The main acropolis of Gortyna was located on Agios Ioannis hill, to the northwest of the Agora. Acropolis can be accessed from its west side driving through Ambelouzos village to the direction of Gergeri. At a spot around 1.6 kms from Gortyna parking there is a footpath (not clearly signposted and maintained) that leads to the top of the hill. Once at the top you'll be rewarded by the magnificent view to the whole area and the archaeological site itself.
The site was first inhabited in the Neolithic era and again at the end of Minoan times (1200 BC). Since then it was continuously inhabited until the Middle Byzantine period. From the first settlement only parts of walls, floors and hearths were preserved. In the 10th century BC a Geometric settlement was established fortified by a polygonal wall with towers at the corners. At the end of the 7th c. A.D., a small tripartite temple, dedicated to Athena Poliouchos was founded at the south side of the hill. From this temple some very important architectural sculptures were excavated. During the Early Byzantine period (5 - 6th century AD), a basilica was erected over the ruins of the geometric/archaic temple and, in the time of the emperor Heraclios (7th century A.D.) the last fortification with a castle in the center was built which still survives but in a very poor condition.

The oldest theater of Gortyna was on the south slope of the Profitis Ilias hill (Acropolis), opposite to the Odeum. Its cavea was partly cut into the rock and partly built. Its scene was built at the west side of the large court of the Agora, which covered the river Lethaios with a flat bridge. This scene, which H. Belli saw in the 16th c AD, was 120 m long and was already destroyed in 19th c. AD.
On the proscenium there was an inscription of Julia Augusta and it was decorated with statues and relies, among which there was the statue of Europe on the Bull, with broken legs and head.This statue, as described by Admiral Spratt, is now kept in the British Museum and is dated to the 2nd c BC.

This unique monument has been excavated in the last thirty years. It is located on the road between the Saint Titos Church and the village Mitropolis. It is the largest early Byzantine basilica in Crete and among the largest in whole Greece. In early Byzantine period it was the cathedral of the city. The first five-aisled basilica was erected here in the early 6th c., in the years of the Emperor Justinian and stood for about 70 years. The central aisle had a mosaic pavement decorated in geometric patterns and animals. It is believed that there were mosaics of stone and glass tesserae on the walls, too. The other aisle had pavements of limestone slabs. The columns were made of white and gray white marble. Of great importance is the pulpit, which resembles that of Saint Sophia in Constantinople. It was a high exedra on low columns and two stairs for ascent and decent. The choirs stood under the exedra. After the destruction of the first basilica in 620 AD, a new basilica was built over its ruins in the time of the Emperor Heraclios. This basilica, following the fortune of the whole city, was destroyed after the strong earthquake of 670 AD.

Lato (Gr: Λατώ) was an ancient city of Crete, the ruins of which are located approximately 3 km from the small town of Kritsa. The Dorian city-state was built in a defensible position overlooking Mirabello Bay between two peaks, both of which became acropolises to the city. Although the city probably predates the arrival of the Dorians, the ruins date mainly from the Dorian period (fifth and fourth centuries BC). The city was destroyed ca. 200 BCE, but its port (Lato Etera or Lato pros Kamara), located near Agios Nikolaos was in use during Roman rule.
There is some suggestion that the city was named after the goddess Leto (of which Lato is the usual Doric form) and may be mentioned in Linear B tablets as RA-TO. Lato also minted coins in antiquity,[3] bearing the likeness of the goddess Eileithyia who appears to have been the one particularly worshipped at Lato.
Nearchus, admiral of Alexander the Great, was born at Lato.

This is one of Crete's most famous monasteries. It played an important role during the years of the Cretan Renaissance, both in the letters and the arts, and, during the last centuries of Venetian rule, it was known for its many scholars, artists and venerable monks.

Close historical bonds link this monastery to that of Vrontisiou. The Varsamonerou Monastery lies in the surrounding fields of the village Voriza, 54.5 kms from Heraklion. The monastery is abandoned and, though its cells have been destroyed, its church has some of the most remarkable wall paintings in Crete.

Gallia is one of the oldest villages of the area. It is mentioned as a location in the Venetian records as early as 1577, and as a village with 120 residents since 1583. The renaissance tower in the village (still imposing although rundown) and the water fountains in the Kapeloniana area are proof of the passing of the Venetians. Part of the village, called Monohoro, is mentioned as early as 800 A.D.

Nikos Xylouris (Greek: Νίκος Ξυλούρης, 7 July 1936 - 8 February 1980), nicknamed Psaronikos (Greek: Ψαρονίκος, "Grey Nick"), was a Greek composer lyra (Cretan lyre) player and singer from the town of Anogeia. He was part of the movement that brought down the Greek military Junta of 1967. His songs and music captured and described the Greek psyche and demeanor, gaining himself the title the archangel of Crete.

The first habitation of the site dates from the Neolithic and Early Minoan period (3rd millenium B.C.). In the late Classical period (beginning of the 4th century B.C.) the Gortynians established the sanctuary of Asklepios at the harbour. During the tremendous earthquake of 46 B.C. the city was destroyed and subsequently rebuilt. In the Early Christian and Byzantine periods, a small settlement developed and the basilica was erected. The most important monuments of the site are:
The Temple of Asklepios., the "Treasury"., the Fountain, a large, three-aisled basilica, an Early Minoan settlement (2600-2000 B.C.), the West Stoa, the North Stoa, the Nymphaion and two large, mud-brick cisterns.

The artistic events, which take place every year in the first week of July at the same place called Fourni and in the Cretan village of Anogia. The poet, songwriter and singer from Anogia, who they call "Loudovikos from Anogia" wants to make the history of the young martyr, who supersedes his fear in love known to the public. And because 1.900 years have passed since the martyrdom of Yakinthos, he decided to honor the Saint of Love and sing together with him of the poetry of love.(www.yakinthia.com)

Great painter famous as "EL GRECO"(Fodele Iraklion Crete 1541 - Toledo Spain 1614) El Greco's art is the product of both his time and his genius. The artistic currents and the places he visited, are reflected in his work. It is more difficult to outline precisely the influence of the Cretan School in his work. Birth name: Doménikos Theotokópoulos (GR: Δομήνικος Θεοτοκόπουλος)
Born :1541 Crete, then Republic of Venice
Died :April 7, 1614 Toledo, Spain
Field :Painting, sculpture and architecture
Movement :Mannerism, Antinaturalism
Famous works :El Espolio (1577–1579), The Assumption of the Virgin (1577–1579), The Burial of the Count of Orgaz (1586–1588), View of Toledo (1596–1600), Opening of the Fifth Seal (1608–1614).

The museum is located at a place called "Archontiko", around 1000m west from Fodele village and is housed in the house where according to tradition the great painter Doménikos Theotokópoulos (El Greco), was born. The exhibits are mainly photo - reproductions of his paintings and other documents related to the painter's life and work.
The house was severely damaged by the passage of time. The restoration began in 1982 with a grant from the Ministry of Culture and the considerable help of the then Minister Melina Mercouri, in collaboration with the community of Fodele. It was reconstructed according to its original design.

The Archaeological Museum of Aghios Nikolaos is one of the most important in Crete and has been in operation since 1969. It houses collections of very important archaeological finds from the whole of Eastern Crete, an area extending from Malia as far as Zakros. These are displayed in chronological order from the Neolithic period (5700 - 2800 B.C.) to the end of the Roman times (100 B.C. - 400 A.D.) Its showcases include more than 1350 vases from the 3rd millennium B.C. as well as gold and copper finds (the most ancient found in Crete).

The Folk Art Museum of Aghios Nikolaos, in collaboration with the "Cultural Society of Eastern Crete", founded in 1978. All the original and important material was generously offered by the Touring Club of Aghios Nikolaos. Since then more objects have been added to the collection.
A visit to the Folk Art Museum will help you to become familiar with the sort of work and activities the people of this area had in the old days. The Museum houses a rich and beautiful collection of hundreds of genuine samples of Cretan popular art and mainly hand woven and embroidered pieces, some of which are unique.

The monastery of Panagia Kaliviani is located at the 59th km on the road Iraklion-Phaistos. The monastery was built during the second Byzantine period. The small Byzantine chapel was painted with frescoes but most of them are today destroyed. The chapel was deserted until, during the Turkish occupation in 1873, an old small icon of the Annunciation of the Holy Mother was miraculously found there.and the monastery became a place of worship.

The exhibited objects in the Museum come from all over Crete. These objects show that the folk culture of Crete is characterized by an amalgam of influences in which Minoan (2000-1000 BC), Archaic (1000-500 BC) and Byzantine models prevail, especially in agriculture, stock breeding, pottery and basketry.

The archaeological site, the palace, the findings - The Festos Disc. According to mythology, Phaistos (or Festos) was the seat of king Radamanthis, brother of king Minos. It was also the city that gave birth to the great wise man and soothsayer Epimenidis, one of the seven wise men of the ancient world.Excavations by archaeologists have unearthed ruins of the Neolithic times (3.000 B.C.).

The area is touristic developed with many shops, restaurants on the shore, bars and several excellent hotels famous for their comforts and the variety of amenities offered. The lagoon of Elounda is shaped between the coast and a small peninsula of 7-8 km length ... Spinalonga, since antiquity, has protected the harbor of ancient Olous.

The disc of Phaistos is the most important example of hieroglyphic inscription from Crete and was discovered around 1903-05 in a small room near the depositories of the "archive chamber", in the north - east apartments of the palace, together with a Linear A tablet and pottery dated to the beginning of the Neo-palatial period (1700- 1600 B.C.).
The disc of Phaistos can be seen at the Archaeological Museum of Heraklion.

The "Royal Villa" at Ayia Triada which is situated very close to Phaistos, was built in about 1550 BC. i.e. just before the new palace at Phaistos, and was destroyed by fire in l450 BC, like all other important Minoan centres. It succeeded the first palace at Phaistos as the economic and administrative centre of the regions depriving the new palace there of this role, and appears to have had connections with Knossos. The two wings, with an open-air space between them, consisted of groups of interconnecting rooms (polythyra), storerooms and stairways. On the site of the ruins, a Mycenaean megaron, the so-called "Agora" and an open - air shrine were subsequently built.
In the villa's disaster layer from the fire in 1450 BC, excavation revealed a valuable group of exceptional works of art, precious materials, records in Minoan script and seals. The famous black serpentine vessels, the "Harvesters' Vase", the "Boxers' Vase" and the "Chieftain ‘ s Cup", the wall paintings depicting the natural landscape, the sarcophagus, the bronze and clay figurines of worshipers and the copper ingots from the Treasury are among the most noteworthy findings.