The magazine to the north of the Grand staircase took its name from the pithoi (large storage jars) that were found here. The jars have relief disk and rope decoration, a characteristic of the beginning of the New palace period (1700-1450 B.C.). A variety of finds show that the place had also been used as a magazine in the Old Palace period (1900-1700 B.C.).
Next door is the "Corridor of the Bays", where three small openings were used for storage. Many vases and religious artefacts were found here. The magazines were buried at the end of the New Palace period(1700-1459 B.C.).

Here is the so-called "School Room", an area where, according to Evans, scribes were taught to write on clay tablets. He supposed that they kneaded the clay in the built mortar next to the bench. It is more likely, however that it was a workshop for ceramics or wall-painting.
Behind the "School Room" is the "Lapidary's Workshop", where blocks of crude or semi-worked lapis lacedaemoniae (spartan basalt) and stone tools were brought to light.
According to Evans, the main workshop lay on the upper floor from which vases and large stone amphora had fallen to the ground floor.

This room, located beside the north entrance, resembles a cistern. Its floor is lower than the surrounding area and is reached by steps. The "Lustral Basin" was surrounded by columns and was lined with slabs of gypsum giving it a luxurious appearance. In its present form, the area has been completely reconstructed by Evans.
Areas with a similar arrangement have been found in other parts of the palace of Knossos, as well as other palaces and important Minoan buildings of the period (1700-1450 B.C.). It is not known how these places were used. However, from their construction it seems that theu would not have been filled with water, nor was there any drainage. Evans thought that they were used in purification ceremonies and therefore called these places "Lustral Basins". Evans also believed that the Palace was a sacred place. That is why, in his opinion, the "Lustral Basin"in question was used to purify visitors going into th Palace via neighbouring North Entrance.

This area, sited at the north-west edge of the palace, was called the "Theatre" by Evans because its shape reminded him of later theatres. It is a platform and rows of steps that form a right angle. At the base of the stairs is the end of a narrow elevated road that crosses a paved court. Evans believed that the court was used for ceremonies watched by the standing viewers.
The elevated paved road continues in the opposite direction. It passes underneath the modern road to Heraklion, connecting the Palace with the Minoan town, which extended to the West and North.
Evans named the road the "Royal Road". Along the length of the road are town houses with workshops on the ground floor and residential areas on the upper floor.

Capacity: 26,240 (seated)- Location: The stadium is located in Heraklion (also: Iraklio) 3 km west of the city centre (at Lido beach)... The building began 15 years ago and the 2004 Olympic Games proved to be the golden opportunity for the Pancretan, as the Athens Organising Committee named it as one of the venues of the football tournament.
It was inaugurated on 31 March 2004, when it hosted an international friendly match between the National teams of Greece and Switzerland. The stadium is currently the second largest stadium of the country.
The stadium is actually part of a sports complex. A training ground with an 8-lane athletics track, Lido Indoor Hall, and a swimming pool are located right next to the Pancretan Stadium.

Here the excavators found a number of very large storage jars (Pithoi) and Evans named the place the "Magazines of the Giant Pithoi". These magazines are one of the older parts of the palace. The pithoi stand out for their size, the number of handles and the richness of their relief decoration with ropes and discs.
To the right of the magazines a staircase which has been reconstructed by Evans descends to the east entrance of the Palace.
The entrance is a robust construction that gives the impression of a "bastion". From this point it would have been easy to reach an important building of the palatial period, the so-called "Royal Villa" which lies outside the main archaeological site.

The Royal Gaming Board was found here, a kind of board game made of ivory, rock crystal, Egyptian blue, silver and gold, now in Heraklion Museum.
To the right of the corridor are the "Royal Pottery Stores", where Kamares pottery of the Old Palace period (1900-1700 B.C.) was uncovered, and to thee left, storage and workshop areas.

An open air narrow passage linked the Central Court with the North Entrance. It was paved and had a strong inclination towards the north. Right and left were two raised colonnades known as "Bastions".
Arthur Evans reconstructed the "Bastion" on the west side. He also placed a copy of a restored relief fresco of a bull here. The wall painting may have formed part of hunting scene.
The passage ends in a large hall with ten square pillars and two columns. The pillars and columns probably supported a large hall on the upper floor. Evans suggested that, due to its position on the seaward side, it was here that the produce of seaborne trade would have been checked when it reached the Palace. It was therefore named the "Customs House".

27th August - I set off from Spili at 0740 under a rather cloudy sky and with a cooling breeze to keep me feeling fresh. Today was always going to be a bit of a road slog and the first few kms to Mixourama was on the main road with cars flashing by. The GPS suggested that there was a road link between Koxare and Agouseliana even though there was nothing on the paper map so, after 6 or 7 kms, I cut across to Koxare.
Distance: 32 km
Time: 8 hrs. 25mins.
Mov av 4.8 km/hr
Height overnight: 272m.

Established in 1927, AGRUNION is one of the largest agricultural cooperative unions of Greece, with 167 members of 1st degree and over 47.000 members (farmers). Its range of products include olive oil, wines, vinegar and table grapes, sold into the Greek and foreign markets. They are produced in new-built factories equipped with foremost technological equipment, totally owned by AGRUNION.

Iraklion (Heraklion or Herakleion GR: Ηράκλειον) is the largest urban centre in Crete, the capital of the region and the economic centre of the island. The first European civilisation, the Minoan civilisation, flourished on this land 5000 years ago. Currently the population of Iraklion is approximately 150.000 people. It is a very dynamic and cosmopolitan town, particularly during the summer period when thousands of visitors can be seen shopping in the market or visiting the museums and other places of interest. Today Heraklion is the top choice for tourist destinations in the Mediterranean. The city is also the commercial and scientific centre of the island. During the last 20 years the city has made remarkable progress in the academic and technological fields...

A modern exhibition and congressional centre offering 8000 square meters of total space, 1500 of them being indoors. Among many events that take place in this centre is the Pancretan Agricultural and Commercial Exhibition of Arkalochori held every two years at the end of August. The exhibition attracts a large number of enterprises, manufacturers and services participating and is being visited by over 30,000 visitors from all over Crete. It is considered to contribute essentially in the rapid commercial and cultural development of the wider area.
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The Municipal Open Theatre
Located in the area of the exhibition centre the theatre is of semicircular shape with a capacity of approximately 1000 seats. The facility offers also a canteen, toilets, dressing-rooms for the actors, store room of scene and backstage.The cultural events that the Municipality organises every summer, attract visitors not only from the wider area but also from Iraklion city.
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Spili (GR:Σπήλι) is 30 km away from Rethymnon, along the road that goes from Rethymnon to Armenoi and then Spili. The town has about 800 inhabitants and it lies at a height of 430 m above sea level, at the foothills of Mount Vorizi, which belongs to the Kedros chain.
The landmark of the town is the square at Kefalovrissi with the 25 fountains each one in the shape of a lion's head. The square is named after Thanassis Skordalos (1920-1998), a popular lyra player and composer born in Spili.
Spili is a modern town, with all the facilities and services required by the locals and by the large number of visitors.

The fortified enclosure of the Venetian Chandakas of the 15th century, which is still preserved today, is one of the most significant monuments of its kind in the whole Mediterranean basin.
Triangular in shape, with its base at the sea, the mighty enceinte has a perimeter of about 5.5 kilometres. The hallmark of the defensive layout are the bastions, linked by curtain walls decorated at many points by escutcheons and the lion of St. Mark, symbol of Venetian omnipotence. The gates in the enceinte, which served to link the town to the countryside, still stand as important architectural monuments.
To this day, the walls that withstood the Ottoman siege in the mid-17th century mark out the boundary of the old town.

The bastion heart shaped in plan with an acute angle, has two "piazza bassa" and one cavalier. It defines the southeast and the highest part of the fortification. Its name is due to Gabriele Tadini Martinego (1520) who started the construction of a circular tower at the place of the later bastion. It was one of the strongest bastions (the others were that of Pantocratora and that of Vittouri) which also suffered the main attack and most of the bombardment from the Turks.
On the top of the bastion itself there was made a cavalier (which looks like a smaller bastion), whose main purpose was the better defense and control of the area around the bastion.

The grave of Nikos Kazantzakis, the famous Cretan writer, is situated on the highest point of the Venetian fortification at the Martinego cavalier. The inscription by the wooden cross reads: " I hope for nothing. I fear nothing. I am free ", a phrase taken from "The Odyssey" which Kazantzakis considered as one of his most significant works.

The playgrounds of the Academy of the local football team "Ergotelis" are located today on the main bastion and in the ditch around the bastion are the botanical gardens of the city.

Behind the "N.Kazantzakis open theatre", in the low square of the Gate of Jesus, was made after the proposal of Manos Hatzidakis and the design of Dionysis Fotopoulos, the Small Open Theatre, that recently named after the famous composer. It is constructed in a way so that is not caused damage in the Venetian Walls, that have been characterized as preservable monuments. In the "Manos Hatzidakis open theatre" (400 - 450 seats), as in "N.Kazantzakis open theatre" a lot of important events took place during the Heraklion Summer Festival.

Oasis is the part of the ditch of the new Venetian fortification that corresponds to the Rampant of Jesus. East of the entry of Oasis is the Cyprus square, roughly 600m from the centre of the city. For the first time, Oasis functioned as a small theatre during the 2nd world war when enough pines were cut. Then, up to 1963, a lot of assemblies took place here, mainly political. In 1963, the first serious effort of exploitation of Oasis as summer theatre, which was maintained up to 1976. In 1976 the theatre was created with the form that it has today. It became a modern open theatrical space of 1200 seats with all the necessary comforts.

In the heart of the city center of Heraklion, opposite the church of Agios Minas, is the Museum of traditional music, instruments, research & documentation with the characteristic title 'Thirathen'.
The Museum was founded in 2012 with its headquarters in the historic village of Krousonas, in the Municipality of Malevizi. In December 2023, it opened its doors to the public, in its new space in the center of the city of Heraklion.

Maridaki (GR: Μαριδάκι) is a small coastal hamlet in the bay of Tsoutsouros on the southern coast of Iraklion prefecture. It is built at the end of the gorge of Ahendrias.

The Cathedral of St. Minas:The small church of St. Minas did not meet the religious needs of the constantly growing Christian community, so the demand arose for the erection of a new cathedral. The plot for the new church used to be a garden that belonged to a Turk from whom it was bought. The architect was Athanasios Moussis and in 1862 the foundation stone of one of the most magnificent and impressive Greek churches was laid. The outbreak of the Cretan revolution of 1866 demanded the stopping of the building work which will continue in 1883 in order to be completed in 1895, when the inauguration of the exquisite temple took place. The church is of the cruciform type with a dome based on a high spandrel, while internally there are also elements of a three aisle basilica. It has two bell towers, one in the northeastern corner and the other in the southeastern one. The right aisle is dedicated to Apostle Titos and the left one to St. Ten Martyrs of Crete. The inside of the church has gone through many changes with new additions. With plans of the architect Anastasios Orlandos the woodcut icon screen was replaced by another one made of marble, the same happened with the bishop's seat. The religious painting of the church was assigned to St. Kartakis who followed faithfully the principles and the models of the Byzantine icon painting. The hundredth anniversary from the inauguration of the Cathedral Church of St. Minas (1995) was celebrated with every solemnity that is suited in an equal occasion and more specifically to one of the most glorious and imposing Greek churches.