It was made by "capitano" Gianmatteo Bembo between 1552-1554, it dominates in today's Kornarou square, next to a later Turkish philanthropic fountain. It is decorated with coats of arms and other elements of the renaissance and of gothic type, while in the middle a big headless statue stands out of the roman period. The spring is ornated with floral and embossed elements.

It was made by Giovanni Sagredo between 1602-1604, part of it has been built in the Northwest corner of today's Loggia (Town Hall) and it is decorated with a carved female statue which according to Gerola's description probably with the left hand she was holding a shield, while with the right one a kind of a big hammer for display, representing the personification of Crete.

It was built in 1776 by Hadji Ibrahim aga. In order to keep it working, he dedicated almost all his property. It is unique in its kind that is still preserved today. It is of a circular type building with a "tholos" and around the walls there are semi-circular windows with rails, in front of each one of them there exist a tap with a stone basin for the water to be collected. Today it is used as a coffeehouse.

It is in the Ikarou Avenue, next to the Epigraphic Collection of Heraklion Museum. Within an arched construction which, is surrounded by two big square columns, decorated with rosettes, there is a relief spout of fine workmanship. The water is gathered in a marble basin adorned by a richly decorated relief.

The Basilica of Saint Mark is one of the most important Venetian buildings-monuments in Heraklion. Today it houses the city’s Municipal Art Gallery. The Venetians, wishing to consolidate their dominance over their new colony (Heraklion) and to express their gratitude and love for their mother country, built a church in the city’s centre dedicated to Saint Mark, patron saint of Venice. The Basilica managed to survive various earthquakes which afflicted Heraklion over the centuries with only minor repairs. During the Turkish rule it was converted into a mosque, the Defterdar Mosque, named after Defterdar Ahmet Pasha, the head of the financial department. The Ottomans demolished the bell-tower of the basilica and raised a minaret in its place, which in its turn was taken down by the residents of Heraklion after the liberation of the island in their attempt to erase the unpleasant reminders and symbols of the Turkish occupation.

Smari has a very long history and was inhabited, according to reliable sources, from the proto-Minoan period onwards. The archeological relics in the Akropolis of the hill called Profitis Elias, excavated under the direction of the Archeologist D. Hatzi Vallianou, indicate a continuous human presence from the Middle-Minoan period to about 630 B.C.

The Fortezza castle, at the top of a low hill named "Palaiokastro" dominates the town. It was built in 1590 to protect the city from the pirates raids and the Turks.
The name "Palaiokastro which means 'The old Castle' was in use even by the Venetians which demonstrates the existance of an even older castle at this place. - Probably the acropolis of the ancient town of Rithymna.
The interior of Fortezza accommodated the following basic buildings: the storeroom of the artillery, where canons and weapons were kept, the residence of the Councilors, where one of the city's two Venetian councilors lived, the residence of the Rector, which represented a luxurious, magnificent building in the central square of the fortress.
Today parts of those buildings, as well as of some others built later, can be seen. The view from up there is magnificent, especially at night.
The municipal theatre "Erofili" stands also at Fortezza's premises. It is an outdoor theatre that hosts almost all the performances during the Renaissance Festival.

The Contemporary Art Museum of Crete was founded in 1992 as Municipal Gallery ‘L. Kanakakis'. It is housed in a Venetian building at the old city of Rethymno, below the Fortezza fortress and the Archaeological Museum. It houses a permanent exhibition of the work of Lefteris Kanakakis (oil paintings, sketches and aquarelles), thus representing all the stages of his achievements, as well as works of contemporary Greek artists, which cover a broad spectrum of modern Greek art as it has been accomplished from 1950 until today.

Address: 5, Heimaras Str. 741 00 Rethymno
Tel: +30 28310 52530
Website :www.rca.gr

It is housed in the church of Agios Frangiskos in the center of the old town. It exhibits objects from the Neolithic to the Roman period, found at the prefecture of Rethymno (mainly Eleftherna, Monastiraki and Armeni). Clay figurines, funerary coffers, grave offerings, statues, grave steles, red-figure vases, bronze vessels, jewellery and glass vases, are some of the objects on display.
St. Francis Church - 4 Agiou Fragiskou str.,
Telephone: +30 28310 27506
Email: efareth@culture.gr
Open
Winter: 08:00 - 15:00 November 1 - March 31
Summer: 10:00 - 18:00 April 1 - October 31, except Tuesday.

Loggia has been built during the 16th century and was designed by the famous architect Michel Sanmicheli. Loggia was an eminent building of the city centre and has been a meeting point for the nobles to discuss political and economical issues. The building is very well preserved; it is square and has arches on its three sides (besides its west side). The consoles of its eaves are spectacular. During the Turkish occupation the loggia became a mosque and a minaret was constructed, which was later demolished in 1930. The past 40 decades the building of Loggia hosted the archaeological museum of the city, which has now moved to a building next to Fortezza. Today loggia hosts a market of archaeological art copies.

During Venetian occupation the mosque Neratzes, which today is used as a conservatory, was the Augustinian church of the Holy Virgin. In 1657 the Turks transformed it into the mosque 'Gazi Housein' or 'Neratze', and in 1890 they added a large minaret with two galleries, which was built from the famous stones from the village of Alfa. The chapel of the Holy Virgin, situated at its west side and dedicated to the Body of Christ, was also transformed into a seminary. Outstanding elements of this building are the doorframe and the three domes.

A. Rimondi, the Rector of the city, built the famous Rimondi Fountain, which is situated at present day Platanos Square, formerly the centre of Venetian city life, in 1626. The water runs from three spouts in the shape of a lion's head into three sinks. Three small, fluted columns, ornamented with Corinthian capitals are "standing" on the sinks. Above the capitals an entablature can be observed, the middle part of which displays four projections in the shape of the leaves of the acanthus exactly above the columns. Furthermore in this section the words LIBERALITATIS and FONTES are inscribed.

The Historical and Folklore Museum of Rethymno is located next to the Neratze Mosque. It is an institution of public benefit, founded in 1973 by the President of the Historical and Folklore Institution, Christoforos Stavroulakis, and Fali Vogiatzaki. The museum is housed in a restored Venetian building with an interior courtyard. The building is a wonderful piece of urban residence of the last phase of the Venetian occupation of Crete, built in the renaissance style by traditional craftsmen.

Nikos Xylouris (Greek: Νίκος Ξυλούρης, 7 July 1936 - 8 February 1980), nicknamed Psaronikos (Greek: Ψαρονίκος, "Grey Nick"), was a Greek composer lyra (Cretan lyre) player and singer from the town of Anogeia. He was part of the movement that brought down the Greek military Junta of 1967. His songs and music captured and described the Greek psyche and demeanor, gaining himself the title the archangel of Crete.

The church of Saint Francis is one of the most important monuments of Rethymno. It was the main temple of the Monastery of the Franciscan Order. The architecture of the building - a single aisle Basilica type with wooden roof - and its ornaments are very interesting. Next to the east side of the temple two deserted chapels are preserved. Its Corinthian style main doorway is impressive, with capitals of composite order. During recent excavations around the church valuable archeological findings have been discovered, including two tombs of Venetian nobles.
During the Turkish occupation the temple was turned into an "Imaret" (a shelter for the poor).
It was also used as a cultural center until 1996. It was recently renovated to accommodate the Byzantine and Post-Byzantine Collection of the Prefecture of Rethymno.

The Mosque took its name from the Turkish commander of the marine operations to conquer Rethymno, in 1646. During the Venetian Period, the Mosque became a monastery dedicated to St. Barbara. West from the central building, there is the deserted minaret of the mosque. The fountain of the Mosque is attached to the roofed entrance of the Mosque's garden, where believers washed before entering the Mosque and provided the area with fresh spring water.

The «General Provisioner» Antonio Priuli made it in 1666 and it is situated today behind the "Bodosakeio" Primary School (in the area of the Venetian Dermata Gate). He decorated it with round and square columns with Corinthian type capitals, while a triangular pediment crowns the whole construction. From both sides of the columns there are niches with their metopes elaborately decorated. In the middle of the fountain there is a Turkish inscription where there is a reference to the name of the Turkish pasha who managed to bring water again in the fountain.

It is an essential public building in every Venetian city, which was not absent even from the colonies. For Candia, Loggia is considered to be one of the most elegant architectural monuments of the Venetian period, a representative sample of the palladian style. During the Venetian period, Loggia was the official meeting place of sovereigns and nobility where they discussed various topics that had to do with economic matters, commercial, and political ones.

It is situated approximately in the middle of the seaside wall. It was built from the first years of the venetian domination and belonged to the monastic order of Dominicans (Domenicani Predicatori). It was one of the most important and biggest Catholic monasteries of the city. The earthquake of 1508 caused a lot of damages to the temple. It consists of a long aisle which is roofed by a two slope roof and ends at a sanctuary roofed by two vaults. To the north and south wall of the temple there are windows of different types that were opened either during the Turkish period, or even earlier.

The Archaeological Museum of Archanes opened in 1993. It occupies an area of 570 square meters and it is located at the Tzami quarter in the center of the settlement. There, for the first time in Crete, the archaeological finds from a single site are exhibited. While the exterior spaces of the building were adapted to a tasteful ensemble, in resemblance with the impressive modesty of the environment and the traditional ochre and rosy colour tonations of Archanes. The interior was thus arranged as to accommodate the most modern mode of exhibition, especially attractive for the visitor.