The town of Arkalochori (GR: Αρκαλοχώρι) with a population of 2.881 is located 33km away from Heraklion, on the provincial road linking Heraklion and Viannos, at 395m above sea level. Its inhabitants are mostly involved in agriculture, but in commerce and arts as well. Arkalochori is one of the most developing towns in the prefecture of Iraklion both in economic and cultural sectors and is the administrative center of the area. Events such as the Pancretan Agricultural and Commercial Exhibition, that takes place here are of great significance and interest for the whole island. The town offers a full range of modern facilities to its residents and visitors.

A modern exhibition and congressional centre offering 8000 square meters of total space, 1500 of them being indoors. Among many events that take place in this centre is the Pancretan Agricultural and Commercial Exhibition of Arkalochori held every two years at the end of August. The exhibition attracts a large number of enterprises, manufacturers and services participating and is being visited by over 30,000 visitors from all over Crete. It is considered to contribute essentially in the rapid commercial and cultural development of the wider area.
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The Municipal Open Theatre
Located in the area of the exhibition centre the theatre is of semicircular shape with a capacity of approximately 1000 seats. The facility offers also a canteen, toilets, dressing-rooms for the actors, store room of scene and backstage.The cultural events that the Municipality organises every summer, attract visitors not only from the wider area but also from Iraklion city.
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The Nikos Kazantzakis Museum is dedicated to the great Greek writer, poet and philosopher Nikos Kazantzakis. It was founded in 1983 and it is located at the village Myrtia in Iraklion, next to his father's house.
The museum contains some of his personal belongings (pipes, glasses, pens, etc.) and a rich collection of his manuscripts and letters, first Greek editions of his books, documents from theatrical productions of his works, copies of TV series and movies based on his novels, portraits of Nikos Kazantzakis, copies of press releases and articles on his life and work.

Maridaki (GR: Μαριδάκι) is a small coastal hamlet in the bay of Tsoutsouros on the southern coast of Iraklion prefecture. It is built at the end of the gorge of Ahendrias.

Tsoutsouros (GR: Τσούτσουρος) is a small village on the southern coast of Iraklion prefecture, with lovely beaches and a small harbour. The ancient city of Inatos, used to stand were Tsoutsouros is now. Inatos served as a port to Priansos a renowned city - state of the Hellenistic time, located near the village of Kasteliana.
Tsoutsouros is a popular tourist resort especially with Greek families. There are many taverns and cafes most of them around the small harbour, and a good choice of apartments and hotels along the beach.

Delicious pizza in the wood heated oven, wonderful surroundings, ice cold beer, just by the libyan sea.

Monastiraki lies in the valley of Amari, on the natural route leading from northern Crete to the Messara plain. Excavations have brought to light a centre of the Old Palace period (1950-1700 B.C.). which was destroyed by fire following an earthquake. The large number of storerooms and the existence of two archive rooms with many clay sealings indicate a palatial character for the site. Other finds on the top of a neighbouring hill suggest there must have been a religious centre in the area, as well.

The TEI, located on the beautiful island of Crete, was founded in 1983 in order to provide Higher Technical Education to the students of Greece. Since then it has expanded and developed considerably, and now comprises the Schools of
Applied Technology (also in Chania and Rethimno)
Health & Welfare Services
Management & Economics (also in Agio Nikolao and Ierapetra) and
Agricultural Technology
assisted by he Departments of General Sciences, Foreign Languages and Physical Education. Students at the TEI follow courses for 4 years including lectures and practical work in laboratories. In addition, they complete a work placement and dissertation before graduating.
Education at the TEI offers up to date training in technological subjects and prepares students to develop into skilled, responsible and qualified members of society. With a permanent teaching staff of 200 and approximately 10.000 students the TEI of Heraklion is a thriving academic community with an extensive library, student halls of residence, sport facilities and a health center.
P.O. Box 1939 IRAKLIO, Crete, Greece, GR 710 04 Tel: Fax: +30 281 0379328
http://www.teicrete.gr

Dóxa (GR: Δόξα) is a pretty village built on a height of 400 metres above sea-level and 20 kilometres to the west of Heraklion on the road to the mountainous Milopotamos.
The historical cave of Dóxa (GR: Δόξα) is located in a short distance from the village of Marathos on the road to Heraklion. It is at a height of 490 metres above sea-level, near a well-known taverna also called DOXA.
The cave has a total length of 50 metres and impressive stalactites and stalagmites.

Two small dry and uninhabited islets off the bay of Messara, ~7.5 naut. miles to the west of Matala. Due to their close proximity to one another the two islands appear as one from a distance. They are also called "elephantaki" as from north they look like a baby elephant that is lying down. In mythology it is believed that the goddess Lito gave birth to the god Apollon and the goddess Artemis on these islands. In antiquity they were called Dionissioi after the god Dionissos.
During the summertime there are small cruising boats that bring tourists here from Agia Galini and Kokkinos Pyrgos. There is only a small beach with fine pebble and rich seabed at the south side of the easternmost islet.

The court is crossed by the so-called "Processional Causeways", which stand out from the rest of the paving and intersect each other. One idea is that processions paraded along them during ceremonies.
The West Facade of the Palace rises up along one side. The facade is constructed of massive gypsum blocks (orthostats) set on a plinth. The facade is indented or protrudes corresponding to the interior arrangement of space.
In front of the West Façade, two bases can be seen, thought to belong to stone-built altars. Settlement remains of the Neolithic (6700 - 3200 B.C.) and pre-palatial (3200 - 1900 B.C.) periods have been found beneath the level of the "West Court".

Three large pits, known as "kouloures" (rings), with stone-lined walls were built in the West Court during the Old Palace period (1900-1700B.C.). The excavation workmen gave them their name and A. Evans kept it.
The function of the circular pits is not clear. They have been interpreted as rubbish dumps either for all the refuse from the Palace or just the left-overs from sacred offerings. Support has also been given to the idea that they were storing grain.
In two of them, it is possible to see the remains of houses of the Pre Palatial period (3200-1900 B.C.). In the New Palace period (1700-1450 B.C.),the "kouloures" were covered over and out of use.

The "West Porch" was a roofed area opening onto the Court, supported by one column of which part of the gypsum base remains. The east wall was decorated with a bull-leaping fresco. There was a small "guard-room" at the back.
The porch was closed off by a double door and from here began the long "Corridor of the Procession".

The Corridor of the Procession is named from the wall painting decorating its east wall and depicting a procession of musicians and other people holding gifts.
The floor was very fine. The "Corridor of the Procession", according to Evans, initially led to the "South Propylaeum" and continued on to the Central Court.
Today a causeway made of wood, with handrail, stands in its place, so the visitors can follow the same route.

The "South Propylaeum", as we see it today, is a result of the restoration of Evans who put up a copy of the "Cup-Bearer" fresco here. The wall painting depicted a man holding a libation vase (rhyton). Its theme is connected with the "Procession Fresco" which, according to Evans, reached here, the "South Propylaeum". The pithoi (large storage jars) on the east side of the Propylaeum belong to the Postpalatial Period (1450-1100 B.C.), and indicate that the area was later used for storage.

The south part and south facade of the palace is very eroded. Today one can only see foundations on tiered levels. At the bottom, a tower-like projection is all that remains of the south entrance to the Palace. An asceding corridor led to the Central Court.
The section of the corridor closest to the Central Court was reconstructed by Evans who put here a copy of a relief wall painting, of which only few fragments were found. On these fragments, it was possible to make out a figure wearing jewellery in the shape of lilies. The reconstruction we see here is uncertain. In Evans's opinion, it represented the "Priest-King". Other scholars think that it is a prince, whilst others believe it depicts a female figure. Anyway the original fresco which is known as the "Prince of Lilies" is one of the masterpieces in the collection of the Heraklion Museum.

North of the South Propylaeum, at a lower level there is the start of the corridor that joins eighteen long and narrow storerooms, covering an area of 1300 sq.m.
In the floor of both the storerooms and corridor, there are ninety three rectangular cists, the so called "Kasellas". From the finds it appears they were used for keeping safe precious equipment and vases. There are also even larger cists in the corridor, internally lined, perhaps to hold liquids.
The pithoi (large storage jars) of the "West Magazines" bear witness to the wealth of the palace. The remains of some 150 pithoi were found, although there is room for about 400. Their contents are unknown, although they could have oil, wine, pulses, etc.
At different points of the magazine, clay tablets came to light in the Linear B script with records of an economic character. At the north end of the corridor, a large number of older clay seal impressions and clay tablets in the Cretan Hieroglyphic script were discovered.

The great staircase and the upper floor to which it leads are largely Evans’ creation. Evans thought that it had a function rather like the first floor of Italian Palazzi of the Renaissance, which was called Piano Nobile. In this instance, he considered that the important reception rooms of the palace would lie on the upper floor. Evans also thought that there existed a shrine, the "Tri-Columnar Shrine", and its Treasury. The basis for his restoration lies in the column and pillar bases and the ritual stone vases found collapsed onto the ground floor, like the alabaster one in the shape of a lioness head. The rectangular building next to the stairs was built a long time after the destruction of the palace. Evans interpreted it as a "Greek Temple" based on finds of the historic period.

British archaeologist whose name is inextricably bound up with excavations and restoration work at the palace of Knossos. Born as the son of numismatist John Evans, he studied at Oxford and briefly in Göttingen. From 1875 to 1882 he travelled through the Balkans as a correspondent of the Manchester Guardian. In 1884 he was appointed curator at the Ashmolean Museum in Oxford, which post he held until 1908. One year later he became a university don. In 1894 Schliemman's excavations at Troy, Mycenae and Tiryns prompted Evans to visit Crete for the first time, in search of Bronze Age script. The following year he published his first book on Cretan pictographics and pre-Phoenician writing. He set about systematic excavation work after the island was liberated from the Turks (in 1898), having already located the wider area in which to dig. At the same time he toured the length and breadth of Crete.
Evans worked at Knossos for no less than 35 years, bringing the palace and countless finds to light. The building's large surface area and shape led him to the conclusion that it had been the palace of King Minos. He thus gave the name 'Minoan' to the civilization he had uncovered, subdividing it into three major periods. In 1911 he was knighted for his excavation activity and extensive work. Alongside the excavations, Evans showed great zeal in restoring the palace and reconstructing the wall paintings that had come to light. For all the intense criticism this part of his work has often attracted, it still stands as a first approach to what is now known as the Minoan palace. The ensuing publications of material added many pieces to the puzzle of Minoan civilization and remain useful research tools to this day. In the course of his last visit to Crete, Evans was given the Freedom of the City of Heraklion.

Born in 1843 as the youngest son of Andreas Kalokairinos. Having completed secondary education on the island of Syros, he matriculated at the University of Athens School of Laws and attended for one year, but was forced to abandon his studies after his father fell seriously ill and died. Thereafter his interest turned to his father's estates, which he initially managed together with his brother Lysimachos. Kalokairinos later went into soap manufacture, winning awards at world exhibitions.
Unfortunately, however, his business enterprises were not destined to be successful to the end; in 1895, having taken out numerous loans at exorbitant interest rates and mortgaged all his estates, he was forced to declare bankruptcy and was thus deprived of the right to engage in commerce. In 1903 he decided to resume his legal studies at university, and was later awarded a a degree.
In 1878 his passion for archaeology and classical studies led him to attempt the first systematic excavations at Knossos, which brought the first finds from the Minoan palace to light. These comprised the Kalokairinos private collection, held at the site where the Kalokairinos Mansion (the present-day Historical Museum of Crete) was later built. The finds were destroyed when the first mansion was burnt to the ground during the 1898 riots. In 1869 Minos Kalokairinos married Skevo Kyriazi, with whom he had five children.