The Nikos Kazantzakis Museum is dedicated to the great Greek writer, poet and philosopher Nikos Kazantzakis. It was founded in 1983 and it is located at the village Myrtia in Iraklion, next to his father's house.
The museum contains some of his personal belongings (pipes, glasses, pens, etc.) and a rich collection of his manuscripts and letters, first Greek editions of his books, documents from theatrical productions of his works, copies of TV series and movies based on his novels, portraits of Nikos Kazantzakis, copies of press releases and articles on his life and work.

Myrtos (GR: Μύρτος) is situated 15km to the west of Ierapetra, at the estuaries of the river Sarantapihos, in a valley with olive and orange trees. It is a beautiful village built by the sea, with a beach street lined with taverns and cafe bars.
In a short distance from Myrtos on a low hill lies the archaeological site of "Pyrgos" with the ruins of a villa from the post minoan period and a little further at "Fournou Koryfi" lie the ruins of a proto minoan settlement.
Myrtos features a small archaeological museum with exhibits mostly from the area, an initiative of a local teacher.
Myrtos is a popular tourist destination, with nice small hotels, picturesque taverns and kafeneions, a lovely sandy beach and hospitable people.

This 2 km long sandy beach was for years and still is the favorite beach of the people of Heraklion town. It is named after the river "Karteros" which outflows at the west end of it near the airport. The water is clean, the seabed is sandy with smoothly shelving and swimming is safe. The access is free in most parts except for some areas that are reserved for military personnel and the municipal beach "Akti" where visitors should pay an entrance fee in order to use the facilities. At the east end there are some very good taverns offering fresh fish among their specialties and are very popular with locals and tourists alike.

The ancient settlement of Vasilike is one of the first Minoan settlements with town-planning. It occupies the top and slopes of a low hill near the village Vasilike, in the vicinity of the Minoan settlement of Gournia. The first settlement dates back to the Early Minoan II period (2600-2300 B.C.) and owed its development not only to the strategic position, controlling the Isthmus of Hierapetra, but also to the neighbouring fertile plains. The central building of the settlement was destroyed by fire in around 2300 B.C.

Heraklion International Airport, "Nikos Kazantzakis" (Greek: Κρατικός Αερολιμένας Ηρακλείου, "Νίκος Καζαντζάκης") or Nikos Kazantzakis International Airport (IATA: HER, ICAO: LGIR) is the primary airport on the island of Crete, Greece. It is located about 5km from the main city of Heraklion.
Heraklion International Airport is is one of the biggest in Greece and receives approximately 15% of the total tourist traffic of Greece. There are many airlines currently operating flights from Athens and Thessaloniki to Iraklion (Olympic Airways, Aegean Airlines and others), while during the high season there are flights from/to Rhodes, Mykonos, Santorini and other Greek islands. There are also international airlines that connects Iraklion to other European cities. During the summer season there are numerous chartered flights to Iraklion from all over Europe (mainly Germany, the United Kingdom, Russia, and Holland). During the summer months there is a huge increase in air traffic that peaks in August (approximately 130 flights per day).
Major car-rental companies have desks at the airport. Taxi and public bus are available for transfer from/to Iraklion.

The south-east house belongs to the New Palace period (1700-1450 B.C.). It was well built and decorated with wall-paintings of lillies. It had a pier-and-door partition, a pillar room and storage rooms.
A little behind it are other houses of the Old Palace period (1900-1700 B.C.) such as the house of the "Sacrificed Oxen", named after the remains of a sacrifice found there (horns of a bull and a tripod table of offerings) and the "House of the Fallen Blocks", after the blocks that had fallen from the facade of the palace due to an earthquake.
Next to "South-East House" there are houses of the Old Palace period (1900-1700 B.C.), such as that of the "Monolithic Pillars" in front of the steps. Under the small roof is a Minoan, possibly smelting kiln.

The "Hall of the Double Axes" was so named by Evans due to the double axe signs engraved on the walls of the light-well at its rear. He also thought that it was the place of residence of the King of Knossos.
The central area has openings on three sides and is therefore called a "polythyron" (system with multiple doorways). It has a slab floor and its walls were embellished with gypsum slabs and frescoes. The area between the "polythyron" and the light-well was used as a reception hall. Traces of a wooden construction were found here. Evans reconstructed a wooden throne at this spot.
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According to the archaeological finds, the arrangement of the apartments on the upper floor was similar to those on the ground floor.

Here is the so-called "School Room", an area where, according to Evans, scribes were taught to write on clay tablets. He supposed that they kneaded the clay in the built mortar next to the bench. It is more likely, however that it was a workshop for ceramics or wall-painting.
Behind the "School Room" is the "Lapidary's Workshop", where blocks of crude or semi-worked lapis lacedaemoniae (spartan basalt) and stone tools were brought to light.
According to Evans, the main workshop lay on the upper floor from which vases and large stone amphora had fallen to the ground floor.

Here the excavators found a number of very large storage jars (Pithoi) and Evans named the place the "Magazines of the Giant Pithoi". These magazines are one of the older parts of the palace. The pithoi stand out for their size, the number of handles and the richness of their relief decoration with ropes and discs.
To the right of the magazines a staircase which has been reconstructed by Evans descends to the east entrance of the Palace.
The entrance is a robust construction that gives the impression of a "bastion". From this point it would have been easy to reach an important building of the palatial period, the so-called "Royal Villa" which lies outside the main archaeological site.

The Royal Gaming Board was found here, a kind of board game made of ivory, rock crystal, Egyptian blue, silver and gold, now in Heraklion Museum.
To the right of the corridor are the "Royal Pottery Stores", where Kamares pottery of the Old Palace period (1900-1700 B.C.) was uncovered, and to thee left, storage and workshop areas.

The famous Palace of king Minos and the centre of the Minoan civilisation 5km south of Iraklion. The Great Palace covered an area of 20.000 sq. meters and had 1.400 rooms. Every section of the Palace had a specific use. In the west side of the Palace were the chambers of the ceremonies, of the administration and of the public storehouse...

The Musical Workshop "Labyrinth" organizes seminars, concerts and various creative activities around modal traditional musics of the world. Labyrinth Musical Workshop was founded in 1982 by Ross Daly, with the goal of initiating young people, primarily, into a creative approach to traditional musical idioms from various parts of the world.

Dia (GR: Δία & Ντία) is an uninhabited island approximately 7 nautical miles north of Heraklion. It is surrounded by small rocky inlets and its maximum length is 5kms while its maximum width 3kms. Dia is one of NATURA's protected areas due to its status as a biotope for endemic plants and for plants with low dispersal within the Southern Aegean.

The court is crossed by the so-called "Processional Causeways", which stand out from the rest of the paving and intersect each other. One idea is that processions paraded along them during ceremonies.
The West Facade of the Palace rises up along one side. The facade is constructed of massive gypsum blocks (orthostats) set on a plinth. The facade is indented or protrudes corresponding to the interior arrangement of space.
In front of the West Façade, two bases can be seen, thought to belong to stone-built altars. Settlement remains of the Neolithic (6700 - 3200 B.C.) and pre-palatial (3200 - 1900 B.C.) periods have been found beneath the level of the "West Court".

The "West Porch" was a roofed area opening onto the Court, supported by one column of which part of the gypsum base remains. The east wall was decorated with a bull-leaping fresco. There was a small "guard-room" at the back.
The porch was closed off by a double door and from here began the long "Corridor of the Procession".

The Corridor of the Procession is named from the wall painting decorating its east wall and depicting a procession of musicians and other people holding gifts.
The floor was very fine. The "Corridor of the Procession", according to Evans, initially led to the "South Propylaeum" and continued on to the Central Court.
Today a causeway made of wood, with handrail, stands in its place, so the visitors can follow the same route.

The "South Propylaeum", as we see it today, is a result of the restoration of Evans who put up a copy of the "Cup-Bearer" fresco here. The wall painting depicted a man holding a libation vase (rhyton). Its theme is connected with the "Procession Fresco" which, according to Evans, reached here, the "South Propylaeum". The pithoi (large storage jars) on the east side of the Propylaeum belong to the Postpalatial Period (1450-1100 B.C.), and indicate that the area was later used for storage.

The south part and south facade of the palace is very eroded. Today one can only see foundations on tiered levels. At the bottom, a tower-like projection is all that remains of the south entrance to the Palace. An asceding corridor led to the Central Court.
The section of the corridor closest to the Central Court was reconstructed by Evans who put here a copy of a relief wall painting, of which only few fragments were found. On these fragments, it was possible to make out a figure wearing jewellery in the shape of lilies. The reconstruction we see here is uncertain. In Evans's opinion, it represented the "Priest-King". Other scholars think that it is a prince, whilst others believe it depicts a female figure. Anyway the original fresco which is known as the "Prince of Lilies" is one of the masterpieces in the collection of the Heraklion Museum.

North of the South Propylaeum, at a lower level there is the start of the corridor that joins eighteen long and narrow storerooms, covering an area of 1300 sq.m.
In the floor of both the storerooms and corridor, there are ninety three rectangular cists, the so called "Kasellas". From the finds it appears they were used for keeping safe precious equipment and vases. There are also even larger cists in the corridor, internally lined, perhaps to hold liquids.
The pithoi (large storage jars) of the "West Magazines" bear witness to the wealth of the palace. The remains of some 150 pithoi were found, although there is room for about 400. Their contents are unknown, although they could have oil, wine, pulses, etc.
At different points of the magazine, clay tablets came to light in the Linear B script with records of an economic character. At the north end of the corridor, a large number of older clay seal impressions and clay tablets in the Cretan Hieroglyphic script were discovered.

The antechamber of a complex of rooms that Evans named the "Throne Room".
Its name comes from the stone seat found in the room behind the antechamber, and between them were discovered traces of a burnt wooden construction. Today, a wooden seat has been placed here which is a copy of the stone one in the neighbouring chamber. After the antechamber is the central room of the complex. Right and left of the stone seat are yet more stone benches.
Pieces of fresco depicting plants and griffins, mythical beasts with a lion's body and bird's head were found in the same room. The restored fresco is in Heraklion Museum. Evans put a copy in its place. Stone vases for oil, often connected with rituals, were found on the floor. The stone basin you see was actually found in a neighbouring corridor and placed here. To the left, a low partition wall with a purification ceremonies and therefore called them "Lustral Basins".
The central room connects at the back with a series of small, dark rooms which were lit by lamps, as the finds illustrate.
The function of the complex is difficult to determine. Evans believed that the rooms were used for ceremonies with the main figure being the king of Knossos in his religious capacity. However, it seems unlikely to have been a Throne Room in the modern sense of the word.