There are numerous findings all over Crete that demonstrate the role that wine making played during the Minoan ages.

Find the Greek name days.

The site was first discovered by a teacher who noticed that two pupils were playing football using a minoan vase as a ball!. He mentioned the fact to the authorities and the excavations that followed unearthed about 300 tombs of the Late Minoan III period (1450-1100 BC). As the tombs had not been yet looted, the archaeologists found significant treasures like vases, weapons, statuettes, jewels etc.
It is obvious that such a big cemetery should belong to a big city which, despite the extended investigations of the archaeologists, has not been discovered yet.

Two small dry and uninhabited islets off the bay of Messara, ~7.5 naut. miles to the west of Matala. Due to their close proximity to one another the two islands appear as one from a distance. They are also called "elephantaki" as from north they look like a baby elephant that is lying down. In mythology it is believed that the goddess Lito gave birth to the god Apollon and the goddess Artemis on these islands. In antiquity they were called Dionissioi after the god Dionissos.
During the summertime there are small cruising boats that bring tourists here from Agia Galini and Kokkinos Pyrgos. There is only a small beach with fine pebble and rich seabed at the south side of the easternmost islet.

Koufonisi is a small island in the Libyan Sea just off the South East coast of Crete and the Cape of Goudouras.
It is also named LEFKI and gave its name to the municipality.
There is a cluster of small islets in the area like Makroulo, Strogylo, Trahila and Marmara. The island is deserted and in many spots it is covered with sand reminding an African landscape.
Until 1976 the shepherds used to feed their sheep there but it was not inhabited.
Later the Archaeological Offices of Eastern Crete under the authority of N. Papadakis began the excavations and the island proved to be full of ancient sites.
A beautiful theater, made of stones, at the North West end of the island opposite the Marmaras islet was discovered. At the South East of the theater where a settlement was found, a villa with 8 rooms and a guest room was brought to light.
The excavations also showed a workshop where the famous purple robes of the Romans was made. They also dig out an astonishing building, the Public Baths, dated back to 1st and 4th A.D. and ruins of an old temple.
Boats depart daily from Makrygialos to Koufonissi (during the tourist season and only if the weather permits) offering day-trips.

A short description of Lefki, by the archaeologist Nikos Papadakis:
Koufonisi island covered today with sand and bushes, lies close to the southeast shore of Crete. From the Middle - Ages until today is nowhere referred that the island has ever been inhabited permanently. However scattered ancient remnants, drew the attention of the English admiral and traveller T B. Spratt in the mid - 19th century. His itinerary and visit was repeated by the English archaeologists Bosanquet and Curely in 1903 and by the American A. Leonard jr in 1970. The definite conclusion all the above travellers reached was that Koufonisi could be identified with the island Lefki of antiquity for which the people of Itanos and Hierapytna were contending as it is referred in the famous "Inscription of Magnetes" of 112 - 111 B.C.
Excavations and archaeological research have since 1976 taken the responsibility to answer to the questions almost innate and consequent to the above conclusion and the result is undoubtedly impressive: An entire theater that could have housed a thousand spectators: a temple still containing fragments from the colossal cult statue: two private houses with 17 rooms decorated with mosaics and colourful walls: a system supplying water to the city through a series of vaulted cisterns and built pipes: a Minoan acropolis: cemeteries and last but not least the city of Lefki itself. Thus, slowly but steadily is unveiled the short but impressive presence of this small island nearby east Crete. Judging from the so far finds we can say that Lefki being one of the major centers of processing and trading purple, a symbol of authority and economic power soon became the object of rivalry among its neighbours. A series of diplomatic intrigue and fighting had occurred over the dominance of this prolific island. Later when its sources of prosperity were depleted the people of Lefki were exterminated through arms and fire: an invasion in the 4th century A.D. turned the historic island into ashes. On the basis of the existing ruins the importance it had for its neighbours and the fact that it was never again inhabited after its destruction we may describe Koufonisi by quoting a western journalist as Delos of the Libyan Sea.

A small picturesque village by the sea characterized as a landscape of exquisite, natural beauty. With joyful and peaceful inhabitants who constantly tease each other. It is located in Crete, north of Lasithi prefecture, between Agios Nikolaos and Sitia, at equal distance (30-35km) from the three major cities(Agios Nikolaos, Sitia, Ierapetra).
Ideal place for holiday or special weekends.
You will enjoy the most colourful sunset and the most beautiful daybreak from any other place. The serenity of the morning open view, with the sun rising from the sea, will be unforgettable.
The small island, opposite the village, with the small church of Agios Nikolaos, offers a unique beauty to the landscape.

The ancient city of Lyktos or Lyttos (GR: Λύκτος / Λύττος) was one of the most ancient and powerful towns in Crete.
Although the excavations in the area reveal traces of habitation from the Hellenistic years onwards (630 B.C.), the archeologists Georgios Rethemiotakis and Angeliki Lempesi have excavated traces of habitation from the time of the destruction of Lyttos by the Knossians (219 B.C.) in excavated residences of the Hellenistic period.
From the Roman period, the city was subject to new workings as testified by the architectural remnants and the many inscriptions and statues discovered.
Numerous vestiges of ancient structures, objects, and broken marbles are seen, as well as an immense arch of a Roman aqueduct, by which the water was carried across a deep valley by means of a wide marble channel. Traces of the aqueduct which brought its water supply from Kournia, near Krasi village, are still visible today in the rural road to Kastamonitsa village. Lyktos had also a theatre, built in the slope of the hill the design of which we know only from the drawings of Belli (1586).
Finally, the most important discovery is that of a room of nearly 14 metres by 11.40 metres, with marble flooring and a series of four stone platforms along its two longer sides. The room was erected, according to the inscription that was found at the site, at the beginning of the second century B.C. This room was identified as the chamber of the Roman deputies of the city and was very probably destroyed by an earthquake at 365 AD.
Lyktos appears to have still been inhabited in the 7th Century AD as indicated by the excavation of late-roman shops in the area. (Late Roman Empire, 284-610 AD)

Great painter famous as "EL GRECO"(Fodele Iraklion Crete 1541 - Toledo Spain 1614) El Greco's art is the product of both his time and his genius. The artistic currents and the places he visited, are reflected in his work. It is more difficult to outline precisely the influence of the Cretan School in his work. Birth name: Doménikos Theotokópoulos (GR: Δομήνικος Θεοτοκόπουλος)
Born :1541 Crete, then Republic of Venice
Died :April 7, 1614 Toledo, Spain
Field :Painting, sculpture and architecture
Movement :Mannerism, Antinaturalism
Famous works :El Espolio (1577–1579), The Assumption of the Virgin (1577–1579), The Burial of the Count of Orgaz (1586–1588), View of Toledo (1596–1600), Opening of the Fifth Seal (1608–1614).

The Monastery of Kapsa is located 40 km from the town of Sitia at the exit of the Pervolakia Gorge built against the steep rocks overlooking the Libyan sea. The exact time of the foundation of the monastery is still unknown, while some believe that it was in the 15th century. Until 1841 there were only a small chapel dedicated to the Saint John the Baptist and a few cells.

In Makry Gialos, at the place Katovigli, near the church of the Dormition of the Virgin, have been unearthed remains of a Roman Villa. Pendlebury (BSA XXXIII p. 100) had already noted the existence of a Roman settlement here. Excavations begun in 1977 (not yet completed), have shown that there were indeed large domestic establishments, dated from the 1st century BC to the 3rd century AD, but it is not possible at this stage of the excavations to draw definite conclusions. One room after another has been discovered and the whole excavation so far, covers an area of roughly 1500 sq.m.

In 1971 systematic excavations were begun by the Ephor of Antiquities Kostis Davaras north-west of the village at Plakakia. Here he located an important villa of the lateminoan period. The dig was completed in 1977 having shown that the villa had been destroyed by fire.It had strong outer walls, inner courts, many rooms with thresholds, flagged floors and areas perhaps connected with the worship of the Sacred Tree. It must have been roofed with bamboo canes covered by a layer of clay (as a number of the older traditional village houses still are). Among the most important movable finds were vessels of pottery and stone, figurines and an amygdaloid seal-stone of steatite engraved with a representation of a Sacred Ship. On the ship a sacred precinct or altar is shown with a tall palm-like tree standing like a mast. On the prow of the ship a worshiper or a priestess stands facing the altar, clenched fist raised to the brow in the recognized Minoan attitude of worship. This is the first clear evidence of the existence of Sacred Ships or Boats connected with the Minoan religion; it has its parallels in the ancient religions of Egypt and Mesopotamia.
Source: "Sitia" by Nikos Papadakis - archaeologist

Eleftherna (Eleutherna GR: Ελεύθερνα) is located on the foothills of Mount Psiloritis, in the heartland of Crete, 25 km. southeastern of Rethymnon. It was inhabited continuously from the Sub-Neolithic period (4th millennium BC) down to the 12th cent. AD and its rich history is now summarized by five hundred selected artifacts unearthed from houses, shrines, public buildings and tombs.

The Archaeological Museum of Aghios Nikolaos is one of the most important in Crete and has been in operation since 1969. It houses collections of very important archaeological finds from the whole of Eastern Crete, an area extending from Malia as far as Zakros. These are displayed in chronological order from the Neolithic period (5700 - 2800 B.C.) to the end of the Roman times (100 B.C. - 400 A.D.) Its showcases include more than 1350 vases from the 3rd millennium B.C. as well as gold and copper finds (the most ancient found in Crete).

A Luxurious, two-storey house, built of large ashlar. The walls were strengthened by timber-frames and covered with a thick layer of plaster and marble slabs. The building has a paved courtyard, a shrine, storerooms for agricultural products, a staircase, and rooms with benches. It has been interpreted as a High Priest's house, due to the numerous ceremonial vessels it contained.
The house was probably built in the 16th century. C. (MM III period) and, after its destruction by fire in the 15th century BC (LM IB period), was finally abandoned.
The "Minoan Megaron" at Nirou was excavated in 1918 by St. Xanthoudides. In 1960, under the supervision of the Ephor of Antiquities N. Platon, the site was fenced and the building restored. The monument is consolidated and cleared at intervals by the 23rd Ephorate.

Visiting Hours:
Daily: 8:30-15:00, Monday: closed
Entrance Fee:Free Admission

The Lassithi Plateau (GR: Οροπέδιο Λασιθίου, Oropedio Lasithiou), is a high endorheic plateau, located in eastern Crete, Greece on the mountain range of Dikti at an average altitude of 840 m, and in a distance of around 55km from Heraklion and 50km from Agios Nikolaos. The plateau is elliptical in shape with an E-W axis of 11km and the N-S of 7km.
The plateau of Lassithi is renowned for its exceptional agricultural produce, the thousands (almost 15000) windmills that used to be there in the past, its significant historical role and for the unique cave of Psychro also known as "Diktaion Andron".

Michael Damaskenos or Michail Damaskenos (Greek: Μιχαήλ Δαμασκηνός, 1530/35-1592/93) was a leading post-Byzantine Cretan painter. He is a major representative of the Cretan School of painting that flourished in the 16th and 17th centuries, whilst Crete was under Venetian rule. He was a near-contemporary of the most famous Cretan painter of any period, El Greco, but though Damaskinos also went to Italy, he remained much closer to his Greek roots stylistically.
There is little information regarding the life of Damaskinos. He was born in Candia (today's Herakleion), the son of Tzortzis Damaskinos. He had a daughter named Antonia who married the painter Yannas Mantoufos. Damaskinos lived in Venice for several years, where he learnt miniature painting and travelled extensively throughout Italy[1]. He was a member of the Greek Brotherhood of Venice from 1577–1582, having been in Venice since 1574. He painted along with Emmanuel Tzanes the Greek Orthodox Cathedral of San Giorgio dei Greci in Venice. In 1584 he was back in Greece and worked mainly in Crete and the Ionian islands. His works are in traditional Byzantine style but with many influences from Venetian painting, mainly Renaissance artists such as Tintoretto and Paolo Veronese. He used a particular rose colour that characterised his paintings, his figures dimensions are defined by only few brushes while he was drawing wooden and never marble thrones as was typical in the Cretan School. That Damaskinos was highly regarded is shown by him being invited from Crete, despite all the many Greek artists already in Venice to paint the frescoes of San Giorgio dei Greci.[2]. Damaskinos was also the first artist to introduce paler flesh tones into post-Byzantine painting and it was one of the stylistic features of his work which proved highly influential from the second half of the sixteenth century and onwards [3]. As was usual for distinguished painters, Damaskinos signed his works: ΧΕΙΡ ΜΙΧΑΗΛ ΤΟΥ ΔΑΜΑΣΚΗΝΟΥ or ΧΕΙΡ ΜΙΧΑΗΛ ΔΑΜΑΣΚΗΝΟΥ, ΔΑΜΑΣΚΗΝΟΥ ΜΙΧΑΗΛ ΧΕΙΡ or even ΠΟΙΗΜΑ ΜΙΧΑΗΛ ΤΟΥ ΔΑΜΑΣΚΗΝΟΥ (creation of Michael Damaskinos) [4]. Damaskinos having worked extensively in the Ionian islands has contributed to the fusion of the Cretan and the Heptanese School of painting.
source: http://en.wikipedia.org/wiki/Michael_Damaskinos

The Folk Art Museum of Aghios Nikolaos, in collaboration with the "Cultural Society of Eastern Crete", founded in 1978. All the original and important material was generously offered by the Touring Club of Aghios Nikolaos. Since then more objects have been added to the collection.
A visit to the Folk Art Museum will help you to become familiar with the sort of work and activities the people of this area had in the old days. The Museum houses a rich and beautiful collection of hundreds of genuine samples of Cretan popular art and mainly hand woven and embroidered pieces, some of which are unique.

The museum was founded at the end of the 19th century, during the Turkish occupation of Crete and was housed in several buildings in the past. Today it is housed in the building of the Commercial Ottoman School, which is protected by a preservation order. The collection includes findings from the broader area and from the Minoan to the Roman period. Among the items are painted sarcophagi, lamps, vases, figurines, relief plaques. One of the most important exhibits of the museum is the Clay sarcophagus dated to 1450-1400 B.C.

The fort, built by the Venetians and Known to Ierapetrans as the "Kalés" (GR: Καλές), has been erected on the top of the southernmost mole of the ancient harbour. It is one of those monuments of the past which, because of its solid construction and the fact that it was still garrisoned until the latest years of the last century, still exists today to serve as a reminder of some of the nation's most difficult times.

The Municipality of Nikiforos Fokas is located in the north of Rethymnon Prefecture. The area is known for its outstanding natural beauty and its historical tradition and architecture. All of the municipality's settlements are steeped in history and contain fine examples of architecture, featuring stone buildings with vaulted entrances (known as "diavatika") and magnificent thresholds.
The municipality's jurisdiction extends over the fourteen former community wards of Agios Konstantinos, Ano Valsamonero, Atsipopoulo, Gerani, Gonia (Athanatos), Zouridi, Kalonyktis, Kato Valsamonero, Malaki, Mountros, Prines, Roustika, Saitoures and Frantzeskiana Metochia, which comprise a total of 21 villages.