Loggia has been built during the 16th century and was designed by the famous architect Michel Sanmicheli. Loggia was an eminent building of the city centre and has been a meeting point for the nobles to discuss political and economical issues. The building is very well preserved; it is square and has arches on its three sides (besides its west side). The consoles of its eaves are spectacular. During the Turkish occupation the loggia became a mosque and a minaret was constructed, which was later demolished in 1930. The past 40 decades the building of Loggia hosted the archaeological museum of the city, which has now moved to a building next to Fortezza. Today loggia hosts a market of archaeological art copies.

During Venetian occupation the mosque Neratzes, which today is used as a conservatory, was the Augustinian church of the Holy Virgin. In 1657 the Turks transformed it into the mosque 'Gazi Housein' or 'Neratze', and in 1890 they added a large minaret with two galleries, which was built from the famous stones from the village of Alfa. The chapel of the Holy Virgin, situated at its west side and dedicated to the Body of Christ, was also transformed into a seminary. Outstanding elements of this building are the doorframe and the three domes.

The square of Mikrasiaton (GR: Πλατεία Μικρασιατών) formerly the 1st primary school square, in Rethymnon town, covers an area of 7,500 square meters, right at the heart of the city's historical center. It is surrounded by valuable monuments and beautiful buildings, mainly used as cultural centers.
There, visitors have the opportunity to rest in a peaceful environment and at the same time visit the various monuments and cultural centers located in the area.

A. Rimondi, the Rector of the city, built the famous Rimondi Fountain, which is situated at present day Platanos Square, formerly the centre of Venetian city life, in 1626. The water runs from three spouts in the shape of a lion's head into three sinks. Three small, fluted columns, ornamented with Corinthian capitals are "standing" on the sinks. Above the capitals an entablature can be observed, the middle part of which displays four projections in the shape of the leaves of the acanthus exactly above the columns. Furthermore in this section the words LIBERALITATIS and FONTES are inscribed.

The Historical and Folklore Museum of Rethymno is located next to the Neratze Mosque. It is an institution of public benefit, founded in 1973 by the President of the Historical and Folklore Institution, Christoforos Stavroulakis, and Fali Vogiatzaki. The museum is housed in a restored Venetian building with an interior courtyard. The building is a wonderful piece of urban residence of the last phase of the Venetian occupation of Crete, built in the renaissance style by traditional craftsmen.

The Museum of Submarine Life is situated at Arapatzoglou street, at the center of Rethymno's old city. It was founded by the "Moshaki" family, in memory of their lost child, who drowned in the sea. The largest part of the exhibits are made up of shells, while a few vertebrates, sponges and fish are also on display.

The Contemporary Art Museum of Crete was founded in 1992 as Municipal Gallery ‘L. Kanakakis'. It is housed in a Venetian building at the old city of Rethymno, below the Fortezza fortress and the Archaeological Museum. It houses a permanent exhibition of the work of Lefteris Kanakakis (oil paintings, sketches and aquarelles), thus representing all the stages of his achievements, as well as works of contemporary Greek artists, which cover a broad spectrum of modern Greek art as it has been accomplished from 1950 until today.

Address: 5, Heimaras Str. 741 00 Rethymno
Tel: +30 28310 52530
Website :www.rca.gr

The Fortezza castle, at the top of a low hill named "Palaiokastro" dominates the town. It was built in 1590 to protect the city from the pirates raids and the Turks.
The name "Palaiokastro which means 'The old Castle' was in use even by the Venetians which demonstrates the existance of an even older castle at this place. - Probably the acropolis of the ancient town of Rithymna.
The interior of Fortezza accommodated the following basic buildings: the storeroom of the artillery, where canons and weapons were kept, the residence of the Councilors, where one of the city's two Venetian councilors lived, the residence of the Rector, which represented a luxurious, magnificent building in the central square of the fortress.
Today parts of those buildings, as well as of some others built later, can be seen. The view from up there is magnificent, especially at night.
The municipal theatre "Erofili" stands also at Fortezza's premises. It is an outdoor theatre that hosts almost all the performances during the Renaissance Festival.

The Municipality of Nikiforos Fokas is located in the north of Rethymnon Prefecture. The area is known for its outstanding natural beauty and its historical tradition and architecture. All of the municipality's settlements are steeped in history and contain fine examples of architecture, featuring stone buildings with vaulted entrances (known as "diavatika") and magnificent thresholds.
The municipality's jurisdiction extends over the fourteen former community wards of Agios Konstantinos, Ano Valsamonero, Atsipopoulo, Gerani, Gonia (Athanatos), Zouridi, Kalonyktis, Kato Valsamonero, Malaki, Mountros, Prines, Roustika, Saitoures and Frantzeskiana Metochia, which comprise a total of 21 villages.

The houses of Tylissos were built during the LM I period (16th-15th century B.C.). Additions were made on House A in the LM II (15th-14th century B.C.) and on House C during the LM III period (14th century B.C.). The site was destroyed by fire in the 14th century B.C. and re - inhabited in historic times as is attested by ruins of later houses over the Minoan ones. Tylissos was excavated by Joseph Chatzidakis in 1902-1913. In 1954, in the course of restorations, parts of a paved court were revealed to the west, and a small stoa with five columns to the north of the Square of the Altar.
The monuments were restored by the Archaeological Service (under the direction of Nicolaos Platon) in the period between 1954 and 1962. All three houses were again restored in 1990-1994.
Source: The Hellenic Ministry of Culture

The museum is located at a place called "Archontiko", around 1000m west from Fodele village and is housed in the house where according to tradition the great painter Doménikos Theotokópoulos (El Greco), was born. The exhibits are mainly photo - reproductions of his paintings and other documents related to the painter's life and work.
The house was severely damaged by the passage of time. The restoration began in 1982 with a grant from the Ministry of Culture and the considerable help of the then Minister Melina Mercouri, in collaboration with the community of Fodele. It was reconstructed according to its original design.

On the south coast of Crete, on a magnificent white sandy beach, stands one of the most beautiful Venetian fortresses, Fragokastello, built in 1371. It is located approximately 170 km from Iraklion, 70 km from Rethimnon, and 70 Km from Hania. Today, Fragokastello is a small, but developing, community, with nice beaches covered in sand dunes, and limited, but increasing, tourist facilities.The Villages Patsianos and Kalikratis, the castle, the history of the place and the fenomenon of Drossoulites...

The Minoan villa at Vathypetro was most likely the residence of a local ruler. Its architecture is comparable to that of a "Little Palace": it has a central and west court, a small tripartite shrine, a three-columned portico, storerooms and workshops. It seems that the construction of the building was never completed. Interesting elements of its architecture are the installations of a wine-press in the south wing and an oil-press in the courtyard.

The Archaeological Museum of Archanes opened in 1993. It occupies an area of 570 square meters and it is located at the Tzami quarter in the center of the settlement. There, for the first time in Crete, the archaeological finds from a single site are exhibited. While the exterior spaces of the building were adapted to a tasteful ensemble, in resemblance with the impressive modesty of the environment and the traditional ochre and rosy colour tonations of Archanes. The interior was thus arranged as to accommodate the most modern mode of exhibition, especially attractive for the visitor.

Excavations at Phourni have brought to light 26 buildings, most of which had funerary use. The cemetery was used from 2400 B.C. until 1200 B.C. and each complex had more than one architectural phase. Most of the funerary buildings were used for many decades and contain successive burials. Excavations were begun in 1964 by Efi and John Sakellarakis and have been continued until today (1995) with short interruptions. Most of the buildings are preserved in good condition.

The fortified enclosure of the Venetian Chandakas of the 15th century, which is still preserved today, is one of the most significant monuments of its kind in the whole Mediterranean basin.
Triangular in shape, with its base at the sea, the mighty enceinte has a perimeter of about 5.5 kilometres. The hallmark of the defensive layout are the bastions, linked by curtain walls decorated at many points by escutcheons and the lion of St. Mark, symbol of Venetian omnipotence. The gates in the enceinte, which served to link the town to the countryside, still stand as important architectural monuments.
To this day, the walls that withstood the Ottoman siege in the mid-17th century mark out the boundary of the old town.

The bastion heart shaped in plan with an acute angle, has two "piazza bassa" and one cavalier. It defines the southeast and the highest part of the fortification. Its name is due to Gabriele Tadini Martinego (1520) who started the construction of a circular tower at the place of the later bastion. It was one of the strongest bastions (the others were that of Pantocratora and that of Vittouri) which also suffered the main attack and most of the bombardment from the Turks.
On the top of the bastion itself there was made a cavalier (which looks like a smaller bastion), whose main purpose was the better defense and control of the area around the bastion.

The grave of Nikos Kazantzakis, the famous Cretan writer, is situated on the highest point of the Venetian fortification at the Martinego cavalier. The inscription by the wooden cross reads: " I hope for nothing. I fear nothing. I am free ", a phrase taken from "The Odyssey" which Kazantzakis considered as one of his most significant works.

The playgrounds of the Academy of the local football team "Ergotelis" are located today on the main bastion and in the ditch around the bastion are the botanical gardens of the city.

The Natural History Museum of Crete is housed in the renovated former premises of the Heraklion Public Power Corporation, on Dermatas’ Bay. With an area of 3,500 m2, it is the largest exhibition of its kind in the Mediterranean, showcasing the natural environment of Crete and the wider Mediterranean area in an innovative, original way.

Agia Ekaterini church and Exhibition of Byzantine Art and Ecclesiastical objects. A small sinaitic church of St. Catherine with a Basilica design, houses an exhibition with works of art from the Cretan renaissance. Among the exhibits are some of the most important icons of the Cretan School, ecclesiastical books and manuscripts, vestments, ecclesiastical vessels and relics, wall-paintings, wood-carvings and sculpture.

The Cathedral of St. Minas:The small church of St. Minas did not meet the religious needs of the constantly growing Christian community, so the demand arose for the erection of a new cathedral. The plot for the new church used to be a garden that belonged to a Turk from whom it was bought. The architect was Athanasios Moussis and in 1862 the foundation stone of one of the most magnificent and impressive Greek churches was laid. The outbreak of the Cretan revolution of 1866 demanded the stopping of the building work which will continue in 1883 in order to be completed in 1895, when the inauguration of the exquisite temple took place. The church is of the cruciform type with a dome based on a high spandrel, while internally there are also elements of a three aisle basilica. It has two bell towers, one in the northeastern corner and the other in the southeastern one. The right aisle is dedicated to Apostle Titos and the left one to St. Ten Martyrs of Crete. The inside of the church has gone through many changes with new additions. With plans of the architect Anastasios Orlandos the woodcut icon screen was replaced by another one made of marble, the same happened with the bishop's seat. The religious painting of the church was assigned to St. Kartakis who followed faithfully the principles and the models of the Byzantine icon painting. The hundredth anniversary from the inauguration of the Cathedral Church of St. Minas (1995) was celebrated with every solemnity that is suited in an equal occasion and more specifically to one of the most glorious and imposing Greek churches.