The Great Nymphaeum (Nymphaion GR: Νυμφαίον), located to the north of Praetorium, was a marble construction with a covered cistern and fountains. Statues of Nymphs stood in the niches. The area of the remains is closed to the public but visitors can see it from a distance.

The Praetorium was the seat and residence of the proconsul of Crete. It is divided into two parts: the administrative section, in which the central building is the basilica, and the more "private" sector. The preserved ruins are dated to the 2nd century A.D. and seem to have been repaired in the 4th century A.D.
This totally excavated building is the largest in the whole City of Gortyn. The earliest constructions have suffered successive alterations in a long period of eight centuries. New structures were erected on the ruins of the earlier sometimes incorporating parts of them. In the 1st c AD the Praetorium consisted of a peristyle court 1000 sq.m. and large halls to the north and west. This first Praetorium was destroyed by an earthquake in the time of the Emperor Trajan (early 2nd c AD). It was reconstructed and a large Thermai complex was built at its east side. Some years later a large temple dedicated to the Augusts was built further at the east part. To the west of the Thermai the juridical basilica continued to function under a judge’s responsibility according to the inscriptions found there, and statues of the emperors and other officers were still standing there. All these famous buildings were destroyed by the large earthquake in 365 AD. In 383 the consul Oecumenius Asclepiodotus Dositheus, agreeing with the capital of the empire, took care of the construction of the new Praetorium.

This unique monument has been excavated in the last thirty years. It is located on the road between the Saint Titos Church and the village Mitropolis. It is the largest early Byzantine basilica in Crete and among the largest in whole Greece. In early Byzantine period it was the cathedral of the city. The first five-aisled basilica was erected here in the early 6th c., in the years of the Emperor Justinian and stood for about 70 years. The central aisle had a mosaic pavement decorated in geometric patterns and animals. It is believed that there were mosaics of stone and glass tesserae on the walls, too. The other aisle had pavements of limestone slabs. The columns were made of white and gray white marble. Of great importance is the pulpit, which resembles that of Saint Sophia in Constantinople. It was a high exedra on low columns and two stairs for ascent and decent. The choirs stood under the exedra. After the destruction of the first basilica in 620 AD, a new basilica was built over its ruins in the time of the Emperor Heraclios. This basilica, following the fortune of the whole city, was destroyed after the strong earthquake of 670 AD.

It lies at the south eastern part of the city and it is considered to be largest of all theaters in Gortyna. Although it is not yet excavated, it is believed that it had a two storeyed stage and its cavea was supported by 56 arches. The statue of the seated philosopher that we see next to the exhibition hall of the archaeological site was found here.

The Hippodrome was located in the south part of the city of Gortyn, and was surrounded by columns. The central section was 374 metres long and 60 metres wide. Our information on the site is insufficient for the reason that there was never a systematic survey, or even a small excavation. What we see today of this magnificent monument are only some parts of columns and capitals.

The exhibited objects in the Museum come from all over Crete. These objects show that the folk culture of Crete is characterized by an amalgam of influences in which Minoan (2000-1000 BC), Archaic (1000-500 BC) and Byzantine models prevail, especially in agriculture, stock breeding, pottery and basketry.

Smari has a very long history and was inhabited, according to reliable sources, from the proto-Minoan period onwards. The archeological relics in the Akropolis of the hill called Profitis Elias, excavated under the direction of the Archeologist D. Hatzi Vallianou, indicate a continuous human presence from the Middle-Minoan period to about 630 B.C.

The monastery of Panagia Kaliviani is located at the 59th km on the road Iraklion-Phaistos. The monastery was built during the second Byzantine period. The small Byzantine chapel was painted with frescoes but most of them are today destroyed. The chapel was deserted until, during the Turkish occupation in 1873, an old small icon of the Annunciation of the Holy Mother was miraculously found there.and the monastery became a place of worship.

The "Royal Villa" at Ayia Triada which is situated very close to Phaistos, was built in about 1550 BC. i.e. just before the new palace at Phaistos, and was destroyed by fire in l450 BC, like all other important Minoan centres. It succeeded the first palace at Phaistos as the economic and administrative centre of the regions depriving the new palace there of this role, and appears to have had connections with Knossos. The two wings, with an open-air space between them, consisted of groups of interconnecting rooms (polythyra), storerooms and stairways. On the site of the ruins, a Mycenaean megaron, the so-called "Agora" and an open - air shrine were subsequently built.
In the villa's disaster layer from the fire in 1450 BC, excavation revealed a valuable group of exceptional works of art, precious materials, records in Minoan script and seals. The famous black serpentine vessels, the "Harvesters' Vase", the "Boxers' Vase" and the "Chieftain ‘ s Cup", the wall paintings depicting the natural landscape, the sarcophagus, the bronze and clay figurines of worshipers and the copper ingots from the Treasury are among the most noteworthy findings.

The archaeological site, the palace, the findings - The Festos Disc. According to mythology, Phaistos (or Festos) was the seat of king Radamanthis, brother of king Minos. It was also the city that gave birth to the great wise man and soothsayer Epimenidis, one of the seven wise men of the ancient world.Excavations by archaeologists have unearthed ruins of the Neolithic times (3.000 B.C.).

The disc of Phaistos is the most important example of hieroglyphic inscription from Crete and was discovered around 1903-05 in a small room near the depositories of the "archive chamber", in the north - east apartments of the palace, together with a Linear A tablet and pottery dated to the beginning of the Neo-palatial period (1700- 1600 B.C.).
The disc of Phaistos can be seen at the Archaeological Museum of Heraklion.

A modern exhibition and congressional centre offering 8000 square meters of total space, 1500 of them being indoors. Among many events that take place in this centre is the Pancretan Agricultural and Commercial Exhibition of Arkalochori held every two years at the end of August. The exhibition attracts a large number of enterprises, manufacturers and services participating and is being visited by over 30,000 visitors from all over Crete. It is considered to contribute essentially in the rapid commercial and cultural development of the wider area.
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The Municipal Open Theatre
Located in the area of the exhibition centre the theatre is of semicircular shape with a capacity of approximately 1000 seats. The facility offers also a canteen, toilets, dressing-rooms for the actors, store room of scene and backstage.The cultural events that the Municipality organises every summer, attract visitors not only from the wider area but also from Iraklion city.
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The ancient city of Lyktos or Lyttos (GR: Λύκτος / Λύττος) was one of the most ancient and powerful towns in Crete.
Although the excavations in the area reveal traces of habitation from the Hellenistic years onwards (630 B.C.), the archeologists Georgios Rethemiotakis and Angeliki Lempesi have excavated traces of habitation from the time of the destruction of Lyttos by the Knossians (219 B.C.) in excavated residences of the Hellenistic period.
From the Roman period, the city was subject to new workings as testified by the architectural remnants and the many inscriptions and statues discovered.
Numerous vestiges of ancient structures, objects, and broken marbles are seen, as well as an immense arch of a Roman aqueduct, by which the water was carried across a deep valley by means of a wide marble channel. Traces of the aqueduct which brought its water supply from Kournia, near Krasi village, are still visible today in the rural road to Kastamonitsa village. Lyktos had also a theatre, built in the slope of the hill the design of which we know only from the drawings of Belli (1586).
Finally, the most important discovery is that of a room of nearly 14 metres by 11.40 metres, with marble flooring and a series of four stone platforms along its two longer sides. The room was erected, according to the inscription that was found at the site, at the beginning of the second century B.C. This room was identified as the chamber of the Roman deputies of the city and was very probably destroyed by an earthquake at 365 AD.
Lyktos appears to have still been inhabited in the 7th Century AD as indicated by the excavation of late-roman shops in the area. (Late Roman Empire, 284-610 AD)

The Cretan Open-air Museum 'Lychnostatis' aims to promote the understanding and awareness of the Cretan folk cultural heritage. Its scope lies on the Cretan Folk Tradition and Ethnology, the Cretan Nature and Environment and the Cretan Folk Culture. Located in Hersonissos, one of the principal tourist areas in Crete, the museum is, apart from a valuable tourist asset, an exemplary self - motivated conduct on tradition, culture and environment of the island.

In winter the town of Rethymno lives in the rhythm of Carnival. Here, the grandest carnival on the island of Crete is organised. Apart from the great parade on Shrove Sunday, a large number of activities complete the framework of the Carnival festivities. The locals devotedly and cheerfully prepare for this season with creativity, they sacrifice their spare time and become young again while rejoicing and celebrating parties almost on a daily basis. More than 4,000 people have worked feverishly for months in order to present their masks and carriages on the great Carnival parade…The following day, on Shrove Monday people from the countryside play a leading part in the festivities. Unique traditions are revived in the villages and everybody is invited to participate in games, street performances and satires as for example “the kidnapping of the bride”, the “Cadi”, the “smudging of people”. These performances in combination with good wine and the music of the lyre are a successful formula for a unique experience.
Links:
www.carnivalrethymno.com

The Mosque took its name from the Turkish commander of the marine operations to conquer Rethymno, in 1646. During the Venetian Period, the Mosque became a monastery dedicated to St. Barbara. West from the central building, there is the deserted minaret of the mosque. The fountain of the Mosque is attached to the roofed entrance of the Mosque's garden, where believers washed before entering the Mosque and provided the area with fresh spring water.

Loggia has been built during the 16th century and was designed by the famous architect Michel Sanmicheli. Loggia was an eminent building of the city centre and has been a meeting point for the nobles to discuss political and economical issues. The building is very well preserved; it is square and has arches on its three sides (besides its west side). The consoles of its eaves are spectacular. During the Turkish occupation the loggia became a mosque and a minaret was constructed, which was later demolished in 1930. The past 40 decades the building of Loggia hosted the archaeological museum of the city, which has now moved to a building next to Fortezza. Today loggia hosts a market of archaeological art copies.

The Contemporary Art Museum of Crete was founded in 1992 as Municipal Gallery ‘L. Kanakakis'. It is housed in a Venetian building at the old city of Rethymno, below the Fortezza fortress and the Archaeological Museum. It houses a permanent exhibition of the work of Lefteris Kanakakis (oil paintings, sketches and aquarelles), thus representing all the stages of his achievements, as well as works of contemporary Greek artists, which cover a broad spectrum of modern Greek art as it has been accomplished from 1950 until today.

Address: 5, Heimaras Str. 741 00 Rethymno
Tel: +30 28310 52530
Website :www.rca.gr

It is housed in the church of Agios Frangiskos in the center of the old town. It exhibits objects from the Neolithic to the Roman period, found at the prefecture of Rethymno (mainly Eleftherna, Monastiraki and Armeni). Clay figurines, funerary coffers, grave offerings, statues, grave steles, red-figure vases, bronze vessels, jewellery and glass vases, are some of the objects on display.
St. Francis Church - 4 Agiou Fragiskou str.,
Telephone: +30 28310 27506
Email: efareth@culture.gr
Open
Winter: 08:00 - 15:00 November 1 - March 31
Summer: 10:00 - 18:00 April 1 - October 31, except Tuesday.

During Venetian occupation the mosque Neratzes, which today is used as a conservatory, was the Augustinian church of the Holy Virgin. In 1657 the Turks transformed it into the mosque 'Gazi Housein' or 'Neratze', and in 1890 they added a large minaret with two galleries, which was built from the famous stones from the village of Alfa. The chapel of the Holy Virgin, situated at its west side and dedicated to the Body of Christ, was also transformed into a seminary. Outstanding elements of this building are the doorframe and the three domes.