd centuries A.D.) is the only one, in the whole island, which is dedicated to the Egyptian gods Isis, Serapis and Anubis - Hermes although it is known that those gods are worshiped in other cities.
The sanctuary consists of quadrilateral nave, arcade on the west, underground crypt in the south and a cistern outside east of nave. In the central alcove stood the statue of Serapis and the side statues of Isis and Hermes - Anubis. In the southern part of the temple was oblong space, underground crypt purification and a small cictern. The final construction phase of the temple dates to the 1st / 2nd century. AD, in accordance with dedicatory inscription.

The Temple of Apollo Pythios (Pythian Apollo) located in the center of the ancient Agora, was excavated in 1887 and was the largest temple and the religious center of ancient Gortyn until the introduction of Christianity and the founding of the basilica of St. Titus around 500 AD.
The first building of the seventh century. BC was a four-sided enclosure with four wooden pillars in the center to support the roof. The exterior walls and stairs of the crepis were covered with archaic inscriptions. In the Hellenistic period a monumental anteroom was added while columns with inscriptions were placed between the pillars. Alterations and additions were made during the Roman period. Outside the temple was built a magnificent altar on a stepped base while in the west of the temple was built a small theatre.
In the middle Byzantine period in the vicinity of the temple, which had been abandoned, were built houses and aqueducts.
Many finds have been made in the temple among which the colossal statue of Apollo Pythios and many inscriptions with administrative and law content of the Archaic and Hellenistic period. Dates: 7th c BC; Hellenistic; 2nd c AD.

The Hippodrome was located in the south part of the city of Gortyn, and was surrounded by columns. The central section was 374 metres long and 60 metres wide. Our information on the site is insufficient for the reason that there was never a systematic survey, or even a small excavation. What we see today of this magnificent monument are only some parts of columns and capitals.

Located in the valley of Messara, Gortys or Gortyn (GR: Γόρτυς or Γόρτυνα) is a must visit for all visitors to Crete. It was inhabited during Bronze Age times, but its rise to glory came almost a millennium after the downfall of the 'Minoans'. Gortyn was a prosperous city from around the middle of the 5th century BC through to the early 9th century AD, when it was finally destroyed by the Saracens (824AD), never to be rebuilt.

The Roman Odeum at Gortyn is considered one of the best and the most important of its type on Crete. Is has been founded at the North part of the Ancient Agora of the City. This semicircular building consists of three main parts:
a. The Cavea, connected with a domed corridor through three wide staircases;
b. the Orchestra, which has an internal diameter 8,5 m. and was paved with white and blue marble slabs;
c. The Scene, which had two entrances and the paraskenion, with mosaic pavement in geometric pattern. Statues of Muses stood in the niches. Initially the building was a circular Ekklesiasterion founded in the 5th c. BC. In the portico of this public building the Great Inscription with the Law Code of Gortyn dated to the early 5th c., stood. It was destroyed twice: in the 1st century BC, and again in 46 AD. After this last destruction it was reconstructed as an Odeum.
The great Inscription is considered to be the largest Greek inscription, the Queen of all Inscriptions. Its first fragments were found by the French travelers and were bought by the Louvre Museum. The most part of the Inscription was found accidentally by local farmers in 1884 and was further explored F. Halbherr.
It is a Law Code inscribed in the boustrophedon system of writing. It dates in the 1st half of the 5th c. BC and is the oldest Greek and European Law Code. It consists of twelve Deltoi and was built in the Ekklesiasterion of the 5th c BC. In this Code older laws, regarding the personal and family rights of the citizens of Gortyn, were codified.

According to the myth, Zeus, disguised as a bull, coupled with Europe, whom he had brought from Phoenicia, under a deep- shaded plane tree on the banks of the Lethaios River. The offspring of this union were three sons, Minos, Sarpidon and Radamanthis. Later, the oldest Agora of the city of Gortyn, the Ekklesisterion (Congress hall), and the Roman Odeum were founded on this site. The plane tree was blessed and has remained ever green since that time. As his place of birth, the city was founded by King Minos himelf.
According to the myth, it was on the fields of Gortyn that the bull given as a gift to Minos by Poseidon coupled with the Queen Pasiphae and out of this union Minotaur was born.

Saint Titus church at Gortyn bears the name of the Apostle Titus, attendant of Apostle Paul, who was appointed as the first Christian bishop of Crete. It is one of the most important Byzantine monuments in Crete. The name was given to the ruined church by the excavators in the beginning of the 20th c., as they considered it to be the site of the saint’s martyrdom. After the discovery of the new Great Early Byzantine Basilica, just outside the village Mitropolis, its excavators have proposed that as the original bishopric basilica, as it is a century earlier than this, which in the local tradition is named and celebrated after Virgin Mary, “Kera”.
The church has the plan of a three aisled inscribed cross with a low vault. It has been built of ashlar limestone. It has a narthex to the west and five entrances three of which form the trivelum with two columns. There were pillars instead of columns. Its architectural features date its foundation in the 2nd half of the 6th c. AD.