The village of Smári (GR: Σμάρι) is a traditional Cretan village, only 10 km away from Kasteli and has 375 inhabitants.
In it you will find beautiful old stone houses that have been restored, picturesque little alleys, ruins of older buildings and pottery workshops where you can purchase copies of Byzantine and Minoan ceramics.
There are also some interesting churches with wonderful frescoes like the one dedicated to Sotir Christos, the Koimisi tis Panagias and Agios Giorgos.
The earliest reference to the village of Smari dates back to 1375.
There is a lively Cretan feast on July 20th in honour of Profitis Ilias, with much rejoicing, singing and dancing.

Dóxa (GR: Δόξα) is a pretty village built on a height of 400 metres above sea-level and 20 kilometres to the west of Heraklion on the road to the mountainous Milopotamos.
The historical cave of Dóxa (GR: Δόξα) is located in a short distance from the village of Marathos on the road to Heraklion. It is at a height of 490 metres above sea-level, near a well-known taverna also called DOXA.
The cave has a total length of 50 metres and impressive stalactites and stalagmites.

Kastamonitsa (GR: Κασταμονίτσα) is 7 km away from Kasteli, has 356 inhabitants and lies at 520 m above sea level, in the foothills of the Afendi mountain (1578 m), with the Dikti mountain in the background.
The village is not mentioned in the Venetian registers of the 16th and 17th centuries, nor in the Turkish census of 1671. It is possible that the name is related to that of Kastamoni in Asia Minor: refugees, driven out of their land by the Turks, may well have come and settled here, giving their new home the same name as their old one. But it is impossible to establish a precise date.
The Church of the Koimisi tis Theotokou (Dormition of Our Lady), located in the cemetery of the village, has wall paintings of the 14th century and points to a settlement here during the Venetian period. However, as we said before, the village is not mentioned in any Venetian census. The first reference is to be found in an Egyptian census conducted in 1834, where the village of Kastamonitsa is said to have 35 Christian families. And again in 1881, the village is said to have 320 Christian residents; no Turkish families are mentioned.
The location of the village on the way to the natural fortress of the Lassithi plateau which protects all of Eastern Crete, turned the area into a battlefield during the last century.
The Egyptian Pasha Hassan tried to invade the Lassithi plateau in 1822. The rebels cut him off between Krassi and Kastamonitsa, fighting him so well that he was forced to change his strategy and invade the plateau through its south side (Viannos and Ierapetra).
Other fierce battles took place in and around Kastamonitsa during the 1866-67 rebellions. Finally Omer Pasha, known as the Attila of Lassithi, found a way up through the glen at Geraki where an betrayer showed him the way.
A clay cast has been found in Mesarmi. It is elliptical in shape and has a width of about 0.25 m, and has a plaited decoration. A round glass vessel was also found at Xidiano Seli.
4 km out of the village you get to a lovely spot known as Mesada, where traditional celebrations take place on Easter Tuesday.The village boasts of several kapheneions and a taverna in the main square.
There is an active cultural centre, that organizes events especially in the summer. The most important and traditional feast is held on July 7th in honour of Aghia Kyriaki.

Established in 1927, AGRUNION is one of the largest agricultural cooperative unions of Greece, with 167 members of 1st degree and over 47.000 members (farmers). Its range of products include olive oil, wines, vinegar and table grapes, sold into the Greek and foreign markets. They are produced in new-built factories equipped with foremost technological equipment, totally owned by AGRUNION.

26th August - You get to see Kedros close up and enjoy fabulous views back over the Amari Valley to Psiloritis and forwards over the high, little-visited plain above Spili. Once off dirt roads, the path is generally pretty clear on the ground but as ever the GPS helped me not to stray too far. As you come up out of Yerakari on the Spili road (a tempting ten kms) you take a left just after a fresh water fountain and immediately by a large cistern. There are many distracting side roads along here but you stay with the main dirt track as it winds close under Kedros before turning west.
Distance:20km
Mov av 4.6 km/hr
Height overnight: 402m.
Max. height:1,050 m
Start at 680m

Capacity: 26,240 (seated)- Location: The stadium is located in Heraklion (also: Iraklio) 3 km west of the city centre (at Lido beach)... The building began 15 years ago and the 2004 Olympic Games proved to be the golden opportunity for the Pancretan, as the Athens Organising Committee named it as one of the venues of the football tournament.
It was inaugurated on 31 March 2004, when it hosted an international friendly match between the National teams of Greece and Switzerland. The stadium is currently the second largest stadium of the country.
The stadium is actually part of a sports complex. A training ground with an 8-lane athletics track, Lido Indoor Hall, and a swimming pool are located right next to the Pancretan Stadium.

The bastion heart shaped in plan with an acute angle, has two "piazza bassa" and one cavalier. It defines the southeast and the highest part of the fortification. Its name is due to Gabriele Tadini Martinego (1520) who started the construction of a circular tower at the place of the later bastion. It was one of the strongest bastions (the others were that of Pantocratora and that of Vittouri) which also suffered the main attack and most of the bombardment from the Turks.
On the top of the bastion itself there was made a cavalier (which looks like a smaller bastion), whose main purpose was the better defense and control of the area around the bastion.

The grave of Nikos Kazantzakis, the famous Cretan writer, is situated on the highest point of the Venetian fortification at the Martinego cavalier. The inscription by the wooden cross reads: " I hope for nothing. I fear nothing. I am free ", a phrase taken from "The Odyssey" which Kazantzakis considered as one of his most significant works.

The playgrounds of the Academy of the local football team "Ergotelis" are located today on the main bastion and in the ditch around the bastion are the botanical gardens of the city.

Oasis is the part of the ditch of the new Venetian fortification that corresponds to the Rampant of Jesus. East of the entry of Oasis is the Cyprus square, roughly 600m from the centre of the city. For the first time, Oasis functioned as a small theatre during the 2nd world war when enough pines were cut. Then, up to 1963, a lot of assemblies took place here, mainly political. In 1963, the first serious effort of exploitation of Oasis as summer theatre, which was maintained up to 1976. In 1976 the theatre was created with the form that it has today. It became a modern open theatrical space of 1200 seats with all the necessary comforts.

The ancient city of Lyktos or Lyttos (GR: Λύκτος / Λύττος) was one of the most ancient and powerful towns in Crete.
Although the excavations in the area reveal traces of habitation from the Hellenistic years onwards (630 B.C.), the archeologists Georgios Rethemiotakis and Angeliki Lempesi have excavated traces of habitation from the time of the destruction of Lyttos by the Knossians (219 B.C.) in excavated residences of the Hellenistic period.
From the Roman period, the city was subject to new workings as testified by the architectural remnants and the many inscriptions and statues discovered.
Numerous vestiges of ancient structures, objects, and broken marbles are seen, as well as an immense arch of a Roman aqueduct, by which the water was carried across a deep valley by means of a wide marble channel. Traces of the aqueduct which brought its water supply from Kournia, near Krasi village, are still visible today in the rural road to Kastamonitsa village. Lyktos had also a theatre, built in the slope of the hill the design of which we know only from the drawings of Belli (1586).
Finally, the most important discovery is that of a room of nearly 14 metres by 11.40 metres, with marble flooring and a series of four stone platforms along its two longer sides. The room was erected, according to the inscription that was found at the site, at the beginning of the second century B.C. This room was identified as the chamber of the Roman deputies of the city and was very probably destroyed by an earthquake at 365 AD.
Lyktos appears to have still been inhabited in the 7th Century AD as indicated by the excavation of late-roman shops in the area. (Late Roman Empire, 284-610 AD)

The fortified enclosure of the Venetian Chandakas of the 15th century, which is still preserved today, is one of the most significant monuments of its kind in the whole Mediterranean basin.
Triangular in shape, with its base at the sea, the mighty enceinte has a perimeter of about 5.5 kilometres. The hallmark of the defensive layout are the bastions, linked by curtain walls decorated at many points by escutcheons and the lion of St. Mark, symbol of Venetian omnipotence. The gates in the enceinte, which served to link the town to the countryside, still stand as important architectural monuments.
To this day, the walls that withstood the Ottoman siege in the mid-17th century mark out the boundary of the old town.

Behind the "N.Kazantzakis open theatre", in the low square of the Gate of Jesus, was made after the proposal of Manos Hatzidakis and the design of Dionysis Fotopoulos, the Small Open Theatre, that recently named after the famous composer. It is constructed in a way so that is not caused damage in the Venetian Walls, that have been characterized as preservable monuments. In the "Manos Hatzidakis open theatre" (400 - 450 seats), as in "N.Kazantzakis open theatre" a lot of important events took place during the Heraklion Summer Festival.

Bizariano (GR: Μπιτζαριανό) is a traditional small village of about 24 inhabitants in the area of Kasteli Pediada, 320 m above sea level and about 3 km to the north of Kasteli on the road to Hersonissos.
A pretty village with stone houses, graphic lanes and courtyards covered in flowers.
It is first mentioned in 1881, as Bizariano, Municipality of Kasteli, with 55 Christian inhabitants. In 1951, it changes its name to Pigi. Its first name is that of a family, Bizariano. Close to the village, in a beautiful spot full of lush vegetation, evergreen plane trees and gushing water, stands the ancient church of Agios Pandeleimonas, with its three naves.
Two rows of arches supported by columns without capitals separate the naves. Another column is made exclusively of capitals, apparently brought in from other churches or temples. Practically all the middle outside wall is decorated with inscriptions, Byzantine reliefs and crosses.

Agios Panteleimon (External)
Agios Panteleimon (External)
Agios Panteleimon (interior)

The artistic highlight of the church of Saint Panteleimon are its fresco scenes painted on the walls which are among the oldest in Crete, although very few frescoes remain. In the lower section of the arch, there is the representation of the three Hierarchs, shown on full length, with vertical inscriptions on it. On the two side walls there are the representations of Saints in a colossal size. These scenes were designed to be a source of biblical education to the faithful, who would have been illiterate at that time.

In the heart of the city center of Heraklion, opposite the church of Agios Minas, is the Museum of traditional music, instruments, research & documentation with the characteristic title 'Thirathen'.
The Museum was founded in 2012 with its headquarters in the historic village of Krousonas, in the Municipality of Malevizi. In December 2023, it opened its doors to the public, in its new space in the center of the city of Heraklion.

It was made by "capitano" Gianmatteo Bembo between 1552-1554, it dominates in today's Kornarou square, next to a later Turkish philanthropic fountain. It is decorated with coats of arms and other elements of the renaissance and of gothic type, while in the middle a big headless statue stands out of the roman period. The spring is ornated with floral and embossed elements.

It was built in 1776 by Hadji Ibrahim aga. In order to keep it working, he dedicated almost all his property. It is unique in its kind that is still preserved today. It is of a circular type building with a "tholos" and around the walls there are semi-circular windows with rails, in front of each one of them there exist a tap with a stone basin for the water to be collected. Today it is used as a coffeehouse.

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Agia Ekaterini church and Exhibition of Byzantine Art and Ecclesiastical objects. A small sinaitic church of St. Catherine with a Basilica design, houses an exhibition with works of art from the Cretan renaissance. Among the exhibits are some of the most important icons of the Cretan School, ecclesiastical books and manuscripts, vestments, ecclesiastical vessels and relics, wall-paintings, wood-carvings and sculpture.

The Cathedral of St. Minas:The small church of St. Minas did not meet the religious needs of the constantly growing Christian community, so the demand arose for the erection of a new cathedral. The plot for the new church used to be a garden that belonged to a Turk from whom it was bought. The architect was Athanasios Moussis and in 1862 the foundation stone of one of the most magnificent and impressive Greek churches was laid. The outbreak of the Cretan revolution of 1866 demanded the stopping of the building work which will continue in 1883 in order to be completed in 1895, when the inauguration of the exquisite temple took place. The church is of the cruciform type with a dome based on a high spandrel, while internally there are also elements of a three aisle basilica. It has two bell towers, one in the northeastern corner and the other in the southeastern one. The right aisle is dedicated to Apostle Titos and the left one to St. Ten Martyrs of Crete. The inside of the church has gone through many changes with new additions. With plans of the architect Anastasios Orlandos the woodcut icon screen was replaced by another one made of marble, the same happened with the bishop's seat. The religious painting of the church was assigned to St. Kartakis who followed faithfully the principles and the models of the Byzantine icon painting. The hundredth anniversary from the inauguration of the Cathedral Church of St. Minas (1995) was celebrated with every solemnity that is suited in an equal occasion and more specifically to one of the most glorious and imposing Greek churches.

It is next to the external Gate of St. George, underneath the statue of Eleutherios Venizelos. Within an arched construction, which its top is decorated with floral elements, there is a plaque and the spout is within a relief decorated frame. The water was collected in a marble basin of a similar decoration.

The Gate of Agios Geórgios (GR: Πύλη Αγίου Γεωργίου - Saint George also called the Gate of Maroula or Lazaretto) was one of the central gates of Chandax during the Venetian period. Today it connects Eleftherias Square with Ikarou Avenue and at the same time is used as an exhibition venue.
The gate used to lead towards the eastern provinces of the city, the Maroula suburb and the Lazaretto. Designed by Giulio Savorgnan and dedicated to St. George, the monumental city side facade featured a relief medallion of the warrior saint on horseback, set directly above the finely carved stones that formed the main portal. This monumental facade was demolished in 1917 for the opening of today’s Democratias Avenue. Of the gate today, its entrance towards Ikarou Avenue is preserved, the internal domed hall and part of its climbing arcade which have been restored by the Municipality of Heraklion.