It was made by Giovanni Sagredo between 1602-1604, part of it has been built in the Northwest corner of today's Loggia (Town Hall) and it is decorated with a carved female statue which according to Gerola's description probably with the left hand she was holding a shield, while with the right one a kind of a big hammer for display, representing the personification of Crete.

It is in the Ikarou Avenue, next to the Epigraphic Collection of Heraklion Museum. Within an arched construction which, is surrounded by two big square columns, decorated with rosettes, there is a relief spout of fine workmanship. The water is gathered in a marble basin adorned by a richly decorated relief.

It is an essential public building in every Venetian city, which was not absent even from the colonies. For Candia, Loggia is considered to be one of the most elegant architectural monuments of the Venetian period, a representative sample of the palladian style. During the Venetian period, Loggia was the official meeting place of sovereigns and nobility where they discussed various topics that had to do with economic matters, commercial, and political ones.

The history and culture of Crete, from the first centuries of the Christian era to our present time. An exceptional museum featuring a collection of extremely precious objects, a must see for every visitor to Crete. The museum is housed in a two storey neoclassical building, which was constructed in 1903 on the site of an earlier mansion.

It is situated approximately in the middle of the seaside wall. It was built from the first years of the venetian domination and belonged to the monastic order of Dominicans (Domenicani Predicatori). It was one of the most important and biggest Catholic monasteries of the city. The earthquake of 1508 caused a lot of damages to the temple. It consists of a long aisle which is roofed by a two slope roof and ends at a sanctuary roofed by two vaults. To the north and south wall of the temple there are windows of different types that were opened either during the Turkish period, or even earlier.

The Museum of the Battle of Crete and National Resistance (1941-1945) was founded by the Municipality of Heraklion in May 1994.The museum's aim is to collect, preserve and exhibit relics from 1941-1945 in an appropriate manner, as well as to document and disseminate information on the people's struggle during the Battle of Crete and the German-Italian occupation.
In addition to presenting a range of material witnesses to the past, the museum aims to cultivate interest and respect for the history of Crete.
Contact details:
Doukos Beaufort and Merambellou Str.
Tel. (+30)2810 246 554

The Heraklion Catholic church is located at 2, Patros Antoniou street close to the old port of the city. It is dedicated to Saint John the Baptist and was first built in 1888. In the 1959 earthquake the church suffered serious damages and had to be demolished and rebuilt. The pastor at that time, Father George Roussos, built the present church in 1961-1962. Father Petros Roussos, who was Pastor from 1980 to 2008 refurbished also the Capuchin Monastery that stands next to the church.

A seaside fortress situated at the entrance of the old harbour. It was built by the Venetians, before the construction of the new Venetian fortification, in order to protect the pier and the port. It took its last shape in the years between 1523 - 1540 replacing another construction destroyed by an earthquake.

Great painter famous as "EL GRECO"(Fodele Iraklion Crete 1541 - Toledo Spain 1614) El Greco's art is the product of both his time and his genius. The artistic currents and the places he visited, are reflected in his work. It is more difficult to outline precisely the influence of the Cretan School in his work. Birth name: Doménikos Theotokópoulos (GR: Δομήνικος Θεοτοκόπουλος)
Born :1541 Crete, then Republic of Venice
Died :April 7, 1614 Toledo, Spain
Field :Painting, sculpture and architecture
Movement :Mannerism, Antinaturalism
Famous works :El Espolio (1577–1579), The Assumption of the Virgin (1577–1579), The Burial of the Count of Orgaz (1586–1588), View of Toledo (1596–1600), Opening of the Fifth Seal (1608–1614).

The museum is located at a place called "Archontiko", around 1000m west from Fodele village and is housed in the house where according to tradition the great painter Doménikos Theotokópoulos (El Greco), was born. The exhibits are mainly photo - reproductions of his paintings and other documents related to the painter's life and work.
The house was severely damaged by the passage of time. The restoration began in 1982 with a grant from the Ministry of Culture and the considerable help of the then Minister Melina Mercouri, in collaboration with the community of Fodele. It was reconstructed according to its original design.

Eleftherna (Eleutherna GR: Ελεύθερνα) is located on the foothills of Mount Psiloritis, in the heartland of Crete, 25 km. southeastern of Rethymnon. It was inhabited continuously from the Sub-Neolithic period (4th millennium BC) down to the 12th cent. AD and its rich history is now summarized by five hundred selected artifacts unearthed from houses, shrines, public buildings and tombs.

The Monastery of Arkádi (GR:Αρκάδι) built during the last Venetian period, it consists of a large set of fortress-like buildings. The main building included the cells, the warehouses where the agricultural products were treated and stored, the stables. In a word, it was a well-equipped little fortress where people could find refuge in times of trouble. There is an impressive church, with two naves dedicated to Saint Constantine and Saint Helen, and to Our Lord. Due to the holocaust it suffered in 1866, Arkadi has become the island's most famous monastery.

Smari has a very long history and was inhabited, according to reliable sources, from the proto-Minoan period onwards. The archeological relics in the Akropolis of the hill called Profitis Elias, excavated under the direction of the Archeologist D. Hatzi Vallianou, indicate a continuous human presence from the Middle-Minoan period to about 630 B.C.

A Luxurious, two-storey house, built of large ashlar. The walls were strengthened by timber-frames and covered with a thick layer of plaster and marble slabs. The building has a paved courtyard, a shrine, storerooms for agricultural products, a staircase, and rooms with benches. It has been interpreted as a High Priest's house, due to the numerous ceremonial vessels it contained.
The house was probably built in the 16th century. C. (MM III period) and, after its destruction by fire in the 15th century BC (LM IB period), was finally abandoned.
The "Minoan Megaron" at Nirou was excavated in 1918 by St. Xanthoudides. In 1960, under the supervision of the Ephor of Antiquities N. Platon, the site was fenced and the building restored. The monument is consolidated and cleared at intervals by the 23rd Ephorate.

Visiting Hours:
Daily: 8:30-15:00, Monday: closed
Entrance Fee:Free Admission

Kyra Eleoússa (GR: Κυρά Ελεούσα) Monastery is located close to the village Voroú or Voritsi. Due to its historical value the monastery and the outside area which covers 1000m has acquired protected status. Kyra Eleoussa is built according to feudal architectural style, and despite some interventions over the years it maintains many original architectural features. It is first referred in a document dating from 1606. At first it belonged to the monastery of Agia Ekaterini of Sinai but later it became part of Agarathos monastery.

The ancient city of Lyktos or Lyttos (GR: Λύκτος / Λύττος) was one of the most ancient and powerful towns in Crete.
Although the excavations in the area reveal traces of habitation from the Hellenistic years onwards (630 B.C.), the archeologists Georgios Rethemiotakis and Angeliki Lempesi have excavated traces of habitation from the time of the destruction of Lyttos by the Knossians (219 B.C.) in excavated residences of the Hellenistic period.
From the Roman period, the city was subject to new workings as testified by the architectural remnants and the many inscriptions and statues discovered.
Numerous vestiges of ancient structures, objects, and broken marbles are seen, as well as an immense arch of a Roman aqueduct, by which the water was carried across a deep valley by means of a wide marble channel. Traces of the aqueduct which brought its water supply from Kournia, near Krasi village, are still visible today in the rural road to Kastamonitsa village. Lyktos had also a theatre, built in the slope of the hill the design of which we know only from the drawings of Belli (1586).
Finally, the most important discovery is that of a room of nearly 14 metres by 11.40 metres, with marble flooring and a series of four stone platforms along its two longer sides. The room was erected, according to the inscription that was found at the site, at the beginning of the second century B.C. This room was identified as the chamber of the Roman deputies of the city and was very probably destroyed by an earthquake at 365 AD.
Lyktos appears to have still been inhabited in the 7th Century AD as indicated by the excavation of late-roman shops in the area. (Late Roman Empire, 284-610 AD)

This is one of the three largest caves in the prefecture of Heraklion. It lies at half an hour distance to the north-west from the village of Skotino and is at a height of 225 m. above sea-level. The entrance to the cave is impressive: a large arch, 27 m wide and 10 m high. To the right one can see the ruins of an ancient chapel on which the modern chapel dedicated to Aghia Paraskevi was built. There is a feast held in front of the chapel on July 26th .

Author and journalist(1862-1920). He was born in the village Ano Viannos in 1862. In his childhood he moved with his family in Piraeus. Quite soon though, only 3 years later, they got back at their special homeland and there, he finished the elementary school. Though he'd started attending high school in Iraklion, he finished it in Varvakeio School, in Athens.
His first novel was published in the newspaper 'Estia', in 1884. He was enrolled in the Philosophy School, but he never graduated.
In 1885 he got back in Crete, where he took a job as a teacher in Modi, Kydonias. His revolutionary character motivated him into writing patriotic articles in the local paper, an act that infuriated the Turkish occupants to such an extent that he had to flee in Athens, only this time he stayed permanently.
In Athens he worked for several newspapers like 'Estia', 'Asty' and 'Embros'. For more than 20 years he kept writing chronicles, which helped him win respect among the intellectuals. He used to use the pseudonym 'Diavatis' (Passer-by).
During his long literary career he wrote: 'Gramvoussa, i epanastasis en Kriti' (Gramvoussa, the revolution in Crete), 'I olokaftossis tou Arkadiou' (The Holocaust of Arkadi), 'Otan imoun daskalos' (When I was a teacher), 'Proti Agapi' (First Love), 'Eno diavaina' (When I was passing by), 'O Patouchas', 'Zampeliou Kai Kritovoulidou, Istoria Kritikon Epanastaseon' (Zampeliou and Kritovoulidou, Cretan Revolutions History), 'Imere kindynon kai fovou' (Days in danger and terror). Kondylakis’ entire work is collected in his 'Apanta' (Collected works).Ioannis Kondylakis died in Irakleion, in 1920.

A modern competitive organisation, IMBBC (part of the Hellenic Centre for Marine Research - www.hcmr.gr) is widely recognized as one of the leading institutes in the Mediterranean. Its installations are located at Gournes, near Heraklion, Crete, where its laboratories, administration, library and conference facilities cover 1.500 m2. It has a wide range of state-of-the-art facilities needed to carry out its basic and applied research.

It stands 37 km south of Rethimnon, in an imposing landscape which is mentioned at the mid-19th century diary of Th. Spratt (admiral of the British Royal Navy), as "one of the happiest places to withdraw from trials and responsibilities of life".There are lots of legends concerning the foundation of the monastery, which is believed that started during the Venetian occupation of the island. A number of its monks activities made the monastery one of the richest of western Crete and due to its isolated position it played important role in Cretan revolts against the occupying forces. A substantial number of icons and other items is kept in the Museum of the Monastery of Preveli amongst them the miracle - working Eulogistic Cross of Efraim Prevelis.