Apladianá (GR: Απλαδιανά) is a small village built at the foot of the two Kouloukona heights. The settlement stretches out along the old national road, where it developed after the opening of the new national road. It comprises cafes, tavernas, and accommodation facilities included in the Countryside Tourism programs.
It is worth your while, however, to visit the old village, climbing there on foot or by car. Picturesque, narrow streets, wonderful old houses with interesting architectural elements, old cisterns and churches will reward your efforts.
The old village built on a height of 260 m above sea-level has 175 inhabitants and the settlement along the old national road, known as "Kampos ton Apladianon", has 78 inhabitants. It is 40 kilometres away from Rethymnon and is located at the foot of the highest peak of the Kouloukona mountain in the Tallaios range.
Historical background
Already as far back as 1368 we find a mention of the Aplada family, the founders of the present village and in the topographical maps of the Civil Engineering Services of Rethymnon it figures as Pladiana. The settlement is not mentioned in the 16th and 17th cent. documents. In the 1881 census, Apladiana is attributed to the commune of Garazo, with 57 inhabitants and in 1900 it is referred to as the Apladiana Commune which, together with the Cheliana settlement, had 153 inhabitants.

Established in 1927, AGRUNION is one of the largest agricultural cooperative unions of Greece, with 167 members of 1st degree and over 47.000 members (farmers). Its range of products include olive oil, wines, vinegar and table grapes, sold into the Greek and foreign markets. They are produced in new-built factories equipped with foremost technological equipment, totally owned by AGRUNION.

Mathia is 11 km to the SE of Kasteli, has 215 inhabitants and lies at 590 m above sea level, in the foothills of the Afendi mountain (1578 m), with the Dikti mountain in the background.
The earliest reference to the village can be found in several contracts of 1271 where the notary of Chandax P. Scardon mentions commercial exchanges of grain and wine with residents of the village ‘Mithie’, possibly a misspelling for Mathia. The name derives from the common first name for girls, ‘Mattia’, which in Crete is pronounced ‘Mathia’.
Burials in jars of the middle Minoan period were discovered in 1957 close to the village, in a place known as Stavroplaka. To the NW of the village, at Katalimata, a Late Minoan site with important finds and, 200 m further off, a settlement with large walls still in place were also found.There are wonderful Byzantine wall paintings in the two churches of this traditional village, the church of Koimisi tis Panagias (Dormition of Our Lady) and the church of Agios Giorgos.
At Metochi, in beautiful surroundings where the historical holm-oak of Ismail Pasha stands among plane trees and running water, there are camping facilities.
You can also visit an old factory and several ruined mills.
The village boasts of several kapheneions where they serve raki and ‘mezedes’ (tit-bits).
There is an active cultural centre, that organizes events especially in the summer, with evenings of Cretan music and theatre plays. The most important and traditional feast is held on the Sunday of Agioi Pantes, 50 days after Easter.

The bastion heart shaped in plan with an acute angle, has two "piazza bassa" and one cavalier. It defines the southeast and the highest part of the fortification. Its name is due to Gabriele Tadini Martinego (1520) who started the construction of a circular tower at the place of the later bastion. It was one of the strongest bastions (the others were that of Pantocratora and that of Vittouri) which also suffered the main attack and most of the bombardment from the Turks.
On the top of the bastion itself there was made a cavalier (which looks like a smaller bastion), whose main purpose was the better defense and control of the area around the bastion.

The grave of Nikos Kazantzakis, the famous Cretan writer, is situated on the highest point of the Venetian fortification at the Martinego cavalier. The inscription by the wooden cross reads: " I hope for nothing. I fear nothing. I am free ", a phrase taken from "The Odyssey" which Kazantzakis considered as one of his most significant works.

The playgrounds of the Academy of the local football team "Ergotelis" are located today on the main bastion and in the ditch around the bastion are the botanical gardens of the city.

The fortified enclosure of the Venetian Chandakas of the 15th century, which is still preserved today, is one of the most significant monuments of its kind in the whole Mediterranean basin.
Triangular in shape, with its base at the sea, the mighty enceinte has a perimeter of about 5.5 kilometres. The hallmark of the defensive layout are the bastions, linked by curtain walls decorated at many points by escutcheons and the lion of St. Mark, symbol of Venetian omnipotence. The gates in the enceinte, which served to link the town to the countryside, still stand as important architectural monuments.
To this day, the walls that withstood the Ottoman siege in the mid-17th century mark out the boundary of the old town.

Behind the "N.Kazantzakis open theatre", in the low square of the Gate of Jesus, was made after the proposal of Manos Hatzidakis and the design of Dionysis Fotopoulos, the Small Open Theatre, that recently named after the famous composer. It is constructed in a way so that is not caused damage in the Venetian Walls, that have been characterized as preservable monuments. In the "Manos Hatzidakis open theatre" (400 - 450 seats), as in "N.Kazantzakis open theatre" a lot of important events took place during the Heraklion Summer Festival.

Oasis is the part of the ditch of the new Venetian fortification that corresponds to the Rampant of Jesus. East of the entry of Oasis is the Cyprus square, roughly 600m from the centre of the city. For the first time, Oasis functioned as a small theatre during the 2nd world war when enough pines were cut. Then, up to 1963, a lot of assemblies took place here, mainly political. In 1963, the first serious effort of exploitation of Oasis as summer theatre, which was maintained up to 1976. In 1976 the theatre was created with the form that it has today. It became a modern open theatrical space of 1200 seats with all the necessary comforts.

Kastelli (GR: Καστέλλι) is a small town in the countryside of the province of Pediada. It has over 2000 inhabitants and provides all the modern facilities and public services its residents and/or visitors may need. Many events are organized through the year by the municipality, the school and the cultural centre. In August a special festival, known as the Feast of Xenitemenou (ex-patriot feast) includes concerts, folklore, exhibitions and theatre plays.

9th June- I rested for a day in the Kalliopi hotel, tended to my feet as best I could and tried to “carb-load” as instructed by my tri-athlete daughter...I made the decision to take as direct a route as I could towards Profitis Ilias in order to make my rendez-vous with Triantafyllos at Rouvas the following evening. This meant leaving the official E4 and bypassing Archanes and Ghiouktas and all the interesting historical stuff.
Distance: 38.5 km
Time: 11.5 hrs.
Mov av 5 km/hr
Height overnight: 175m.

In the heart of the city center of Heraklion, opposite the church of Agios Minas, is the Museum of traditional music, instruments, research & documentation with the characteristic title 'Thirathen'.
The Museum was founded in 2012 with its headquarters in the historic village of Krousonas, in the Municipality of Malevizi. In December 2023, it opened its doors to the public, in its new space in the center of the city of Heraklion.

The Holy Monastery of Preveli, to mark the occasion of the 60th anniversary of the Battle of Crete, decided to erect privately and under its supervision, an international memorial dedicated to the Resistance of the Cretan Population and Peace.
The Memorial was erected on the monastery's own land, on a site with a stunning panoramic view, overlooking the Libyan sea. The site is alongside the main bitumen road to the Monastery, and just 1.8 kms before the Monastery itself.

Agia Ekaterini church and Exhibition of Byzantine Art and Ecclesiastical objects. A small sinaitic church of St. Catherine with a Basilica design, houses an exhibition with works of art from the Cretan renaissance. Among the exhibits are some of the most important icons of the Cretan School, ecclesiastical books and manuscripts, vestments, ecclesiastical vessels and relics, wall-paintings, wood-carvings and sculpture.

The Cathedral of St. Minas:The small church of St. Minas did not meet the religious needs of the constantly growing Christian community, so the demand arose for the erection of a new cathedral. The plot for the new church used to be a garden that belonged to a Turk from whom it was bought. The architect was Athanasios Moussis and in 1862 the foundation stone of one of the most magnificent and impressive Greek churches was laid. The outbreak of the Cretan revolution of 1866 demanded the stopping of the building work which will continue in 1883 in order to be completed in 1895, when the inauguration of the exquisite temple took place. The church is of the cruciform type with a dome based on a high spandrel, while internally there are also elements of a three aisle basilica. It has two bell towers, one in the northeastern corner and the other in the southeastern one. The right aisle is dedicated to Apostle Titos and the left one to St. Ten Martyrs of Crete. The inside of the church has gone through many changes with new additions. With plans of the architect Anastasios Orlandos the woodcut icon screen was replaced by another one made of marble, the same happened with the bishop's seat. The religious painting of the church was assigned to St. Kartakis who followed faithfully the principles and the models of the Byzantine icon painting. The hundredth anniversary from the inauguration of the Cathedral Church of St. Minas (1995) was celebrated with every solemnity that is suited in an equal occasion and more specifically to one of the most glorious and imposing Greek churches.

It was made by "capitano" Gianmatteo Bembo between 1552-1554, it dominates in today's Kornarou square, next to a later Turkish philanthropic fountain. It is decorated with coats of arms and other elements of the renaissance and of gothic type, while in the middle a big headless statue stands out of the roman period. The spring is ornated with floral and embossed elements.

It was built in 1776 by Hadji Ibrahim aga. In order to keep it working, he dedicated almost all his property. It is unique in its kind that is still preserved today. It is of a circular type building with a "tholos" and around the walls there are semi-circular windows with rails, in front of each one of them there exist a tap with a stone basin for the water to be collected. Today it is used as a coffeehouse.

Diavaide (GR: Διαβαϊδέ) has 120 inhabitants and lies very near to Kasteli (700m to the SE) at 355m above sea level.
The earliest reference to the name is found in the Ducal Archives at Chandax in 1378. Another document in the same archives mentions a certain G. Dochiano, inhabitant of Diavaide.
In an inscription, found in the Byzantine church of Agios Georgios Sfakiotis, the name of the village is clearly mentioned, indicating that Diavaide existed well before the Turkish occupation. In that church there is a unique fresco of Byzantine art that represents Saint George and Saint Demeter passing through the sea on their horses, while at their feet lie various sea creatures; crabs, lobsters, and other fish, a strange phenomenon indeed, considering that the village is so far away from the sea. There is also the church of Agios Nikolaos in the village dated to the same period.
The village took part in all the main fights by Crete against the enemies of its freedom, while during German occupation the high college of Kastelli continued to operate in Diavaide houses.
The cultural association of the village, one of the first in this area, strives to maintain the cultural traditions and the continuity of village history through the years.

The Emmetropia Mediterranean Lasik Eye Clinic, a private-sector ophthalmic surgery clinic, offers advanced vision correction in a patient-centered environment. Access to conventional and cutting-edge refractive surgery technologies such us Lasik, Lasek and more, for a wide range of vision problems, enable our physicians to optimize results by meeting each patient´s individual needs.

The "Morosini's fountain" or "Lions' fountain" that dominates the center of Eleftherios Venizelos square in Iraklion old town, is a landmark both for locals and visitors. A masterpiece of the Venetian era that would be the pride of any city in the world.
It was made in 1628 AD, under the supervision of the General Provisioner Francesco Morosini, to satisfy Candia's (Candia was the Venetian name of Crete and its capital - Iraklion - as well) needs for water. For this purpose an aqueduct was constructed to bring the water from the sacred mountain Giouhtas.

It is next to the external Gate of St. George, underneath the statue of Eleutherios Venizelos. Within an arched construction, which its top is decorated with floral elements, there is a plaque and the spout is within a relief decorated frame. The water was collected in a marble basin of a similar decoration.

The Basilica of Saint Mark is one of the most important Venetian buildings-monuments in Heraklion. Today it houses the city’s Municipal Art Gallery. The Venetians, wishing to consolidate their dominance over their new colony (Heraklion) and to express their gratitude and love for their mother country, built a church in the city’s centre dedicated to Saint Mark, patron saint of Venice. The Basilica managed to survive various earthquakes which afflicted Heraklion over the centuries with only minor repairs. During the Turkish rule it was converted into a mosque, the Defterdar Mosque, named after Defterdar Ahmet Pasha, the head of the financial department. The Ottomans demolished the bell-tower of the basilica and raised a minaret in its place, which in its turn was taken down by the residents of Heraklion after the liberation of the island in their attempt to erase the unpleasant reminders and symbols of the Turkish occupation.